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  • April 25, 2017 - Tokyo, Tokyo, Japan - The Dino-Safari exhibition featuring these robotic dinosaurs in Tokyo, Japan. The rubber creatures make use of a 'Dino-Tronics' mechanism, which allows them to smoothly and quietly walk around, and move their heads and jaws. However the dinosaurs are not completely autonomous - performers encased in the models control their movements..The animatronics were created by Japanese firm ON-ART Corp. The exhibit, set to open on Apr. 26 at Hikarie Hall in Tokyo's Shibuya district, will feature the 4.8m tall Raptor, the 8m Tyrannosaurus Rex and the 6.5m Triceratops. (Credit Image: © Alessandro Di Ciommo via ZUMA Wire)
    RTI20170425_zap_c166_001.jpg
  • April 25, 2017 - Tokyo, Tokyo, Japan - The Dino-Safari exhibition featuring these robotic dinosaurs in Tokyo, Japan. The rubber creatures make use of a 'Dino-Tronics' mechanism, which allows them to smoothly and quietly walk around, and move their heads and jaws. However the dinosaurs are not completely autonomous - performers encased in the models control their movements..The animatronics were created by Japanese firm ON-ART Corp. The exhibit, set to open on Apr. 26 at Hikarie Hall in Tokyo's Shibuya district, will feature the 4.8m tall Raptor, the 8m Tyrannosaurus Rex and the 6.5m Triceratops. (Credit Image: © Alessandro Di Ciommo via ZUMA Wire)
    RTI20170425_zap_c166_001.jpg
  • April 25, 2017 - Tokyo, Tokyo, Japan - The Dino-Safari exhibition featuring these robotic dinosaurs in Tokyo, Japan. The rubber creatures make use of a 'Dino-Tronics' mechanism, which allows them to smoothly and quietly walk around, and move their heads and jaws. However the dinosaurs are not completely autonomous - performers encased in the models control their movements..The animatronics were created by Japanese firm ON-ART Corp. The exhibit, set to open on Apr. 26 at Hikarie Hall in Tokyo's Shibuya district, will feature the 4.8m tall Raptor, the 8m Tyrannosaurus Rex and the 6.5m Triceratops. (Credit Image: © Alessandro Di Ciommo via ZUMA Wire)
    RTI20170425_zap_c166_015.jpg
  • April 25, 2017 - Tokyo, Tokyo, Japan - The Dino-Safari exhibition featuring these robotic dinosaurs in Tokyo, Japan. The rubber creatures make use of a 'Dino-Tronics' mechanism, which allows them to smoothly and quietly walk around, and move their heads and jaws. However the dinosaurs are not completely autonomous - performers encased in the models control their movements..The animatronics were created by Japanese firm ON-ART Corp. The exhibit, set to open on Apr. 26 at Hikarie Hall in Tokyo's Shibuya district, will feature the 4.8m tall Raptor, the 8m Tyrannosaurus Rex and the 6.5m Triceratops. (Credit Image: © Alessandro Di Ciommo via ZUMA Wire)
    RTI20170425_zap_c166_014.jpg
  • April 25, 2017 - Tokyo, Tokyo, Japan - The Dino-Safari exhibition featuring robotic dinosaurs. The rubber creatures make use of a 'Dino-Tronics' mechanism, which allows them to smoothly and quietly walk around, and move their heads and jaws. However the dinosaurs are not completely autonomous - performers encased in the models control their movements..The animatronics were created by Japanese firm ON-ART Corp. (Credit Image: © Alessandro Di Ciommo via ZUMA Wire)
    RTI20170425_zap_c166_003.jpg
  • LOS ANGELES, CA, USA - DECEMBER 14: Singer H.E.R. aka Gabriella Wilson aka Gabi Wilson performs onstage at the 'WANTED' Concert Series Presented By MWP Entertainment Group Featuring H.E.R. held at The Novo by Microsoft at L.A. Live on December 14, 2018 in Los Angeles, California, United States. 14 Dec 2018 Pictured: H.E.R., Gabriella Wilson, Gabi Wilson. Photo credit: Xavier Collin/Image Press Agency/MEGA TheMegaAgency.com +1 888 505 6342
    MEGA325290_017.jpg
  • LOS ANGELES, CA, USA - DECEMBER 14: Singer H.E.R. aka Gabriella Wilson aka Gabi Wilson performs onstage at the 'WANTED' Concert Series Presented By MWP Entertainment Group Featuring H.E.R. held at The Novo by Microsoft at L.A. Live on December 14, 2018 in Los Angeles, California, United States. 14 Dec 2018 Pictured: H.E.R., Gabriella Wilson, Gabi Wilson. Photo credit: Xavier Collin/Image Press Agency/MEGA TheMegaAgency.com +1 888 505 6342
    MEGA325290_001.jpg
  • April 25, 2017 - Tokyo, Tokyo, Japan - The Dino-Safari exhibition featuring robotic dinosaurs. The rubber creatures make use of a 'Dino-Tronics' mechanism, which allows them to smoothly and quietly walk around, and move their heads and jaws. However the dinosaurs are not completely autonomous - performers encased in the models control their movements..The animatronics were created by Japanese firm ON-ART Corp. (Credit Image: © Alessandro Di Ciommo via ZUMA Wire)
    20170425_zap_c166_003.jpg
  • April 25, 2017 - Tokyo, Tokyo, Japan - The Dino-Safari exhibition featuring robotic dinosaurs. The rubber creatures make use of a 'Dino-Tronics' mechanism, which allows them to smoothly and quietly walk around, and move their heads and jaws. However the dinosaurs are not completely autonomous - performers encased in the models control their movements..The animatronics were created by Japanese firm ON-ART Corp. (Credit Image: © Alessandro Di Ciommo via ZUMA Wire)
    RTI20170425_zap_c166_003.jpg
  • LOS ANGELES, CA, USA - DECEMBER 14: Singer H.E.R. aka Gabriella Wilson aka Gabi Wilson performs onstage at the 'WANTED' Concert Series Presented By MWP Entertainment Group Featuring H.E.R. held at The Novo by Microsoft at L.A. Live on December 14, 2018 in Los Angeles, California, United States. 14 Dec 2018 Pictured: H.E.R., Gabriella Wilson, Gabi Wilson. Photo credit: Xavier Collin/Image Press Agency/MEGA TheMegaAgency.com +1 888 505 6342
    MEGA325290_101.jpg
  • EXCLUSIVE: Kelly Osbourne celebrated her birthday Saturday night with a Halloween party for family and friends at Mr Chow restaurant. Kelly was later seen leaving with a possible new boyfriend. Recently divorced brother Jack also left with a possible new girlfriend. Mum Sharon, recently axed from the UK X-Factor, and father Ozzy also attended the party. Ozzy gave photographers the thumbs up as they asked about his recovery from a life threatening thumb infection. Kelly's friends paid to have a professional cross-dresser come to the party and surprise her. 27 Oct 2018 Pictured: Ozzy Osbourne is seen. Photo credit: PGEX/MEGA TheMegaAgency.com +1 888 505 6342
    MEGA299339_030.jpg
  • Amazon has launched a ‘New Year, New You’ storefront featuring health and fitness products curated by Serena Williams, Rob Gronkowski and Gabrielle Union. The trio of celeb’s essentials range from various workout equipment, supplements, apparel, tech and more, which can all be purchased through Amazon. Tennis ace Williams, 38, selected some of her active lifestyle essentials such as a Wilson Prime tennis racket, Upright GO 2 posture trainer, Neutrogena makeup remover, Omega-3+ Vitamins, Trail Mix, among other various products. Former New England Patriot’s tight end Gronkowski, 30, opted for a Jacob's Ladder Gronk Editio step machine, Gronk Fitness workout ropes, Gronk Fitness stretch machine, and post-workout Gronk Fitness Biodegradable body wipes among his product list. Actress Union, 47, picks included an AmazonBasic Yoga mat for meditation, AmazonBasics Dumbbell Weights for strengthening, AmazonBasics High-Density Foam Roller for stretching and Powerbeats Pro - Totally Wireless Earphones to power through her workouts.   The Amazon New Year, New You storefront is being billed as a one-stop-shop for all sporting goods and fitness equipment to help achieve ‘all of your resolutions this New Year’. A spokesman for Amazon added: ‘No matter your sports passion or fitness level, Amazon Sports offers the best selection of top brands and products for you to find what you need.’. 03 Jan 2020 Pictured: Serena Williams, Rob Gronkowski and Gabrielle Union have teamed up with Amazon Sports to present a New Year, New You storefront featuring curated health and fitness products. Photo credit: Amazon Sports/ MEGA TheMegaAgency.com +1 888 505 6342
    MEGA577300_021.jpg
  • Amazon has launched a ‘New Year, New You’ storefront featuring health and fitness products curated by Serena Williams, Rob Gronkowski and Gabrielle Union. The trio of celeb’s essentials range from various workout equipment, supplements, apparel, tech and more, which can all be purchased through Amazon. Tennis ace Williams, 38, selected some of her active lifestyle essentials such as a Wilson Prime tennis racket, Upright GO 2 posture trainer, Neutrogena makeup remover, Omega-3+ Vitamins, Trail Mix, among other various products. Former New England Patriot’s tight end Gronkowski, 30, opted for a Jacob's Ladder Gronk Editio step machine, Gronk Fitness workout ropes, Gronk Fitness stretch machine, and post-workout Gronk Fitness Biodegradable body wipes among his product list. Actress Union, 47, picks included an AmazonBasic Yoga mat for meditation, AmazonBasics Dumbbell Weights for strengthening, AmazonBasics High-Density Foam Roller for stretching and Powerbeats Pro - Totally Wireless Earphones to power through her workouts.   The Amazon New Year, New You storefront is being billed as a one-stop-shop for all sporting goods and fitness equipment to help achieve ‘all of your resolutions this New Year’. A spokesman for Amazon added: ‘No matter your sports passion or fitness level, Amazon Sports offers the best selection of top brands and products for you to find what you need.’. 03 Jan 2020 Pictured: Serena Williams, Rob Gronkowski and Gabrielle Union have teamed up with Amazon Sports to present a New Year, New You storefront featuring curated health and fitness products. Photo credit: Amazon Sports/ MEGA TheMegaAgency.com +1 888 505 6342
    MEGA577300_039.jpg
  • Chris Pratt — once known as lovable but soft around the edges Parks and Rec’s Andy Dwyer — is now a poster boy for fitness following his incredible 80lb weight loss back in 2014. And now the Jurassic World and Guardians Of The Galaxy star has just launched his own Amazon storefront, featuring a variety of fitness essentials including apparel, food and supplements, electronics, gadgets and fitness and exercise equipment. The 40-year-old Hollywood A-lister is seen here showing off his biceps and honed physique in a photoshoot to mark the launch of the storefront. Within Pratt’s virtual shop customers will find all of Chris’s hobbies including yoga, golfing and boxing. Whether Chris is out on the links or hitting the gym, he makes fitness a priority. Some of his favorite items include: NordicTrack Treadmill Series, Bose Soundsport Free True Wireless Sport Headphones, Everlast Punching Bag, Titleist Golf Balls and the Manduka Yoga Mat. Chris said: ‘When I work out, I’m able to feel great and be the best version of myself. Getting my gear from Amazon also lets me do some good with Amazon Smile, which generates donations to over 1 million charities when you shop this storefront on Amazon.com/smile. Chris has curated his Amazon storefront just in time for the holidays and the new year. 05 Dec 2019 Pictured: Chris Pratt poses for a photoshoot to mark the launch of his new Amazon storefront, featuring a range of fitness essentials. Photo credit: Amazon/ MEGA TheMegaAgency.com +1 888 505 6342
    MEGA562402_015.jpg
  • An art-loving couple who are self-isolating in London have created a miniature art gallery for their pet gerbils.<br />
<br />
9-month-old brothers Pandoro and Tiramisù were met with a special surprise when their owners Filippo Lorenzin, an independent curator who works at London’s Victoria and Albert Museum, and his girlfriend, artist Marianna Benetti, unveiled a DIY miniature museum - the product of four hours of labour during the couple’s 14th day of quarantine.<br />
<br />
The little gallery features four exquisite paintings modelled on famous masterpieces.<br />
<br />
Versions of Leonardo da Vinci’s Mona Lisa, Edvard Munch’s The Scream and Gustav Klimt’s The Kiss, all rendered in Benetti’s expert hand, grace the museum’s walls.<br />
<br />
Each, of course, comes with its own animalistic twist, subbing in a rodent where a human might otherwise feature - tailored, perhaps, to the VIP pint-sized patrons.<br />
<br />
Johannes Vermeer’s The Girl With the Pearl Earring, for instance, is re-imagined as The Gerbil With the Pearl Earring.<br />
<br />
Each parody is finished off with a clean cardboard frame and a wall label featuring a QR code.<br />
<br />
Speaking to Bored Panda, Filippo said: "We visit museums and galleries whenever we can. We are interested in the artworks as much as in the way these are displayed.<br />
<br />
"Are the QR codes to engage the public working? How comfortable are the gallery stools? Is there any audio guide? etc.<br />
<br />
"When Marianna suggested to make a sort of doll house for our beloved gerbils as pastime for a lazy Sunday spent locked at home, I suggested to make a small art gallery. She is very good at painting and it was a nice opportunity to keep us busy with a fun project."<br />
<br />
According to Filippo, the gerbils love the gallery.<br />
<br />
"They seemed interested in everything but the paintings, which made us laugh," he said.<br />
<br />
"They explored the space interacting with the stool, the signs and the benches instead."<br />
<br />
Filippo and Marianna have been blown away with the reaction to the project on social media and are open to
    40449694.jpg
  • An art-loving couple who are self-isolating in London have created a miniature art gallery for their pet gerbils.<br />
<br />
9-month-old brothers Pandoro and Tiramisù were met with a special surprise when their owners Filippo Lorenzin, an independent curator who works at London’s Victoria and Albert Museum, and his girlfriend, artist Marianna Benetti, unveiled a DIY miniature museum - the product of four hours of labour during the couple’s 14th day of quarantine.<br />
<br />
The little gallery features four exquisite paintings modelled on famous masterpieces.<br />
<br />
Versions of Leonardo da Vinci’s Mona Lisa, Edvard Munch’s The Scream and Gustav Klimt’s The Kiss, all rendered in Benetti’s expert hand, grace the museum’s walls.<br />
<br />
Each, of course, comes with its own animalistic twist, subbing in a rodent where a human might otherwise feature - tailored, perhaps, to the VIP pint-sized patrons.<br />
<br />
Johannes Vermeer’s The Girl With the Pearl Earring, for instance, is re-imagined as The Gerbil With the Pearl Earring.<br />
<br />
Each parody is finished off with a clean cardboard frame and a wall label featuring a QR code.<br />
<br />
Speaking to Bored Panda, Filippo said: "We visit museums and galleries whenever we can. We are interested in the artworks as much as in the way these are displayed.<br />
<br />
"Are the QR codes to engage the public working? How comfortable are the gallery stools? Is there any audio guide? etc.<br />
<br />
"When Marianna suggested to make a sort of doll house for our beloved gerbils as pastime for a lazy Sunday spent locked at home, I suggested to make a small art gallery. She is very good at painting and it was a nice opportunity to keep us busy with a fun project."<br />
<br />
According to Filippo, the gerbils love the gallery.<br />
<br />
"They seemed interested in everything but the paintings, which made us laugh," he said.<br />
<br />
"They explored the space interacting with the stool, the signs and the benches instead."<br />
<br />
Filippo and Marianna have been blown away with the reaction to the project on social media and are open to
    40449693.jpg
  • An art-loving couple who are self-isolating in London have created a miniature art gallery for their pet gerbils.<br />
<br />
9-month-old brothers Pandoro and Tiramisù were met with a special surprise when their owners Filippo Lorenzin, an independent curator who works at London’s Victoria and Albert Museum, and his girlfriend, artist Marianna Benetti, unveiled a DIY miniature museum - the product of four hours of labour during the couple’s 14th day of quarantine.<br />
<br />
The little gallery features four exquisite paintings modelled on famous masterpieces.<br />
<br />
Versions of Leonardo da Vinci’s Mona Lisa, Edvard Munch’s The Scream and Gustav Klimt’s The Kiss, all rendered in Benetti’s expert hand, grace the museum’s walls.<br />
<br />
Each, of course, comes with its own animalistic twist, subbing in a rodent where a human might otherwise feature - tailored, perhaps, to the VIP pint-sized patrons.<br />
<br />
Johannes Vermeer’s The Girl With the Pearl Earring, for instance, is re-imagined as The Gerbil With the Pearl Earring.<br />
<br />
Each parody is finished off with a clean cardboard frame and a wall label featuring a QR code.<br />
<br />
Speaking to Bored Panda, Filippo said: "We visit museums and galleries whenever we can. We are interested in the artworks as much as in the way these are displayed.<br />
<br />
"Are the QR codes to engage the public working? How comfortable are the gallery stools? Is there any audio guide? etc.<br />
<br />
"When Marianna suggested to make a sort of doll house for our beloved gerbils as pastime for a lazy Sunday spent locked at home, I suggested to make a small art gallery. She is very good at painting and it was a nice opportunity to keep us busy with a fun project."<br />
<br />
According to Filippo, the gerbils love the gallery.<br />
<br />
"They seemed interested in everything but the paintings, which made us laugh," he said.<br />
<br />
"They explored the space interacting with the stool, the signs and the benches instead."<br />
<br />
Filippo and Marianna have been blown away with the reaction to the project on social media and are open to
    40449692.jpg
  • An art-loving couple who are self-isolating in London have created a miniature art gallery for their pet gerbils.<br />
<br />
9-month-old brothers Pandoro and Tiramisù were met with a special surprise when their owners Filippo Lorenzin, an independent curator who works at London’s Victoria and Albert Museum, and his girlfriend, artist Marianna Benetti, unveiled a DIY miniature museum - the product of four hours of labour during the couple’s 14th day of quarantine.<br />
<br />
The little gallery features four exquisite paintings modelled on famous masterpieces.<br />
<br />
Versions of Leonardo da Vinci’s Mona Lisa, Edvard Munch’s The Scream and Gustav Klimt’s The Kiss, all rendered in Benetti’s expert hand, grace the museum’s walls.<br />
<br />
Each, of course, comes with its own animalistic twist, subbing in a rodent where a human might otherwise feature - tailored, perhaps, to the VIP pint-sized patrons.<br />
<br />
Johannes Vermeer’s The Girl With the Pearl Earring, for instance, is re-imagined as The Gerbil With the Pearl Earring.<br />
<br />
Each parody is finished off with a clean cardboard frame and a wall label featuring a QR code.<br />
<br />
Speaking to Bored Panda, Filippo said: "We visit museums and galleries whenever we can. We are interested in the artworks as much as in the way these are displayed.<br />
<br />
"Are the QR codes to engage the public working? How comfortable are the gallery stools? Is there any audio guide? etc.<br />
<br />
"When Marianna suggested to make a sort of doll house for our beloved gerbils as pastime for a lazy Sunday spent locked at home, I suggested to make a small art gallery. She is very good at painting and it was a nice opportunity to keep us busy with a fun project."<br />
<br />
According to Filippo, the gerbils love the gallery.<br />
<br />
"They seemed interested in everything but the paintings, which made us laugh," he said.<br />
<br />
"They explored the space interacting with the stool, the signs and the benches instead."<br />
<br />
Filippo and Marianna have been blown away with the reaction to the project on social media and are open to
    40449691.jpg
  • An art-loving couple who are self-isolating in London have created a miniature art gallery for their pet gerbils.<br />
<br />
9-month-old brothers Pandoro and Tiramisù were met with a special surprise when their owners Filippo Lorenzin, an independent curator who works at London’s Victoria and Albert Museum, and his girlfriend, artist Marianna Benetti, unveiled a DIY miniature museum - the product of four hours of labour during the couple’s 14th day of quarantine.<br />
<br />
The little gallery features four exquisite paintings modelled on famous masterpieces.<br />
<br />
Versions of Leonardo da Vinci’s Mona Lisa, Edvard Munch’s The Scream and Gustav Klimt’s The Kiss, all rendered in Benetti’s expert hand, grace the museum’s walls.<br />
<br />
Each, of course, comes with its own animalistic twist, subbing in a rodent where a human might otherwise feature - tailored, perhaps, to the VIP pint-sized patrons.<br />
<br />
Johannes Vermeer’s The Girl With the Pearl Earring, for instance, is re-imagined as The Gerbil With the Pearl Earring.<br />
<br />
Each parody is finished off with a clean cardboard frame and a wall label featuring a QR code.<br />
<br />
Speaking to Bored Panda, Filippo said: "We visit museums and galleries whenever we can. We are interested in the artworks as much as in the way these are displayed.<br />
<br />
"Are the QR codes to engage the public working? How comfortable are the gallery stools? Is there any audio guide? etc.<br />
<br />
"When Marianna suggested to make a sort of doll house for our beloved gerbils as pastime for a lazy Sunday spent locked at home, I suggested to make a small art gallery. She is very good at painting and it was a nice opportunity to keep us busy with a fun project."<br />
<br />
According to Filippo, the gerbils love the gallery.<br />
<br />
"They seemed interested in everything but the paintings, which made us laugh," he said.<br />
<br />
"They explored the space interacting with the stool, the signs and the benches instead."<br />
<br />
Filippo and Marianna have been blown away with the reaction to the project on social media and are open to
    40449690.jpg
  • An art-loving couple who are self-isolating in London have created a miniature art gallery for their pet gerbils.<br />
<br />
9-month-old brothers Pandoro and Tiramisù were met with a special surprise when their owners Filippo Lorenzin, an independent curator who works at London’s Victoria and Albert Museum, and his girlfriend, artist Marianna Benetti, unveiled a DIY miniature museum - the product of four hours of labour during the couple’s 14th day of quarantine.<br />
<br />
The little gallery features four exquisite paintings modelled on famous masterpieces.<br />
<br />
Versions of Leonardo da Vinci’s Mona Lisa, Edvard Munch’s The Scream and Gustav Klimt’s The Kiss, all rendered in Benetti’s expert hand, grace the museum’s walls.<br />
<br />
Each, of course, comes with its own animalistic twist, subbing in a rodent where a human might otherwise feature - tailored, perhaps, to the VIP pint-sized patrons.<br />
<br />
Johannes Vermeer’s The Girl With the Pearl Earring, for instance, is re-imagined as The Gerbil With the Pearl Earring.<br />
<br />
Each parody is finished off with a clean cardboard frame and a wall label featuring a QR code.<br />
<br />
Speaking to Bored Panda, Filippo said: "We visit museums and galleries whenever we can. We are interested in the artworks as much as in the way these are displayed.<br />
<br />
"Are the QR codes to engage the public working? How comfortable are the gallery stools? Is there any audio guide? etc.<br />
<br />
"When Marianna suggested to make a sort of doll house for our beloved gerbils as pastime for a lazy Sunday spent locked at home, I suggested to make a small art gallery. She is very good at painting and it was a nice opportunity to keep us busy with a fun project."<br />
<br />
According to Filippo, the gerbils love the gallery.<br />
<br />
"They seemed interested in everything but the paintings, which made us laugh," he said.<br />
<br />
"They explored the space interacting with the stool, the signs and the benches instead."<br />
<br />
Filippo and Marianna have been blown away with the reaction to the project on social media and are open to
    40449689.jpg
  • An art-loving couple who are self-isolating in London have created a miniature art gallery for their pet gerbils.<br />
<br />
9-month-old brothers Pandoro and Tiramisù were met with a special surprise when their owners Filippo Lorenzin, an independent curator who works at London’s Victoria and Albert Museum, and his girlfriend, artist Marianna Benetti, unveiled a DIY miniature museum - the product of four hours of labour during the couple’s 14th day of quarantine.<br />
<br />
The little gallery features four exquisite paintings modelled on famous masterpieces.<br />
<br />
Versions of Leonardo da Vinci’s Mona Lisa, Edvard Munch’s The Scream and Gustav Klimt’s The Kiss, all rendered in Benetti’s expert hand, grace the museum’s walls.<br />
<br />
Each, of course, comes with its own animalistic twist, subbing in a rodent where a human might otherwise feature - tailored, perhaps, to the VIP pint-sized patrons.<br />
<br />
Johannes Vermeer’s The Girl With the Pearl Earring, for instance, is re-imagined as The Gerbil With the Pearl Earring.<br />
<br />
Each parody is finished off with a clean cardboard frame and a wall label featuring a QR code.<br />
<br />
Speaking to Bored Panda, Filippo said: "We visit museums and galleries whenever we can. We are interested in the artworks as much as in the way these are displayed.<br />
<br />
"Are the QR codes to engage the public working? How comfortable are the gallery stools? Is there any audio guide? etc.<br />
<br />
"When Marianna suggested to make a sort of doll house for our beloved gerbils as pastime for a lazy Sunday spent locked at home, I suggested to make a small art gallery. She is very good at painting and it was a nice opportunity to keep us busy with a fun project."<br />
<br />
According to Filippo, the gerbils love the gallery.<br />
<br />
"They seemed interested in everything but the paintings, which made us laugh," he said.<br />
<br />
"They explored the space interacting with the stool, the signs and the benches instead."<br />
<br />
Filippo and Marianna have been blown away with the reaction to the project on social media and are open to
    40449688.jpg
  • An art-loving couple who are self-isolating in London have created a miniature art gallery for their pet gerbils.<br />
<br />
9-month-old brothers Pandoro and Tiramisù were met with a special surprise when their owners Filippo Lorenzin, an independent curator who works at London’s Victoria and Albert Museum, and his girlfriend, artist Marianna Benetti, unveiled a DIY miniature museum - the product of four hours of labour during the couple’s 14th day of quarantine.<br />
<br />
The little gallery features four exquisite paintings modelled on famous masterpieces.<br />
<br />
Versions of Leonardo da Vinci’s Mona Lisa, Edvard Munch’s The Scream and Gustav Klimt’s The Kiss, all rendered in Benetti’s expert hand, grace the museum’s walls.<br />
<br />
Each, of course, comes with its own animalistic twist, subbing in a rodent where a human might otherwise feature - tailored, perhaps, to the VIP pint-sized patrons.<br />
<br />
Johannes Vermeer’s The Girl With the Pearl Earring, for instance, is re-imagined as The Gerbil With the Pearl Earring.<br />
<br />
Each parody is finished off with a clean cardboard frame and a wall label featuring a QR code.<br />
<br />
Speaking to Bored Panda, Filippo said: "We visit museums and galleries whenever we can. We are interested in the artworks as much as in the way these are displayed.<br />
<br />
"Are the QR codes to engage the public working? How comfortable are the gallery stools? Is there any audio guide? etc.<br />
<br />
"When Marianna suggested to make a sort of doll house for our beloved gerbils as pastime for a lazy Sunday spent locked at home, I suggested to make a small art gallery. She is very good at painting and it was a nice opportunity to keep us busy with a fun project."<br />
<br />
According to Filippo, the gerbils love the gallery.<br />
<br />
"They seemed interested in everything but the paintings, which made us laugh," he said.<br />
<br />
"They explored the space interacting with the stool, the signs and the benches instead."<br />
<br />
Filippo and Marianna have been blown away with the reaction to the project on social media and are open to
    40449687.jpg
  • Plus-size model Ashley Graham and comedian Sherri Shepherd lead the pack in a new body-confident swimsuit campaign. The pair are seen flaunting their voluptuous figures in a colorful beach photoshoot in a collaboration between Swimsuits For All and KingSize. The collaboration between the size-inclusive women’s swimwear brand and the men’s big and tall brand are working together to create a cross-gender, body-positive message with the shoot featuring swimwear from both brands. The Every.Body.Counts Summer Campaign features Graham and Shepherd alongside Sports Illustrated model Tara Lynn, and plus size model, Emme. Joining the girls are male influencers Kelvin Davis, Bruce Sturgell, Zach Mikoand and Najee Fox! Graham said of the campaign: ‘As the body positive movement becomes more inclusive, and we continue to inspire women to love and embrace the skin that we’re in, it is important that we invite everyone to join the conversation. ‘We know that women’s bodies are historically more judged and scrutinized, but we also recognize that men are subject to those pressures as well. This partnership shows our continued commitment to represent and celebrate different body types and sizes, supporting the confidence journey for everyone. Guys, we see you, too!’ The swim campaign features both the Swimsuits For All and KingSize summer 2019 collections, both available on the respective brand’s websites. The KingSize collection is available in men’s sizes BIG XL-9X and TALL L-6XL, and the Swimsuits For All collection features women’s sizes 4-40. 13 May 2019 Pictured: Ashley Graham stars alongside Sherri Shepherd, Tara Lynn, Emme, Kelvin Davis, Bruce Sturgell, Zach Mikoand and Najee Fox in the Every.Body.Counts Summer Campaign collaboration between Swimsuits For All and KingSize. Photo credit: Swimsuits For All/ KingSize/MEGA TheMegaAgency.com +1 888 505 6342
    MEGA417996_005.jpg
  • Newly-engaged power couple Jennifer Lopez and Alex Rodriguez are starring in their first major campaign together — fronting Quay Australia’s new sunglasses collection. The duo dazzle in the campaign, wearing a variety of shades and with J-Lo showing off her stunning figure in an array of sexy outfits. The pair, who announced their engagement last month, pose together as well as in solo mode for the shoot, which took place in Miami. In one frame, J-Lo, 49, shows off her taut tummy in a pair of high-waisted white pants teamed with a boob tube and tuxedo jacket which striking a sultry poses with her hand touching her sunglasses. In another snap, Lopez shows off her bodywork while leaning against a car while donning a plunging glittery dress. Other photographs from the campaign show the duo posing together, with Jen cutting the mustard in one frame in a cutaway yellow dress. Speaking of the collaboration with the brand — which offers sunglasses for men and women priced between $50 and $60 — Lopez said: “Quay Australia has been one of my go-to brands ever since I first discovered them a few years ago. “I fell in love with them, and I’ve worn them regularly since. When the opportunity to team up was presented, it felt so fitting. Getting to do this with Alex was a big bonus too. He loves sunglasses as much as I do.” Former New York Yankees star Rodriguez, 43, added: “It was really special to be able to shoot in Miami with Jennifer, she was the one who introduced me to Quay Australia. “I’ve never had a pair of sunglasses that fit so well and the fact that you can get high quality, polarized sunglasses for $50 is pretty great.” The QUAY X JLO range is comprised of 6 styles with multiple colorways, featuring luxe metal accents, oversized shapes, and flashy lens finishes. The women’s line offers a variety of different shapes and sizes, including a new twist on classic aviators, flirty cat eyes, and statement shields, retailing for $60 USD each. The Q
    MEGA384978_001.jpg
  • EXCLUSIVE: Michael Jackson’s former Neverland ranch is still yet to find a buyer almost three years after it went on the market to much fanfare with a $100million price tag. Photos taken January 2018 show the estate looking deserted, and while minimal upkeep has kept the famous floral clock intact, much of the surrounding grounds look sun-scorched and barren. The sprawling 3,000-acre property located near Santa Barbara, California, underwent extensive restoration efforts in 2013 in a bid to bring it back to it to its former glory. Jackson’s children were involved in that effort, adding new features including a zen garden to replace the bustling fairground that once was, plus a ‘boy in the moon’ feature in one area of the grounds in homage to their late father’s favorite fairytale character Peter Pan, who inspired the ranch’s name. The estate was rebranded as Sycamore Valley Ranch when it was put up for sale in May 2015 with a $100million asking price. After no buyers were found, the price was reduced to $67 million in March 2017, but still nobody has come forward to buy it. In addition to a 12,500 sq ft main residence and a 3,700 sq ft pool house, the listing boasted a separate building with a 50-seat movie theater and a dance studio. Other features that remained included Jackson’s "Disney-style" train station (minus the train), a fire house and a barn. Jackson, who died in 2009 from an overdose, bought the property for $30 million in 1988 and lived in it until the estate was raided by police as part of his 2005 child molestation trial, in which he was eventually acquitted on all charges. After the star quit the ranch, the estate went on a downward spiral and fell into disrepair. In 2008, a year before Jackson’s death, the attractions from the centerpiece amusement park located on the grounds were removed and trucked down the highway. Jackson acquired around 18 fairground rides during his years at Neverland and since 2009 some now feature at the Cali
    MEGA144689_004.jpg
  • EXCLUSIVE: Michael Jackson’s former Neverland ranch is still yet to find a buyer almost three years after it went on the market to much fanfare with a $100million price tag. Photos taken January 2018 show the estate looking deserted, and while minimal upkeep has kept the famous floral clock intact, much of the surrounding grounds look sun-scorched and barren. The sprawling 3,000-acre property located near Santa Barbara, California, underwent extensive restoration efforts in 2013 in a bid to bring it back to it to its former glory. Jackson’s children were involved in that effort, adding new features including a zen garden to replace the bustling fairground that once was, plus a ‘boy in the moon’ feature in one area of the grounds in homage to their late father’s favorite fairytale character Peter Pan, who inspired the ranch’s name. The estate was rebranded as Sycamore Valley Ranch when it was put up for sale in May 2015 with a $100million asking price. After no buyers were found, the price was reduced to $67 million in March 2017, but still nobody has come forward to buy it. In addition to a 12,500 sq ft main residence and a 3,700 sq ft pool house, the listing boasted a separate building with a 50-seat movie theater and a dance studio. Other features that remained included Jackson’s "Disney-style" train station (minus the train), a fire house and a barn. Jackson, who died in 2009 from an overdose, bought the property for $30 million in 1988 and lived in it until the estate was raided by police as part of his 2005 child molestation trial, in which he was eventually acquitted on all charges. After the star quit the ranch, the estate went on a downward spiral and fell into disrepair. In 2008, a year before Jackson’s death, the attractions from the centerpiece amusement park located on the grounds were removed and trucked down the highway. Jackson acquired around 18 fairground rides during his years at Neverland and since 2009 some now feature at the Cali
    MEGA144689_002.jpg
  • EXCLUSIVE: Michael Jackson’s former Neverland ranch is still yet to find a buyer almost three years after it went on the market to much fanfare with a $100million price tag. Photos taken January 2018 show the estate looking deserted, and while minimal upkeep has kept the famous floral clock intact, much of the surrounding grounds look sun-scorched and barren. The sprawling 3,000-acre property located near Santa Barbara, California, underwent extensive restoration efforts in 2013 in a bid to bring it back to it to its former glory. Jackson’s children were involved in that effort, adding new features including a zen garden to replace the bustling fairground that once was, plus a ‘boy in the moon’ feature in one area of the grounds in homage to their late father’s favorite fairytale character Peter Pan, who inspired the ranch’s name. The estate was rebranded as Sycamore Valley Ranch when it was put up for sale in May 2015 with a $100million asking price. After no buyers were found, the price was reduced to $67 million in March 2017, but still nobody has come forward to buy it. In addition to a 12,500 sq ft main residence and a 3,700 sq ft pool house, the listing boasted a separate building with a 50-seat movie theater and a dance studio. Other features that remained included Jackson’s "Disney-style" train station (minus the train), a fire house and a barn. Jackson, who died in 2009 from an overdose, bought the property for $30 million in 1988 and lived in it until the estate was raided by police as part of his 2005 child molestation trial, in which he was eventually acquitted on all charges. After the star quit the ranch, the estate went on a downward spiral and fell into disrepair. In 2008, a year before Jackson’s death, the attractions from the centerpiece amusement park located on the grounds were removed and trucked down the highway. Jackson acquired around 18 fairground rides during his years at Neverland and since 2009 some now feature at the Cali
    MEGA144689_005.jpg
  • EXCLUSIVE: Michael Jackson’s former Neverland ranch is still yet to find a buyer almost three years after it went on the market to much fanfare with a $100million price tag. Photos taken January 2018 show the estate looking deserted, and while minimal upkeep has kept the famous floral clock intact, much of the surrounding grounds look sun-scorched and barren. The sprawling 3,000-acre property located near Santa Barbara, California, underwent extensive restoration efforts in 2013 in a bid to bring it back to it to its former glory. Jackson’s children were involved in that effort, adding new features including a zen garden to replace the bustling fairground that once was, plus a ‘boy in the moon’ feature in one area of the grounds in homage to their late father’s favorite fairytale character Peter Pan, who inspired the ranch’s name. The estate was rebranded as Sycamore Valley Ranch when it was put up for sale in May 2015 with a $100million asking price. After no buyers were found, the price was reduced to $67 million in March 2017, but still nobody has come forward to buy it. In addition to a 12,500 sq ft main residence and a 3,700 sq ft pool house, the listing boasted a separate building with a 50-seat movie theater and a dance studio. Other features that remained included Jackson’s "Disney-style" train station (minus the train), a fire house and a barn. Jackson, who died in 2009 from an overdose, bought the property for $30 million in 1988 and lived in it until the estate was raided by police as part of his 2005 child molestation trial, in which he was eventually acquitted on all charges. After the star quit the ranch, the estate went on a downward spiral and fell into disrepair. In 2008, a year before Jackson’s death, the attractions from the centerpiece amusement park located on the grounds were removed and trucked down the highway. Jackson acquired around 18 fairground rides during his years at Neverland and since 2009 some now feature at the Cali
    MEGA144689_009.jpg
  • EXCLUSIVE: Michael Jackson’s former Neverland ranch is still yet to find a buyer almost three years after it went on the market to much fanfare with a $100million price tag. Photos taken January 2018 show the estate looking deserted, and while minimal upkeep has kept the famous floral clock intact, much of the surrounding grounds look sun-scorched and barren. The sprawling 3,000-acre property located near Santa Barbara, California, underwent extensive restoration efforts in 2013 in a bid to bring it back to it to its former glory. Jackson’s children were involved in that effort, adding new features including a zen garden to replace the bustling fairground that once was, plus a ‘boy in the moon’ feature in one area of the grounds in homage to their late father’s favorite fairytale character Peter Pan, who inspired the ranch’s name. The estate was rebranded as Sycamore Valley Ranch when it was put up for sale in May 2015 with a $100million asking price. After no buyers were found, the price was reduced to $67 million in March 2017, but still nobody has come forward to buy it. In addition to a 12,500 sq ft main residence and a 3,700 sq ft pool house, the listing boasted a separate building with a 50-seat movie theater and a dance studio. Other features that remained included Jackson’s "Disney-style" train station (minus the train), a fire house and a barn. Jackson, who died in 2009 from an overdose, bought the property for $30 million in 1988 and lived in it until the estate was raided by police as part of his 2005 child molestation trial, in which he was eventually acquitted on all charges. After the star quit the ranch, the estate went on a downward spiral and fell into disrepair. In 2008, a year before Jackson’s death, the attractions from the centerpiece amusement park located on the grounds were removed and trucked down the highway. Jackson acquired around 18 fairground rides during his years at Neverland and since 2009 some now feature at the Cali
    MEGA144689_006.jpg
  • EXCLUSIVE: Michael Jackson’s former Neverland ranch is still yet to find a buyer almost three years after it went on the market to much fanfare with a $100million price tag. Photos taken January 2018 show the estate looking deserted, and while minimal upkeep has kept the famous floral clock intact, much of the surrounding grounds look sun-scorched and barren. The sprawling 3,000-acre property located near Santa Barbara, California, underwent extensive restoration efforts in 2013 in a bid to bring it back to it to its former glory. Jackson’s children were involved in that effort, adding new features including a zen garden to replace the bustling fairground that once was, plus a ‘boy in the moon’ feature in one area of the grounds in homage to their late father’s favorite fairytale character Peter Pan, who inspired the ranch’s name. The estate was rebranded as Sycamore Valley Ranch when it was put up for sale in May 2015 with a $100million asking price. After no buyers were found, the price was reduced to $67 million in March 2017, but still nobody has come forward to buy it. In addition to a 12,500 sq ft main residence and a 3,700 sq ft pool house, the listing boasted a separate building with a 50-seat movie theater and a dance studio. Other features that remained included Jackson’s "Disney-style" train station (minus the train), a fire house and a barn. Jackson, who died in 2009 from an overdose, bought the property for $30 million in 1988 and lived in it until the estate was raided by police as part of his 2005 child molestation trial, in which he was eventually acquitted on all charges. After the star quit the ranch, the estate went on a downward spiral and fell into disrepair. In 2008, a year before Jackson’s death, the attractions from the centerpiece amusement park located on the grounds were removed and trucked down the highway. Jackson acquired around 18 fairground rides during his years at Neverland and since 2009 some now feature at the Cali
    MEGA144689_003.jpg
  • EXCLUSIVE: Michael Jackson’s former Neverland ranch is still yet to find a buyer almost three years after it went on the market to much fanfare with a $100million price tag. Photos taken January 2018 show the estate looking deserted, and while minimal upkeep has kept the famous floral clock intact, much of the surrounding grounds look sun-scorched and barren. The sprawling 3,000-acre property located near Santa Barbara, California, underwent extensive restoration efforts in 2013 in a bid to bring it back to it to its former glory. Jackson’s children were involved in that effort, adding new features including a zen garden to replace the bustling fairground that once was, plus a ‘boy in the moon’ feature in one area of the grounds in homage to their late father’s favorite fairytale character Peter Pan, who inspired the ranch’s name. The estate was rebranded as Sycamore Valley Ranch when it was put up for sale in May 2015 with a $100million asking price. After no buyers were found, the price was reduced to $67 million in March 2017, but still nobody has come forward to buy it. In addition to a 12,500 sq ft main residence and a 3,700 sq ft pool house, the listing boasted a separate building with a 50-seat movie theater and a dance studio. Other features that remained included Jackson’s "Disney-style" train station (minus the train), a fire house and a barn. Jackson, who died in 2009 from an overdose, bought the property for $30 million in 1988 and lived in it until the estate was raided by police as part of his 2005 child molestation trial, in which he was eventually acquitted on all charges. After the star quit the ranch, the estate went on a downward spiral and fell into disrepair. In 2008, a year before Jackson’s death, the attractions from the centerpiece amusement park located on the grounds were removed and trucked down the highway. Jackson acquired around 18 fairground rides during his years at Neverland and since 2009 some now feature at the Cali
    MEGA144689_007.jpg
  • EXCLUSIVE: Michael Jackson’s former Neverland ranch is still yet to find a buyer almost three years after it went on the market to much fanfare with a $100million price tag. Photos taken January 2018 show the estate looking deserted, and while minimal upkeep has kept the famous floral clock intact, much of the surrounding grounds look sun-scorched and barren. The sprawling 3,000-acre property located near Santa Barbara, California, underwent extensive restoration efforts in 2013 in a bid to bring it back to it to its former glory. Jackson’s children were involved in that effort, adding new features including a zen garden to replace the bustling fairground that once was, plus a ‘boy in the moon’ feature in one area of the grounds in homage to their late father’s favorite fairytale character Peter Pan, who inspired the ranch’s name. The estate was rebranded as Sycamore Valley Ranch when it was put up for sale in May 2015 with a $100million asking price. After no buyers were found, the price was reduced to $67 million in March 2017, but still nobody has come forward to buy it. In addition to a 12,500 sq ft main residence and a 3,700 sq ft pool house, the listing boasted a separate building with a 50-seat movie theater and a dance studio. Other features that remained included Jackson’s "Disney-style" train station (minus the train), a fire house and a barn. Jackson, who died in 2009 from an overdose, bought the property for $30 million in 1988 and lived in it until the estate was raided by police as part of his 2005 child molestation trial, in which he was eventually acquitted on all charges. After the star quit the ranch, the estate went on a downward spiral and fell into disrepair. In 2008, a year before Jackson’s death, the attractions from the centerpiece amusement park located on the grounds were removed and trucked down the highway. Jackson acquired around 18 fairground rides during his years at Neverland and since 2009 some now feature at the Cali
    MEGA144689_001.jpg
  • EXCLUSIVE: Michael Jackson’s former Neverland ranch is still yet to find a buyer almost three years after it went on the market to much fanfare with a $100million price tag. Photos taken January 2018 show the estate looking deserted, and while minimal upkeep has kept the famous floral clock intact, much of the surrounding grounds look sun-scorched and barren. The sprawling 3,000-acre property located near Santa Barbara, California, underwent extensive restoration efforts in 2013 in a bid to bring it back to it to its former glory. Jackson’s children were involved in that effort, adding new features including a zen garden to replace the bustling fairground that once was, plus a ‘boy in the moon’ feature in one area of the grounds in homage to their late father’s favorite fairytale character Peter Pan, who inspired the ranch’s name. The estate was rebranded as Sycamore Valley Ranch when it was put up for sale in May 2015 with a $100million asking price. After no buyers were found, the price was reduced to $67 million in March 2017, but still nobody has come forward to buy it. In addition to a 12,500 sq ft main residence and a 3,700 sq ft pool house, the listing boasted a separate building with a 50-seat movie theater and a dance studio. Other features that remained included Jackson’s "Disney-style" train station (minus the train), a fire house and a barn. Jackson, who died in 2009 from an overdose, bought the property for $30 million in 1988 and lived in it until the estate was raided by police as part of his 2005 child molestation trial, in which he was eventually acquitted on all charges. After the star quit the ranch, the estate went on a downward spiral and fell into disrepair. In 2008, a year before Jackson’s death, the attractions from the centerpiece amusement park located on the grounds were removed and trucked down the highway. Jackson acquired around 18 fairground rides during his years at Neverland and since 2009 some now feature at the Cali
    MEGA144689_008.jpg
  • Prince Philip is selling this custom Range Rover - just weeks after he crashed a different car. The Royal is selling the 4.4-litre Range Rover Autobiography, the car in which he drove former US President Barack Obama and First Lady Michelle during a visit to Windsor back in 2016. The used car - from 2016 and with just 3200 miles on the clock - is on the market for £129,850 GBP - more than a new model can cost. Jack Morgan-Jones, of Bramley Motor Cars, who is selling the vehicle, said: "It's such a beautiful example that has very low mileage and has been kept to the absolute highest of standards." The luxurious blue SUV features entertainment screens. It was previously equipped with extra features when belonging to the Royal Household - including specially adapted fixed side steps to enable Her Majesty The Queen to be able to access the rear passenger compartment more comfortably. The description reads: "The warning sticker for the siren, which was located in the engine compartment, remains as a hint to this Range Rover's previous life. "These items have since been removed following the vehicle being taken out of Royal Service." The car is not bulletproof. Prince Philip, 97, was not injured in a car crash in mid-January, which happened as he drove another Land Rover out of a driveway onto a main road close to the Queen's Sandringham estate. Please credit Bramley Motor Cars / MEGA. 22 Feb 2019 Pictured: Range Rover. Photo credit: Bramley Motor Cars/MEGA TheMegaAgency.com +1 888 505 6342
    MEGA365478_018.jpg
  • IN PHOTO: Bluetongue<br />
<br />
Internationally-renowned British artist Luke Jerram has created a coronavirus glass sculpture in tribute to the huge global scientific and medical effort to combat the pandemic.<br />
<br />
Made in glass, at 23cm in diameter, it is 1 million times larger than the actual virus. <br />
<br />
It was commissioned 5 weeks ago by a university in America to reflect its current and future research and learning in health, the environment and intelligent systems, and its focus on solving global challenges.  <br />
<br />
Luke says: “Helping to communicate the form of the virus to the public, the artwork has been created as an alternative representation to the artificially coloured imagery received through the media. In fact, viruses have no colour as they are smaller than the wavelength of light.” <br />
<br />
“This artwork is a tribute to the scientists and medical teams who are working collaboratively across the world to try to slow the spread of the virus. It is vital we attempt to slow the spread of coronavirus by working together globally, so our health services can manage this pandemic.” <br />
<br />
Made through a process of scientific glassblowing, the coronavirus model is based on the latest scientific understanding and diagrams of the virus.  <br />
<br />
Profits from this glass model are going to Médecins Sans Frontières (MSF) who will be assisting developing countries deal with the fallout of the coronavirus epidemic. <br />
<br />
This new model is just the latest in Luke’s Glass Microbiology series of virus sculptures. Luke and his glassblowing team have, in the past, made other sculptures of viruses from swine flu and Ebola to smallpox and HIV.<br />
<br />
Respected in the scientific community, the glass sculptures have featured in The Lancet, Scientific American, British Medical Journal (BMJ) and on the front cover of Nature Magazine.  <br />
<br />
The Glass Microbiology sculptures are in museum collections around the world, including the Metropolitan Museum, NYC; Wellcome Collection, London and the Museum of Gl
    40395903.jpg
  • IN PHOTO: Avian Flu<br />
<br />
Internationally-renowned British artist Luke Jerram has created a coronavirus glass sculpture in tribute to the huge global scientific and medical effort to combat the pandemic.<br />
<br />
Made in glass, at 23cm in diameter, it is 1 million times larger than the actual virus. <br />
<br />
It was commissioned 5 weeks ago by a university in America to reflect its current and future research and learning in health, the environment and intelligent systems, and its focus on solving global challenges.  <br />
<br />
Luke says: “Helping to communicate the form of the virus to the public, the artwork has been created as an alternative representation to the artificially coloured imagery received through the media. In fact, viruses have no colour as they are smaller than the wavelength of light.” <br />
<br />
“This artwork is a tribute to the scientists and medical teams who are working collaboratively across the world to try to slow the spread of the virus. It is vital we attempt to slow the spread of coronavirus by working together globally, so our health services can manage this pandemic.” <br />
<br />
Made through a process of scientific glassblowing, the coronavirus model is based on the latest scientific understanding and diagrams of the virus.  <br />
<br />
Profits from this glass model are going to Médecins Sans Frontières (MSF) who will be assisting developing countries deal with the fallout of the coronavirus epidemic. <br />
<br />
This new model is just the latest in Luke’s Glass Microbiology series of virus sculptures. Luke and his glassblowing team have, in the past, made other sculptures of viruses from swine flu and Ebola to smallpox and HIV.<br />
<br />
Respected in the scientific community, the glass sculptures have featured in The Lancet, Scientific American, British Medical Journal (BMJ) and on the front cover of Nature Magazine.  <br />
<br />
The Glass Microbiology sculptures are in museum collections around the world, including the Metropolitan Museum, NYC; Wellcome Collection, London and the Museum of Gla
    40395901.jpg
  • IN PHOTO: Adeno<br />
<br />
Internationally-renowned British artist Luke Jerram has created a coronavirus glass sculpture in tribute to the huge global scientific and medical effort to combat the pandemic.<br />
<br />
Made in glass, at 23cm in diameter, it is 1 million times larger than the actual virus. <br />
<br />
It was commissioned 5 weeks ago by a university in America to reflect its current and future research and learning in health, the environment and intelligent systems, and its focus on solving global challenges.  <br />
<br />
Luke says: “Helping to communicate the form of the virus to the public, the artwork has been created as an alternative representation to the artificially coloured imagery received through the media. In fact, viruses have no colour as they are smaller than the wavelength of light.” <br />
<br />
“This artwork is a tribute to the scientists and medical teams who are working collaboratively across the world to try to slow the spread of the virus. It is vital we attempt to slow the spread of coronavirus by working together globally, so our health services can manage this pandemic.” <br />
<br />
Made through a process of scientific glassblowing, the coronavirus model is based on the latest scientific understanding and diagrams of the virus.  <br />
<br />
Profits from this glass model are going to Médecins Sans Frontières (MSF) who will be assisting developing countries deal with the fallout of the coronavirus epidemic. <br />
<br />
This new model is just the latest in Luke’s Glass Microbiology series of virus sculptures. Luke and his glassblowing team have, in the past, made other sculptures of viruses from swine flu and Ebola to smallpox and HIV.<br />
<br />
Respected in the scientific community, the glass sculptures have featured in The Lancet, Scientific American, British Medical Journal (BMJ) and on the front cover of Nature Magazine.  <br />
<br />
The Glass Microbiology sculptures are in museum collections around the world, including the Metropolitan Museum, NYC; Wellcome Collection, London and the Museum of Glass,
    40395898.jpg
  • IN PHOTO: COVID-19 coronavirus<br />
<br />
Internationally-renowned British artist Luke Jerram has created a coronavirus glass sculpture in tribute to the huge global scientific and medical effort to combat the pandemic.<br />
<br />
Made in glass, at 23cm in diameter, it is 1 million times larger than the actual virus. <br />
<br />
It was commissioned 5 weeks ago by a university in America to reflect its current and future research and learning in health, the environment and intelligent systems, and its focus on solving global challenges.  <br />
<br />
Luke says: “Helping to communicate the form of the virus to the public, the artwork has been created as an alternative representation to the artificially coloured imagery received through the media. In fact, viruses have no colour as they are smaller than the wavelength of light.” <br />
<br />
“This artwork is a tribute to the scientists and medical teams who are working collaboratively across the world to try to slow the spread of the virus. It is vital we attempt to slow the spread of coronavirus by working together globally, so our health services can manage this pandemic.” <br />
<br />
Made through a process of scientific glassblowing, the coronavirus model is based on the latest scientific understanding and diagrams of the virus.  <br />
<br />
Profits from this glass model are going to Médecins Sans Frontières (MSF) who will be assisting developing countries deal with the fallout of the coronavirus epidemic. <br />
<br />
This new model is just the latest in Luke’s Glass Microbiology series of virus sculptures. Luke and his glassblowing team have, in the past, made other sculptures of viruses from swine flu and Ebola to smallpox and HIV.<br />
<br />
Respected in the scientific community, the glass sculptures have featured in The Lancet, Scientific American, British Medical Journal (BMJ) and on the front cover of Nature Magazine.  <br />
<br />
The Glass Microbiology sculptures are in museum collections around the world, including the Metropolitan Museum, NYC; Wellcome Collection, London and the Mu
    40395896.jpg
  • IN PHOTO: COVID-19 coronavirus<br />
<br />
Internationally-renowned British artist Luke Jerram has created a coronavirus glass sculpture in tribute to the huge global scientific and medical effort to combat the pandemic.<br />
<br />
Made in glass, at 23cm in diameter, it is 1 million times larger than the actual virus. <br />
<br />
It was commissioned 5 weeks ago by a university in America to reflect its current and future research and learning in health, the environment and intelligent systems, and its focus on solving global challenges.  <br />
<br />
Luke says: “Helping to communicate the form of the virus to the public, the artwork has been created as an alternative representation to the artificially coloured imagery received through the media. In fact, viruses have no colour as they are smaller than the wavelength of light.” <br />
<br />
“This artwork is a tribute to the scientists and medical teams who are working collaboratively across the world to try to slow the spread of the virus. It is vital we attempt to slow the spread of coronavirus by working together globally, so our health services can manage this pandemic.” <br />
<br />
Made through a process of scientific glassblowing, the coronavirus model is based on the latest scientific understanding and diagrams of the virus.  <br />
<br />
Profits from this glass model are going to Médecins Sans Frontières (MSF) who will be assisting developing countries deal with the fallout of the coronavirus epidemic. <br />
<br />
This new model is just the latest in Luke’s Glass Microbiology series of virus sculptures. Luke and his glassblowing team have, in the past, made other sculptures of viruses from swine flu and Ebola to smallpox and HIV.<br />
<br />
Respected in the scientific community, the glass sculptures have featured in The Lancet, Scientific American, British Medical Journal (BMJ) and on the front cover of Nature Magazine.  <br />
<br />
The Glass Microbiology sculptures are in museum collections around the world, including the Metropolitan Museum, NYC; Wellcome Collection, London and the Mu
    40395895.jpg
  • IN PHOTO: COVID-19 coronavirus<br />
<br />
Internationally-renowned British artist Luke Jerram has created a coronavirus glass sculpture in tribute to the huge global scientific and medical effort to combat the pandemic.<br />
<br />
Made in glass, at 23cm in diameter, it is 1 million times larger than the actual virus. <br />
<br />
It was commissioned 5 weeks ago by a university in America to reflect its current and future research and learning in health, the environment and intelligent systems, and its focus on solving global challenges.  <br />
<br />
Luke says: “Helping to communicate the form of the virus to the public, the artwork has been created as an alternative representation to the artificially coloured imagery received through the media. In fact, viruses have no colour as they are smaller than the wavelength of light.” <br />
<br />
“This artwork is a tribute to the scientists and medical teams who are working collaboratively across the world to try to slow the spread of the virus. It is vital we attempt to slow the spread of coronavirus by working together globally, so our health services can manage this pandemic.” <br />
<br />
Made through a process of scientific glassblowing, the coronavirus model is based on the latest scientific understanding and diagrams of the virus.  <br />
<br />
Profits from this glass model are going to Médecins Sans Frontières (MSF) who will be assisting developing countries deal with the fallout of the coronavirus epidemic. <br />
<br />
This new model is just the latest in Luke’s Glass Microbiology series of virus sculptures. Luke and his glassblowing team have, in the past, made other sculptures of viruses from swine flu and Ebola to smallpox and HIV.<br />
<br />
Respected in the scientific community, the glass sculptures have featured in The Lancet, Scientific American, British Medical Journal (BMJ) and on the front cover of Nature Magazine.  <br />
<br />
The Glass Microbiology sculptures are in museum collections around the world, including the Metropolitan Museum, NYC; Wellcome Collection, London and the Mu
    40395893.jpg
  • IN PHOTO: Ecoli<br />
<br />
Internationally-renowned British artist Luke Jerram has created a coronavirus glass sculpture in tribute to the huge global scientific and medical effort to combat the pandemic.<br />
<br />
Made in glass, at 23cm in diameter, it is 1 million times larger than the actual virus. <br />
<br />
It was commissioned 5 weeks ago by a university in America to reflect its current and future research and learning in health, the environment and intelligent systems, and its focus on solving global challenges.  <br />
<br />
Luke says: “Helping to communicate the form of the virus to the public, the artwork has been created as an alternative representation to the artificially coloured imagery received through the media. In fact, viruses have no colour as they are smaller than the wavelength of light.” <br />
<br />
“This artwork is a tribute to the scientists and medical teams who are working collaboratively across the world to try to slow the spread of the virus. It is vital we attempt to slow the spread of coronavirus by working together globally, so our health services can manage this pandemic.” <br />
<br />
Made through a process of scientific glassblowing, the coronavirus model is based on the latest scientific understanding and diagrams of the virus.  <br />
<br />
Profits from this glass model are going to Médecins Sans Frontières (MSF) who will be assisting developing countries deal with the fallout of the coronavirus epidemic. <br />
<br />
This new model is just the latest in Luke’s Glass Microbiology series of virus sculptures. Luke and his glassblowing team have, in the past, made other sculptures of viruses from swine flu and Ebola to smallpox and HIV.<br />
<br />
Respected in the scientific community, the glass sculptures have featured in The Lancet, Scientific American, British Medical Journal (BMJ) and on the front cover of Nature Magazine.  <br />
<br />
The Glass Microbiology sculptures are in museum collections around the world, including the Metropolitan Museum, NYC; Wellcome Collection, London and the Museum of Glass,
    40395908.jpg
  • IN PHOTO: HIV<br />
<br />
Internationally-renowned British artist Luke Jerram has created a coronavirus glass sculpture in tribute to the huge global scientific and medical effort to combat the pandemic.<br />
<br />
Made in glass, at 23cm in diameter, it is 1 million times larger than the actual virus. <br />
<br />
It was commissioned 5 weeks ago by a university in America to reflect its current and future research and learning in health, the environment and intelligent systems, and its focus on solving global challenges.  <br />
<br />
Luke says: “Helping to communicate the form of the virus to the public, the artwork has been created as an alternative representation to the artificially coloured imagery received through the media. In fact, viruses have no colour as they are smaller than the wavelength of light.” <br />
<br />
“This artwork is a tribute to the scientists and medical teams who are working collaboratively across the world to try to slow the spread of the virus. It is vital we attempt to slow the spread of coronavirus by working together globally, so our health services can manage this pandemic.” <br />
<br />
Made through a process of scientific glassblowing, the coronavirus model is based on the latest scientific understanding and diagrams of the virus.  <br />
<br />
Profits from this glass model are going to Médecins Sans Frontières (MSF) who will be assisting developing countries deal with the fallout of the coronavirus epidemic. <br />
<br />
This new model is just the latest in Luke’s Glass Microbiology series of virus sculptures. Luke and his glassblowing team have, in the past, made other sculptures of viruses from swine flu and Ebola to smallpox and HIV.<br />
<br />
Respected in the scientific community, the glass sculptures have featured in The Lancet, Scientific American, British Medical Journal (BMJ) and on the front cover of Nature Magazine.  <br />
<br />
The Glass Microbiology sculptures are in museum collections around the world, including the Metropolitan Museum, NYC; Wellcome Collection, London and the Museum of Glass, Sh
    40395909.jpg
  • IN PHOTO: Giardia<br />
<br />
Internationally-renowned British artist Luke Jerram has created a coronavirus glass sculpture in tribute to the huge global scientific and medical effort to combat the pandemic.<br />
<br />
Made in glass, at 23cm in diameter, it is 1 million times larger than the actual virus. <br />
<br />
It was commissioned 5 weeks ago by a university in America to reflect its current and future research and learning in health, the environment and intelligent systems, and its focus on solving global challenges.  <br />
<br />
Luke says: “Helping to communicate the form of the virus to the public, the artwork has been created as an alternative representation to the artificially coloured imagery received through the media. In fact, viruses have no colour as they are smaller than the wavelength of light.” <br />
<br />
“This artwork is a tribute to the scientists and medical teams who are working collaboratively across the world to try to slow the spread of the virus. It is vital we attempt to slow the spread of coronavirus by working together globally, so our health services can manage this pandemic.” <br />
<br />
Made through a process of scientific glassblowing, the coronavirus model is based on the latest scientific understanding and diagrams of the virus.  <br />
<br />
Profits from this glass model are going to Médecins Sans Frontières (MSF) who will be assisting developing countries deal with the fallout of the coronavirus epidemic. <br />
<br />
This new model is just the latest in Luke’s Glass Microbiology series of virus sculptures. Luke and his glassblowing team have, in the past, made other sculptures of viruses from swine flu and Ebola to smallpox and HIV.<br />
<br />
Respected in the scientific community, the glass sculptures have featured in The Lancet, Scientific American, British Medical Journal (BMJ) and on the front cover of Nature Magazine.  <br />
<br />
The Glass Microbiology sculptures are in museum collections around the world, including the Metropolitan Museum, NYC; Wellcome Collection, London and the Museum of Glass
    40395925.jpg
  • IN PHOTO: Ebola<br />
<br />
Internationally-renowned British artist Luke Jerram has created a coronavirus glass sculpture in tribute to the huge global scientific and medical effort to combat the pandemic.<br />
<br />
Made in glass, at 23cm in diameter, it is 1 million times larger than the actual virus. <br />
<br />
It was commissioned 5 weeks ago by a university in America to reflect its current and future research and learning in health, the environment and intelligent systems, and its focus on solving global challenges.  <br />
<br />
Luke says: “Helping to communicate the form of the virus to the public, the artwork has been created as an alternative representation to the artificially coloured imagery received through the media. In fact, viruses have no colour as they are smaller than the wavelength of light.” <br />
<br />
“This artwork is a tribute to the scientists and medical teams who are working collaboratively across the world to try to slow the spread of the virus. It is vital we attempt to slow the spread of coronavirus by working together globally, so our health services can manage this pandemic.” <br />
<br />
Made through a process of scientific glassblowing, the coronavirus model is based on the latest scientific understanding and diagrams of the virus.  <br />
<br />
Profits from this glass model are going to Médecins Sans Frontières (MSF) who will be assisting developing countries deal with the fallout of the coronavirus epidemic. <br />
<br />
This new model is just the latest in Luke’s Glass Microbiology series of virus sculptures. Luke and his glassblowing team have, in the past, made other sculptures of viruses from swine flu and Ebola to smallpox and HIV.<br />
<br />
Respected in the scientific community, the glass sculptures have featured in The Lancet, Scientific American, British Medical Journal (BMJ) and on the front cover of Nature Magazine.  <br />
<br />
The Glass Microbiology sculptures are in museum collections around the world, including the Metropolitan Museum, NYC; Wellcome Collection, London and the Museum of Glass,
    40395924.jpg
  • IN PHOTO: Ebola<br />
<br />
Internationally-renowned British artist Luke Jerram has created a coronavirus glass sculpture in tribute to the huge global scientific and medical effort to combat the pandemic.<br />
<br />
Made in glass, at 23cm in diameter, it is 1 million times larger than the actual virus. <br />
<br />
It was commissioned 5 weeks ago by a university in America to reflect its current and future research and learning in health, the environment and intelligent systems, and its focus on solving global challenges.  <br />
<br />
Luke says: “Helping to communicate the form of the virus to the public, the artwork has been created as an alternative representation to the artificially coloured imagery received through the media. In fact, viruses have no colour as they are smaller than the wavelength of light.” <br />
<br />
“This artwork is a tribute to the scientists and medical teams who are working collaboratively across the world to try to slow the spread of the virus. It is vital we attempt to slow the spread of coronavirus by working together globally, so our health services can manage this pandemic.” <br />
<br />
Made through a process of scientific glassblowing, the coronavirus model is based on the latest scientific understanding and diagrams of the virus.  <br />
<br />
Profits from this glass model are going to Médecins Sans Frontières (MSF) who will be assisting developing countries deal with the fallout of the coronavirus epidemic. <br />
<br />
This new model is just the latest in Luke’s Glass Microbiology series of virus sculptures. Luke and his glassblowing team have, in the past, made other sculptures of viruses from swine flu and Ebola to smallpox and HIV.<br />
<br />
Respected in the scientific community, the glass sculptures have featured in The Lancet, Scientific American, British Medical Journal (BMJ) and on the front cover of Nature Magazine.  <br />
<br />
The Glass Microbiology sculptures are in museum collections around the world, including the Metropolitan Museum, NYC; Wellcome Collection, London and the Museum of Glass,
    40395921.jpg
  • IN PHOTO: Zika<br />
<br />
Internationally-renowned British artist Luke Jerram has created a coronavirus glass sculpture in tribute to the huge global scientific and medical effort to combat the pandemic.<br />
<br />
Made in glass, at 23cm in diameter, it is 1 million times larger than the actual virus. <br />
<br />
It was commissioned 5 weeks ago by a university in America to reflect its current and future research and learning in health, the environment and intelligent systems, and its focus on solving global challenges.  <br />
<br />
Luke says: “Helping to communicate the form of the virus to the public, the artwork has been created as an alternative representation to the artificially coloured imagery received through the media. In fact, viruses have no colour as they are smaller than the wavelength of light.” <br />
<br />
“This artwork is a tribute to the scientists and medical teams who are working collaboratively across the world to try to slow the spread of the virus. It is vital we attempt to slow the spread of coronavirus by working together globally, so our health services can manage this pandemic.” <br />
<br />
Made through a process of scientific glassblowing, the coronavirus model is based on the latest scientific understanding and diagrams of the virus.  <br />
<br />
Profits from this glass model are going to Médecins Sans Frontières (MSF) who will be assisting developing countries deal with the fallout of the coronavirus epidemic. <br />
<br />
This new model is just the latest in Luke’s Glass Microbiology series of virus sculptures. Luke and his glassblowing team have, in the past, made other sculptures of viruses from swine flu and Ebola to smallpox and HIV.<br />
<br />
Respected in the scientific community, the glass sculptures have featured in The Lancet, Scientific American, British Medical Journal (BMJ) and on the front cover of Nature Magazine.  <br />
<br />
The Glass Microbiology sculptures are in museum collections around the world, including the Metropolitan Museum, NYC; Wellcome Collection, London and the Museum of Glass, S
    40395919.jpg
  • IN PHOTO: T Bacteriophage<br />
<br />
Internationally-renowned British artist Luke Jerram has created a coronavirus glass sculpture in tribute to the huge global scientific and medical effort to combat the pandemic.<br />
<br />
Made in glass, at 23cm in diameter, it is 1 million times larger than the actual virus. <br />
<br />
It was commissioned 5 weeks ago by a university in America to reflect its current and future research and learning in health, the environment and intelligent systems, and its focus on solving global challenges.  <br />
<br />
Luke says: “Helping to communicate the form of the virus to the public, the artwork has been created as an alternative representation to the artificially coloured imagery received through the media. In fact, viruses have no colour as they are smaller than the wavelength of light.” <br />
<br />
“This artwork is a tribute to the scientists and medical teams who are working collaboratively across the world to try to slow the spread of the virus. It is vital we attempt to slow the spread of coronavirus by working together globally, so our health services can manage this pandemic.” <br />
<br />
Made through a process of scientific glassblowing, the coronavirus model is based on the latest scientific understanding and diagrams of the virus.  <br />
<br />
Profits from this glass model are going to Médecins Sans Frontières (MSF) who will be assisting developing countries deal with the fallout of the coronavirus epidemic. <br />
<br />
This new model is just the latest in Luke’s Glass Microbiology series of virus sculptures. Luke and his glassblowing team have, in the past, made other sculptures of viruses from swine flu and Ebola to smallpox and HIV.<br />
<br />
Respected in the scientific community, the glass sculptures have featured in The Lancet, Scientific American, British Medical Journal (BMJ) and on the front cover of Nature Magazine.  <br />
<br />
The Glass Microbiology sculptures are in museum collections around the world, including the Metropolitan Museum, NYC; Wellcome Collection, London and the Museum
    40395918.jpg
  • IN PHOTO: Artist Luke Jerram with a glass sculpture of the Swine Flu virus<br />
<br />
Internationally-renowned British artist Luke Jerram has created a coronavirus glass sculpture in tribute to the huge global scientific and medical effort to combat the pandemic.<br />
<br />
Made in glass, at 23cm in diameter, it is 1 million times larger than the actual virus. <br />
<br />
It was commissioned 5 weeks ago by a university in America to reflect its current and future research and learning in health, the environment and intelligent systems, and its focus on solving global challenges.  <br />
<br />
Luke says: “Helping to communicate the form of the virus to the public, the artwork has been created as an alternative representation to the artificially coloured imagery received through the media. In fact, viruses have no colour as they are smaller than the wavelength of light.” <br />
<br />
“This artwork is a tribute to the scientists and medical teams who are working collaboratively across the world to try to slow the spread of the virus. It is vital we attempt to slow the spread of coronavirus by working together globally, so our health services can manage this pandemic.” <br />
<br />
Made through a process of scientific glassblowing, the coronavirus model is based on the latest scientific understanding and diagrams of the virus.  <br />
<br />
Profits from this glass model are going to Médecins Sans Frontières (MSF) who will be assisting developing countries deal with the fallout of the coronavirus epidemic. <br />
<br />
This new model is just the latest in Luke’s Glass Microbiology series of virus sculptures. Luke and his glassblowing team have, in the past, made other sculptures of viruses from swine flu and Ebola to smallpox and HIV.<br />
<br />
Respected in the scientific community, the glass sculptures have featured in The Lancet, Scientific American, British Medical Journal (BMJ) and on the front cover of Nature Magazine.  <br />
<br />
The Glass Microbiology sculptures are in museum collections around the world, including the Metropolitan Museum,
    40395916.jpg
  • IN PHOTO: SARS<br />
<br />
Internationally-renowned British artist Luke Jerram has created a coronavirus glass sculpture in tribute to the huge global scientific and medical effort to combat the pandemic.<br />
<br />
Made in glass, at 23cm in diameter, it is 1 million times larger than the actual virus. <br />
<br />
It was commissioned 5 weeks ago by a university in America to reflect its current and future research and learning in health, the environment and intelligent systems, and its focus on solving global challenges.  <br />
<br />
Luke says: “Helping to communicate the form of the virus to the public, the artwork has been created as an alternative representation to the artificially coloured imagery received through the media. In fact, viruses have no colour as they are smaller than the wavelength of light.” <br />
<br />
“This artwork is a tribute to the scientists and medical teams who are working collaboratively across the world to try to slow the spread of the virus. It is vital we attempt to slow the spread of coronavirus by working together globally, so our health services can manage this pandemic.” <br />
<br />
Made through a process of scientific glassblowing, the coronavirus model is based on the latest scientific understanding and diagrams of the virus.  <br />
<br />
Profits from this glass model are going to Médecins Sans Frontières (MSF) who will be assisting developing countries deal with the fallout of the coronavirus epidemic. <br />
<br />
This new model is just the latest in Luke’s Glass Microbiology series of virus sculptures. Luke and his glassblowing team have, in the past, made other sculptures of viruses from swine flu and Ebola to smallpox and HIV.<br />
<br />
Respected in the scientific community, the glass sculptures have featured in The Lancet, Scientific American, British Medical Journal (BMJ) and on the front cover of Nature Magazine.  <br />
<br />
The Glass Microbiology sculptures are in museum collections around the world, including the Metropolitan Museum, NYC; Wellcome Collection, London and the Museum of Glass, S
    40395913.jpg
  • IN PHOTO: Malaria<br />
<br />
Internationally-renowned British artist Luke Jerram has created a coronavirus glass sculpture in tribute to the huge global scientific and medical effort to combat the pandemic.<br />
<br />
Made in glass, at 23cm in diameter, it is 1 million times larger than the actual virus. <br />
<br />
It was commissioned 5 weeks ago by a university in America to reflect its current and future research and learning in health, the environment and intelligent systems, and its focus on solving global challenges.  <br />
<br />
Luke says: “Helping to communicate the form of the virus to the public, the artwork has been created as an alternative representation to the artificially coloured imagery received through the media. In fact, viruses have no colour as they are smaller than the wavelength of light.” <br />
<br />
“This artwork is a tribute to the scientists and medical teams who are working collaboratively across the world to try to slow the spread of the virus. It is vital we attempt to slow the spread of coronavirus by working together globally, so our health services can manage this pandemic.” <br />
<br />
Made through a process of scientific glassblowing, the coronavirus model is based on the latest scientific understanding and diagrams of the virus.  <br />
<br />
Profits from this glass model are going to Médecins Sans Frontières (MSF) who will be assisting developing countries deal with the fallout of the coronavirus epidemic. <br />
<br />
This new model is just the latest in Luke’s Glass Microbiology series of virus sculptures. Luke and his glassblowing team have, in the past, made other sculptures of viruses from swine flu and Ebola to smallpox and HIV.<br />
<br />
Respected in the scientific community, the glass sculptures have featured in The Lancet, Scientific American, British Medical Journal (BMJ) and on the front cover of Nature Magazine.  <br />
<br />
The Glass Microbiology sculptures are in museum collections around the world, including the Metropolitan Museum, NYC; Wellcome Collection, London and the Museum of Glass
    40395912.jpg
  • June 9, 2019 - Montreal, Canada - Motorsports: FIA Formula One World Championship 2019, Grand Prix of Canada, ..#77 Valtteri Bottas (FIN, Mercedes AMG Petronas Motorsport), Pirelli, tire, tires, tyre, tyres, wheel, wheels, Reifen, Rad, feature  (Credit Image: © Hoch Zwei via ZUMA Wire)
    20190609_zaa_z100_254.jpg
  • Selena Gomez is one stylish traveler in this new photoshoot showcasing her second collection with PUMA. The 26-year-old singer is seen sporting a series of sexy styles, including wet-look hair and in cropped tops that give a flash of her toned tum. The Spring/ Summer 2019 collaboration is inspired by Selena’s rise from her hometown of Grand Prairie, Texas, to her fast-paced life today based in Los Angeles and features two brand-new shoe styles, laidback apparel and travel-ready accessories. According to PUMA, the collection is made for ‘move makers, influenced by the global girl who doesn’t just travel the world, but fearlessly leaves a mark on it’. The brand added: ‘The creative direction was inspired by Selena’s personal style and attitude. She was looking to create pieces that looked amazing, but comfortable enough for everyday use – mixing the energy of sports with the self-expression of street fashion.’ Speaking of the collection, her second with PUMA, Selena said: ‘I’m in love with this collection, because it’s inspired by my life. ‘I obviously wanted to create something that matches my lifestyle and that shows the real me – I’ve said it before, I need something that’s comfortable and flattering, pieces that I can just put on and give the impression it took me hours to plan. ‘My favorite thing about it is that it gives different nods to me, to my history. The graphics show the places that hold a special piece in my heart, my birthday, my tattoos, my identity.’ ***THE COLLECTION*** The collection comes with a couple of brand-new styles, one of them: the SG Slip-On leaves the shoelaces behind and makes way to an easy-to-wear style, launching now in Glitz (white with a sunrise inspired gradient), and Sunrise (a full sunrise inspired gradient on the upper). Furthermore, there are also some silhouettes such as the SG Runner and the Cali. The SG Runner Ice is a relaxed blend of Selena’s personal style and PUMA’s classic court an
    MEGA421190_003.jpg
  • Selena Gomez is one stylish traveler in this new photoshoot showcasing her second collection with PUMA. The 26-year-old singer is seen sporting a series of sexy styles, including wet-look hair and in cropped tops that give a flash of her toned tum. The Spring/ Summer 2019 collaboration is inspired by Selena’s rise from her hometown of Grand Prairie, Texas, to her fast-paced life today based in Los Angeles and features two brand-new shoe styles, laidback apparel and travel-ready accessories. According to PUMA, the collection is made for ‘move makers, influenced by the global girl who doesn’t just travel the world, but fearlessly leaves a mark on it’. The brand added: ‘The creative direction was inspired by Selena’s personal style and attitude. She was looking to create pieces that looked amazing, but comfortable enough for everyday use – mixing the energy of sports with the self-expression of street fashion.’ Speaking of the collection, her second with PUMA, Selena said: ‘I’m in love with this collection, because it’s inspired by my life. ‘I obviously wanted to create something that matches my lifestyle and that shows the real me – I’ve said it before, I need something that’s comfortable and flattering, pieces that I can just put on and give the impression it took me hours to plan. ‘My favorite thing about it is that it gives different nods to me, to my history. The graphics show the places that hold a special piece in my heart, my birthday, my tattoos, my identity.’ ***THE COLLECTION*** The collection comes with a couple of brand-new styles, one of them: the SG Slip-On leaves the shoelaces behind and makes way to an easy-to-wear style, launching now in Glitz (white with a sunrise inspired gradient), and Sunrise (a full sunrise inspired gradient on the upper). Furthermore, there are also some silhouettes such as the SG Runner and the Cali. The SG Runner Ice is a relaxed blend of Selena’s personal style and PUMA’s classic court an
    MEGA421190_005.jpg
  • Selena Gomez is one stylish traveler in this new photoshoot showcasing her second collection with PUMA. The 26-year-old singer is seen sporting a series of sexy styles, including wet-look hair and in cropped tops that give a flash of her toned tum. The Spring/ Summer 2019 collaboration is inspired by Selena’s rise from her hometown of Grand Prairie, Texas, to her fast-paced life today based in Los Angeles and features two brand-new shoe styles, laidback apparel and travel-ready accessories. According to PUMA, the collection is made for ‘move makers, influenced by the global girl who doesn’t just travel the world, but fearlessly leaves a mark on it’. The brand added: ‘The creative direction was inspired by Selena’s personal style and attitude. She was looking to create pieces that looked amazing, but comfortable enough for everyday use – mixing the energy of sports with the self-expression of street fashion.’ Speaking of the collection, her second with PUMA, Selena said: ‘I’m in love with this collection, because it’s inspired by my life. ‘I obviously wanted to create something that matches my lifestyle and that shows the real me – I’ve said it before, I need something that’s comfortable and flattering, pieces that I can just put on and give the impression it took me hours to plan. ‘My favorite thing about it is that it gives different nods to me, to my history. The graphics show the places that hold a special piece in my heart, my birthday, my tattoos, my identity.’ ***THE COLLECTION*** The collection comes with a couple of brand-new styles, one of them: the SG Slip-On leaves the shoelaces behind and makes way to an easy-to-wear style, launching now in Glitz (white with a sunrise inspired gradient), and Sunrise (a full sunrise inspired gradient on the upper). Furthermore, there are also some silhouettes such as the SG Runner and the Cali. The SG Runner Ice is a relaxed blend of Selena’s personal style and PUMA’s classic court an
    MEGA421190_019.jpg
  • Selena Gomez is one stylish traveler in this new photoshoot showcasing her second collection with PUMA. The 26-year-old singer is seen sporting a series of sexy styles, including wet-look hair and in cropped tops that give a flash of her toned tum. The Spring/ Summer 2019 collaboration is inspired by Selena’s rise from her hometown of Grand Prairie, Texas, to her fast-paced life today based in Los Angeles and features two brand-new shoe styles, laidback apparel and travel-ready accessories. According to PUMA, the collection is made for ‘move makers, influenced by the global girl who doesn’t just travel the world, but fearlessly leaves a mark on it’. The brand added: ‘The creative direction was inspired by Selena’s personal style and attitude. She was looking to create pieces that looked amazing, but comfortable enough for everyday use – mixing the energy of sports with the self-expression of street fashion.’ Speaking of the collection, her second with PUMA, Selena said: ‘I’m in love with this collection, because it’s inspired by my life. ‘I obviously wanted to create something that matches my lifestyle and that shows the real me – I’ve said it before, I need something that’s comfortable and flattering, pieces that I can just put on and give the impression it took me hours to plan. ‘My favorite thing about it is that it gives different nods to me, to my history. The graphics show the places that hold a special piece in my heart, my birthday, my tattoos, my identity.’ ***THE COLLECTION*** The collection comes with a couple of brand-new styles, one of them: the SG Slip-On leaves the shoelaces behind and makes way to an easy-to-wear style, launching now in Glitz (white with a sunrise inspired gradient), and Sunrise (a full sunrise inspired gradient on the upper). Furthermore, there are also some silhouettes such as the SG Runner and the Cali. The SG Runner Ice is a relaxed blend of Selena’s personal style and PUMA’s classic court an
    MEGA421190_017.jpg
  • Selena Gomez is one stylish traveler in this new photoshoot showcasing her second collection with PUMA. The 26-year-old singer is seen sporting a series of sexy styles, including wet-look hair and in cropped tops that give a flash of her toned tum. The Spring/ Summer 2019 collaboration is inspired by Selena’s rise from her hometown of Grand Prairie, Texas, to her fast-paced life today based in Los Angeles and features two brand-new shoe styles, laidback apparel and travel-ready accessories. According to PUMA, the collection is made for ‘move makers, influenced by the global girl who doesn’t just travel the world, but fearlessly leaves a mark on it’. The brand added: ‘The creative direction was inspired by Selena’s personal style and attitude. She was looking to create pieces that looked amazing, but comfortable enough for everyday use – mixing the energy of sports with the self-expression of street fashion.’ Speaking of the collection, her second with PUMA, Selena said: ‘I’m in love with this collection, because it’s inspired by my life. ‘I obviously wanted to create something that matches my lifestyle and that shows the real me – I’ve said it before, I need something that’s comfortable and flattering, pieces that I can just put on and give the impression it took me hours to plan. ‘My favorite thing about it is that it gives different nods to me, to my history. The graphics show the places that hold a special piece in my heart, my birthday, my tattoos, my identity.’ ***THE COLLECTION*** The collection comes with a couple of brand-new styles, one of them: the SG Slip-On leaves the shoelaces behind and makes way to an easy-to-wear style, launching now in Glitz (white with a sunrise inspired gradient), and Sunrise (a full sunrise inspired gradient on the upper). Furthermore, there are also some silhouettes such as the SG Runner and the Cali. The SG Runner Ice is a relaxed blend of Selena’s personal style and PUMA’s classic court an
    MEGA421190_014.jpg
  • Selena Gomez is one stylish traveler in this new photoshoot showcasing her second collection with PUMA. The 26-year-old singer is seen sporting a series of sexy styles, including wet-look hair and in cropped tops that give a flash of her toned tum. The Spring/ Summer 2019 collaboration is inspired by Selena’s rise from her hometown of Grand Prairie, Texas, to her fast-paced life today based in Los Angeles and features two brand-new shoe styles, laidback apparel and travel-ready accessories. According to PUMA, the collection is made for ‘move makers, influenced by the global girl who doesn’t just travel the world, but fearlessly leaves a mark on it’. The brand added: ‘The creative direction was inspired by Selena’s personal style and attitude. She was looking to create pieces that looked amazing, but comfortable enough for everyday use – mixing the energy of sports with the self-expression of street fashion.’ Speaking of the collection, her second with PUMA, Selena said: ‘I’m in love with this collection, because it’s inspired by my life. ‘I obviously wanted to create something that matches my lifestyle and that shows the real me – I’ve said it before, I need something that’s comfortable and flattering, pieces that I can just put on and give the impression it took me hours to plan. ‘My favorite thing about it is that it gives different nods to me, to my history. The graphics show the places that hold a special piece in my heart, my birthday, my tattoos, my identity.’ ***THE COLLECTION*** The collection comes with a couple of brand-new styles, one of them: the SG Slip-On leaves the shoelaces behind and makes way to an easy-to-wear style, launching now in Glitz (white with a sunrise inspired gradient), and Sunrise (a full sunrise inspired gradient on the upper). Furthermore, there are also some silhouettes such as the SG Runner and the Cali. The SG Runner Ice is a relaxed blend of Selena’s personal style and PUMA’s classic court an
    MEGA421190_001.jpg
  • Selena Gomez is one stylish traveler in this new photoshoot showcasing her second collection with PUMA. The 26-year-old singer is seen sporting a series of sexy styles, including wet-look hair and in cropped tops that give a flash of her toned tum. The Spring/ Summer 2019 collaboration is inspired by Selena’s rise from her hometown of Grand Prairie, Texas, to her fast-paced life today based in Los Angeles and features two brand-new shoe styles, laidback apparel and travel-ready accessories. According to PUMA, the collection is made for ‘move makers, influenced by the global girl who doesn’t just travel the world, but fearlessly leaves a mark on it’. The brand added: ‘The creative direction was inspired by Selena’s personal style and attitude. She was looking to create pieces that looked amazing, but comfortable enough for everyday use – mixing the energy of sports with the self-expression of street fashion.’ Speaking of the collection, her second with PUMA, Selena said: ‘I’m in love with this collection, because it’s inspired by my life. ‘I obviously wanted to create something that matches my lifestyle and that shows the real me – I’ve said it before, I need something that’s comfortable and flattering, pieces that I can just put on and give the impression it took me hours to plan. ‘My favorite thing about it is that it gives different nods to me, to my history. The graphics show the places that hold a special piece in my heart, my birthday, my tattoos, my identity.’ ***THE COLLECTION*** The collection comes with a couple of brand-new styles, one of them: the SG Slip-On leaves the shoelaces behind and makes way to an easy-to-wear style, launching now in Glitz (white with a sunrise inspired gradient), and Sunrise (a full sunrise inspired gradient on the upper). Furthermore, there are also some silhouettes such as the SG Runner and the Cali. The SG Runner Ice is a relaxed blend of Selena’s personal style and PUMA’s classic court an
    MEGA421190_011.jpg
  • March 15, 2019 - Melbourne, Australia - Motorsports: FIA Formula One World Championship 2019, Grand Prix of Australia, ..#16 Charles Leclerc (MCO, Scuderia Ferrari Mission Winnow), Pirelli, tire, tires, tyre, tyres, wheel, wheels, Reifen, Rad, feature  (Credit Image: © Hoch Zwei via ZUMA Wire)
    20190315_zaa_z100_263.jpg
  • March 15, 2019 - Melbourne, Australia - Motorsports: FIA Formula One World Championship 2019, Grand Prix of Australia, ..Pirelli, tire, tires, tyre, tyres, wheel, wheels, Reifen, Rad, feature  (Credit Image: © Hoch Zwei via ZUMA Wire)
    20190315_zaa_z100_265.jpg
  • EXCLUSIVE: A UK TEAM OF SATELLITE HISTORIANS CLAIM TO HAVE MADE HISTORY-CHANGING DISCOVERY OF THE LOST CITY OF ATLANTIS WITH PIX AND VIDEO – LINK TO VIDEO TRAILER OF FILM MADE OF DISCOVERY http://ingeniofilms.com/elements/atlantica/ DOWNLOAD LINK TO IMAGES: https://we.tl/t-9t8GLOOvz7 By Magnus News Agency A UK team of satellite historians claim to have discovered the true location of the lost city of ATLANTIS. Ground-breaking antiquity specialists Merlin Burrows believe the ruins of the legendary civilization can be found in modern-day southern Spain. The exact location is somewhere north of the city of Cadiz, Andalucía, centred around the Doñana National Park, which the UK historians believe was once a vast inland sea. And they claim from the park south and north there is further evidence of the ancient civilisation, with 15 other settlements dotted along the coastline. Atlantis was recorded in the writings of Greek philosopher Plato who lived around 400BC. He described an advanced island civilization that ruled a vast maritime empire, some 9,000 years before his own era. The city of Atlantis at the centre of this empire was described as having, among other features, an enormous harbour wall, huge entrance pillars, a temple to the god Poseidon and massive circular pieces of land carved out by the Atlanteans to live on. It is thought a cataclysmic natural disaster, such as a tsunami or volcanic event, eventually wiped out the Atlanteans, consigning their legacy to legend. But now using unique satellite investigation techniques, aerial photography and ground observations of the site, British experts believe they have found all the features of Atlantis Plato described and evidence of how they were destroyed. Although some scholars believe Atlantis to be a myth, Merlin Burrows claim their discoveries will once and for all prove the lost civilization existed. Maritime historian Tim Akers, head of research at Merlin Burrows, said not only had they discovered Atlantis
    MEGA308562_007.jpg
  • EXCLUSIVE: A UK TEAM OF SATELLITE HISTORIANS CLAIM TO HAVE MADE HISTORY-CHANGING DISCOVERY OF THE LOST CITY OF ATLANTIS WITH PIX AND VIDEO – LINK TO VIDEO TRAILER OF FILM MADE OF DISCOVERY http://ingeniofilms.com/elements/atlantica/ DOWNLOAD LINK TO IMAGES: https://we.tl/t-9t8GLOOvz7 By Magnus News Agency A UK team of satellite historians claim to have discovered the true location of the lost city of ATLANTIS. Ground-breaking antiquity specialists Merlin Burrows believe the ruins of the legendary civilization can be found in modern-day southern Spain. The exact location is somewhere north of the city of Cadiz, Andalucía, centred around the Doñana National Park, which the UK historians believe was once a vast inland sea. And they claim from the park south and north there is further evidence of the ancient civilisation, with 15 other settlements dotted along the coastline. Atlantis was recorded in the writings of Greek philosopher Plato who lived around 400BC. He described an advanced island civilization that ruled a vast maritime empire, some 9,000 years before his own era. The city of Atlantis at the centre of this empire was described as having, among other features, an enormous harbour wall, huge entrance pillars, a temple to the god Poseidon and massive circular pieces of land carved out by the Atlanteans to live on. It is thought a cataclysmic natural disaster, such as a tsunami or volcanic event, eventually wiped out the Atlanteans, consigning their legacy to legend. But now using unique satellite investigation techniques, aerial photography and ground observations of the site, British experts believe they have found all the features of Atlantis Plato described and evidence of how they were destroyed. Although some scholars believe Atlantis to be a myth, Merlin Burrows claim their discoveries will once and for all prove the lost civilization existed. Maritime historian Tim Akers, head of research at Merlin Burrows, said not only had they discovered Atlantis
    MEGA308562_008.jpg
  • EXCLUSIVE: A UK TEAM OF SATELLITE HISTORIANS CLAIM TO HAVE MADE HISTORY-CHANGING DISCOVERY OF THE LOST CITY OF ATLANTIS WITH PIX AND VIDEO – LINK TO VIDEO TRAILER OF FILM MADE OF DISCOVERY http://ingeniofilms.com/elements/atlantica/ DOWNLOAD LINK TO IMAGES: https://we.tl/t-9t8GLOOvz7 By Magnus News Agency A UK team of satellite historians claim to have discovered the true location of the lost city of ATLANTIS. Ground-breaking antiquity specialists Merlin Burrows believe the ruins of the legendary civilization can be found in modern-day southern Spain. The exact location is somewhere north of the city of Cadiz, Andalucía, centred around the Doñana National Park, which the UK historians believe was once a vast inland sea. And they claim from the park south and north there is further evidence of the ancient civilisation, with 15 other settlements dotted along the coastline. Atlantis was recorded in the writings of Greek philosopher Plato who lived around 400BC. He described an advanced island civilization that ruled a vast maritime empire, some 9,000 years before his own era. The city of Atlantis at the centre of this empire was described as having, among other features, an enormous harbour wall, huge entrance pillars, a temple to the god Poseidon and massive circular pieces of land carved out by the Atlanteans to live on. It is thought a cataclysmic natural disaster, such as a tsunami or volcanic event, eventually wiped out the Atlanteans, consigning their legacy to legend. But now using unique satellite investigation techniques, aerial photography and ground observations of the site, British experts believe they have found all the features of Atlantis Plato described and evidence of how they were destroyed. Although some scholars believe Atlantis to be a myth, Merlin Burrows claim their discoveries will once and for all prove the lost civilization existed. Maritime historian Tim Akers, head of research at Merlin Burrows, said not only had they discovered Atlantis
    MEGA308562_011.jpg
  • EXCLUSIVE: A UK TEAM OF SATELLITE HISTORIANS CLAIM TO HAVE MADE HISTORY-CHANGING DISCOVERY OF THE LOST CITY OF ATLANTIS WITH PIX AND VIDEO – LINK TO VIDEO TRAILER OF FILM MADE OF DISCOVERY http://ingeniofilms.com/elements/atlantica/ DOWNLOAD LINK TO IMAGES: https://we.tl/t-9t8GLOOvz7 By Magnus News Agency A UK team of satellite historians claim to have discovered the true location of the lost city of ATLANTIS. Ground-breaking antiquity specialists Merlin Burrows believe the ruins of the legendary civilization can be found in modern-day southern Spain. The exact location is somewhere north of the city of Cadiz, Andalucía, centred around the Doñana National Park, which the UK historians believe was once a vast inland sea. And they claim from the park south and north there is further evidence of the ancient civilisation, with 15 other settlements dotted along the coastline. Atlantis was recorded in the writings of Greek philosopher Plato who lived around 400BC. He described an advanced island civilization that ruled a vast maritime empire, some 9,000 years before his own era. The city of Atlantis at the centre of this empire was described as having, among other features, an enormous harbour wall, huge entrance pillars, a temple to the god Poseidon and massive circular pieces of land carved out by the Atlanteans to live on. It is thought a cataclysmic natural disaster, such as a tsunami or volcanic event, eventually wiped out the Atlanteans, consigning their legacy to legend. But now using unique satellite investigation techniques, aerial photography and ground observations of the site, British experts believe they have found all the features of Atlantis Plato described and evidence of how they were destroyed. Although some scholars believe Atlantis to be a myth, Merlin Burrows claim their discoveries will once and for all prove the lost civilization existed. Maritime historian Tim Akers, head of research at Merlin Burrows, said not only had they discovered Atlantis
    MEGA308562_009.jpg
  • EXCLUSIVE: A UK TEAM OF SATELLITE HISTORIANS CLAIM TO HAVE MADE HISTORY-CHANGING DISCOVERY OF THE LOST CITY OF ATLANTIS WITH PIX AND VIDEO – LINK TO VIDEO TRAILER OF FILM MADE OF DISCOVERY http://ingeniofilms.com/elements/atlantica/ DOWNLOAD LINK TO IMAGES: https://we.tl/t-9t8GLOOvz7 By Magnus News Agency A UK team of satellite historians claim to have discovered the true location of the lost city of ATLANTIS. Ground-breaking antiquity specialists Merlin Burrows believe the ruins of the legendary civilization can be found in modern-day southern Spain. The exact location is somewhere north of the city of Cadiz, Andalucía, centred around the Doñana National Park, which the UK historians believe was once a vast inland sea. And they claim from the park south and north there is further evidence of the ancient civilisation, with 15 other settlements dotted along the coastline. Atlantis was recorded in the writings of Greek philosopher Plato who lived around 400BC. He described an advanced island civilization that ruled a vast maritime empire, some 9,000 years before his own era. The city of Atlantis at the centre of this empire was described as having, among other features, an enormous harbour wall, huge entrance pillars, a temple to the god Poseidon and massive circular pieces of land carved out by the Atlanteans to live on. It is thought a cataclysmic natural disaster, such as a tsunami or volcanic event, eventually wiped out the Atlanteans, consigning their legacy to legend. But now using unique satellite investigation techniques, aerial photography and ground observations of the site, British experts believe they have found all the features of Atlantis Plato described and evidence of how they were destroyed. Although some scholars believe Atlantis to be a myth, Merlin Burrows claim their discoveries will once and for all prove the lost civilization existed. Maritime historian Tim Akers, head of research at Merlin Burrows, said not only had they discovered Atlantis
    MEGA308562_006.jpg
  • EXCLUSIVE: A UK TEAM OF SATELLITE HISTORIANS CLAIM TO HAVE MADE HISTORY-CHANGING DISCOVERY OF THE LOST CITY OF ATLANTIS WITH PIX AND VIDEO – LINK TO VIDEO TRAILER OF FILM MADE OF DISCOVERY http://ingeniofilms.com/elements/atlantica/ DOWNLOAD LINK TO IMAGES: https://we.tl/t-9t8GLOOvz7 By Magnus News Agency A UK team of satellite historians claim to have discovered the true location of the lost city of ATLANTIS. Ground-breaking antiquity specialists Merlin Burrows believe the ruins of the legendary civilization can be found in modern-day southern Spain. The exact location is somewhere north of the city of Cadiz, Andalucía, centred around the Doñana National Park, which the UK historians believe was once a vast inland sea. And they claim from the park south and north there is further evidence of the ancient civilisation, with 15 other settlements dotted along the coastline. Atlantis was recorded in the writings of Greek philosopher Plato who lived around 400BC. He described an advanced island civilization that ruled a vast maritime empire, some 9,000 years before his own era. The city of Atlantis at the centre of this empire was described as having, among other features, an enormous harbour wall, huge entrance pillars, a temple to the god Poseidon and massive circular pieces of land carved out by the Atlanteans to live on. It is thought a cataclysmic natural disaster, such as a tsunami or volcanic event, eventually wiped out the Atlanteans, consigning their legacy to legend. But now using unique satellite investigation techniques, aerial photography and ground observations of the site, British experts believe they have found all the features of Atlantis Plato described and evidence of how they were destroyed. Although some scholars believe Atlantis to be a myth, Merlin Burrows claim their discoveries will once and for all prove the lost civilization existed. Maritime historian Tim Akers, head of research at Merlin Burrows, said not only had they discovered Atlantis
    MEGA308562_012.jpg
  • EXCLUSIVE: A UK TEAM OF SATELLITE HISTORIANS CLAIM TO HAVE MADE HISTORY-CHANGING DISCOVERY OF THE LOST CITY OF ATLANTIS WITH PIX AND VIDEO – LINK TO VIDEO TRAILER OF FILM MADE OF DISCOVERY http://ingeniofilms.com/elements/atlantica/ DOWNLOAD LINK TO IMAGES: https://we.tl/t-9t8GLOOvz7 By Magnus News Agency A UK team of satellite historians claim to have discovered the true location of the lost city of ATLANTIS. Ground-breaking antiquity specialists Merlin Burrows believe the ruins of the legendary civilization can be found in modern-day southern Spain. The exact location is somewhere north of the city of Cadiz, Andalucía, centred around the Doñana National Park, which the UK historians believe was once a vast inland sea. And they claim from the park south and north there is further evidence of the ancient civilisation, with 15 other settlements dotted along the coastline. Atlantis was recorded in the writings of Greek philosopher Plato who lived around 400BC. He described an advanced island civilization that ruled a vast maritime empire, some 9,000 years before his own era. The city of Atlantis at the centre of this empire was described as having, among other features, an enormous harbour wall, huge entrance pillars, a temple to the god Poseidon and massive circular pieces of land carved out by the Atlanteans to live on. It is thought a cataclysmic natural disaster, such as a tsunami or volcanic event, eventually wiped out the Atlanteans, consigning their legacy to legend. But now using unique satellite investigation techniques, aerial photography and ground observations of the site, British experts believe they have found all the features of Atlantis Plato described and evidence of how they were destroyed. Although some scholars believe Atlantis to be a myth, Merlin Burrows claim their discoveries will once and for all prove the lost civilization existed. Maritime historian Tim Akers, head of research at Merlin Burrows, said not only had they discovered Atlantis
    MEGA308562_013.jpg
  • EXCLUSIVE: A UK TEAM OF SATELLITE HISTORIANS CLAIM TO HAVE MADE HISTORY-CHANGING DISCOVERY OF THE LOST CITY OF ATLANTIS WITH PIX AND VIDEO – LINK TO VIDEO TRAILER OF FILM MADE OF DISCOVERY http://ingeniofilms.com/elements/atlantica/ DOWNLOAD LINK TO IMAGES: https://we.tl/t-9t8GLOOvz7 By Magnus News Agency A UK team of satellite historians claim to have discovered the true location of the lost city of ATLANTIS. Ground-breaking antiquity specialists Merlin Burrows believe the ruins of the legendary civilization can be found in modern-day southern Spain. The exact location is somewhere north of the city of Cadiz, Andalucía, centred around the Doñana National Park, which the UK historians believe was once a vast inland sea. And they claim from the park south and north there is further evidence of the ancient civilisation, with 15 other settlements dotted along the coastline. Atlantis was recorded in the writings of Greek philosopher Plato who lived around 400BC. He described an advanced island civilization that ruled a vast maritime empire, some 9,000 years before his own era. The city of Atlantis at the centre of this empire was described as having, among other features, an enormous harbour wall, huge entrance pillars, a temple to the god Poseidon and massive circular pieces of land carved out by the Atlanteans to live on. It is thought a cataclysmic natural disaster, such as a tsunami or volcanic event, eventually wiped out the Atlanteans, consigning their legacy to legend. But now using unique satellite investigation techniques, aerial photography and ground observations of the site, British experts believe they have found all the features of Atlantis Plato described and evidence of how they were destroyed. Although some scholars believe Atlantis to be a myth, Merlin Burrows claim their discoveries will once and for all prove the lost civilization existed. Maritime historian Tim Akers, head of research at Merlin Burrows, said not only had they discovered Atlantis
    MEGA308562_015.jpg
  • EXCLUSIVE: A UK TEAM OF SATELLITE HISTORIANS CLAIM TO HAVE MADE HISTORY-CHANGING DISCOVERY OF THE LOST CITY OF ATLANTIS WITH PIX AND VIDEO – LINK TO VIDEO TRAILER OF FILM MADE OF DISCOVERY http://ingeniofilms.com/elements/atlantica/ DOWNLOAD LINK TO IMAGES: https://we.tl/t-9t8GLOOvz7 By Magnus News Agency A UK team of satellite historians claim to have discovered the true location of the lost city of ATLANTIS. Ground-breaking antiquity specialists Merlin Burrows believe the ruins of the legendary civilization can be found in modern-day southern Spain. The exact location is somewhere north of the city of Cadiz, Andalucía, centred around the Doñana National Park, which the UK historians believe was once a vast inland sea. And they claim from the park south and north there is further evidence of the ancient civilisation, with 15 other settlements dotted along the coastline. Atlantis was recorded in the writings of Greek philosopher Plato who lived around 400BC. He described an advanced island civilization that ruled a vast maritime empire, some 9,000 years before his own era. The city of Atlantis at the centre of this empire was described as having, among other features, an enormous harbour wall, huge entrance pillars, a temple to the god Poseidon and massive circular pieces of land carved out by the Atlanteans to live on. It is thought a cataclysmic natural disaster, such as a tsunami or volcanic event, eventually wiped out the Atlanteans, consigning their legacy to legend. But now using unique satellite investigation techniques, aerial photography and ground observations of the site, British experts believe they have found all the features of Atlantis Plato described and evidence of how they were destroyed. Although some scholars believe Atlantis to be a myth, Merlin Burrows claim their discoveries will once and for all prove the lost civilization existed. Maritime historian Tim Akers, head of research at Merlin Burrows, said not only had they discovered Atlantis
    MEGA308562_025.jpg
  • EXCLUSIVE: A UK TEAM OF SATELLITE HISTORIANS CLAIM TO HAVE MADE HISTORY-CHANGING DISCOVERY OF THE LOST CITY OF ATLANTIS WITH PIX AND VIDEO – LINK TO VIDEO TRAILER OF FILM MADE OF DISCOVERY http://ingeniofilms.com/elements/atlantica/ DOWNLOAD LINK TO IMAGES: https://we.tl/t-9t8GLOOvz7 By Magnus News Agency A UK team of satellite historians claim to have discovered the true location of the lost city of ATLANTIS. Ground-breaking antiquity specialists Merlin Burrows believe the ruins of the legendary civilization can be found in modern-day southern Spain. The exact location is somewhere north of the city of Cadiz, Andalucía, centred around the Doñana National Park, which the UK historians believe was once a vast inland sea. And they claim from the park south and north there is further evidence of the ancient civilisation, with 15 other settlements dotted along the coastline. Atlantis was recorded in the writings of Greek philosopher Plato who lived around 400BC. He described an advanced island civilization that ruled a vast maritime empire, some 9,000 years before his own era. The city of Atlantis at the centre of this empire was described as having, among other features, an enormous harbour wall, huge entrance pillars, a temple to the god Poseidon and massive circular pieces of land carved out by the Atlanteans to live on. It is thought a cataclysmic natural disaster, such as a tsunami or volcanic event, eventually wiped out the Atlanteans, consigning their legacy to legend. But now using unique satellite investigation techniques, aerial photography and ground observations of the site, British experts believe they have found all the features of Atlantis Plato described and evidence of how they were destroyed. Although some scholars believe Atlantis to be a myth, Merlin Burrows claim their discoveries will once and for all prove the lost civilization existed. Maritime historian Tim Akers, head of research at Merlin Burrows, said not only had they discovered Atlantis
    MEGA308562_016.jpg
  • EXCLUSIVE: A UK TEAM OF SATELLITE HISTORIANS CLAIM TO HAVE MADE HISTORY-CHANGING DISCOVERY OF THE LOST CITY OF ATLANTIS WITH PIX AND VIDEO – LINK TO VIDEO TRAILER OF FILM MADE OF DISCOVERY http://ingeniofilms.com/elements/atlantica/ DOWNLOAD LINK TO IMAGES: https://we.tl/t-9t8GLOOvz7 By Magnus News Agency A UK team of satellite historians claim to have discovered the true location of the lost city of ATLANTIS. Ground-breaking antiquity specialists Merlin Burrows believe the ruins of the legendary civilization can be found in modern-day southern Spain. The exact location is somewhere north of the city of Cadiz, Andalucía, centred around the Doñana National Park, which the UK historians believe was once a vast inland sea. And they claim from the park south and north there is further evidence of the ancient civilisation, with 15 other settlements dotted along the coastline. Atlantis was recorded in the writings of Greek philosopher Plato who lived around 400BC. He described an advanced island civilization that ruled a vast maritime empire, some 9,000 years before his own era. The city of Atlantis at the centre of this empire was described as having, among other features, an enormous harbour wall, huge entrance pillars, a temple to the god Poseidon and massive circular pieces of land carved out by the Atlanteans to live on. It is thought a cataclysmic natural disaster, such as a tsunami or volcanic event, eventually wiped out the Atlanteans, consigning their legacy to legend. But now using unique satellite investigation techniques, aerial photography and ground observations of the site, British experts believe they have found all the features of Atlantis Plato described and evidence of how they were destroyed. Although some scholars believe Atlantis to be a myth, Merlin Burrows claim their discoveries will once and for all prove the lost civilization existed. Maritime historian Tim Akers, head of research at Merlin Burrows, said not only had they discovered Atlantis
    MEGA308562_017.jpg
  • EXCLUSIVE: A UK TEAM OF SATELLITE HISTORIANS CLAIM TO HAVE MADE HISTORY-CHANGING DISCOVERY OF THE LOST CITY OF ATLANTIS WITH PIX AND VIDEO – LINK TO VIDEO TRAILER OF FILM MADE OF DISCOVERY http://ingeniofilms.com/elements/atlantica/ DOWNLOAD LINK TO IMAGES: https://we.tl/t-9t8GLOOvz7 By Magnus News Agency A UK team of satellite historians claim to have discovered the true location of the lost city of ATLANTIS. Ground-breaking antiquity specialists Merlin Burrows believe the ruins of the legendary civilization can be found in modern-day southern Spain. The exact location is somewhere north of the city of Cadiz, Andalucía, centred around the Doñana National Park, which the UK historians believe was once a vast inland sea. And they claim from the park south and north there is further evidence of the ancient civilisation, with 15 other settlements dotted along the coastline. Atlantis was recorded in the writings of Greek philosopher Plato who lived around 400BC. He described an advanced island civilization that ruled a vast maritime empire, some 9,000 years before his own era. The city of Atlantis at the centre of this empire was described as having, among other features, an enormous harbour wall, huge entrance pillars, a temple to the god Poseidon and massive circular pieces of land carved out by the Atlanteans to live on. It is thought a cataclysmic natural disaster, such as a tsunami or volcanic event, eventually wiped out the Atlanteans, consigning their legacy to legend. But now using unique satellite investigation techniques, aerial photography and ground observations of the site, British experts believe they have found all the features of Atlantis Plato described and evidence of how they were destroyed. Although some scholars believe Atlantis to be a myth, Merlin Burrows claim their discoveries will once and for all prove the lost civilization existed. Maritime historian Tim Akers, head of research at Merlin Burrows, said not only had they discovered Atlantis
    MEGA308562_019.jpg
  • EXCLUSIVE: A UK TEAM OF SATELLITE HISTORIANS CLAIM TO HAVE MADE HISTORY-CHANGING DISCOVERY OF THE LOST CITY OF ATLANTIS WITH PIX AND VIDEO – LINK TO VIDEO TRAILER OF FILM MADE OF DISCOVERY http://ingeniofilms.com/elements/atlantica/ DOWNLOAD LINK TO IMAGES: https://we.tl/t-9t8GLOOvz7 By Magnus News Agency A UK team of satellite historians claim to have discovered the true location of the lost city of ATLANTIS. Ground-breaking antiquity specialists Merlin Burrows believe the ruins of the legendary civilization can be found in modern-day southern Spain. The exact location is somewhere north of the city of Cadiz, Andalucía, centred around the Doñana National Park, which the UK historians believe was once a vast inland sea. And they claim from the park south and north there is further evidence of the ancient civilisation, with 15 other settlements dotted along the coastline. Atlantis was recorded in the writings of Greek philosopher Plato who lived around 400BC. He described an advanced island civilization that ruled a vast maritime empire, some 9,000 years before his own era. The city of Atlantis at the centre of this empire was described as having, among other features, an enormous harbour wall, huge entrance pillars, a temple to the god Poseidon and massive circular pieces of land carved out by the Atlanteans to live on. It is thought a cataclysmic natural disaster, such as a tsunami or volcanic event, eventually wiped out the Atlanteans, consigning their legacy to legend. But now using unique satellite investigation techniques, aerial photography and ground observations of the site, British experts believe they have found all the features of Atlantis Plato described and evidence of how they were destroyed. Although some scholars believe Atlantis to be a myth, Merlin Burrows claim their discoveries will once and for all prove the lost civilization existed. Maritime historian Tim Akers, head of research at Merlin Burrows, said not only had they discovered Atlantis
    MEGA308562_021.jpg
  • EXCLUSIVE: A UK TEAM OF SATELLITE HISTORIANS CLAIM TO HAVE MADE HISTORY-CHANGING DISCOVERY OF THE LOST CITY OF ATLANTIS WITH PIX AND VIDEO – LINK TO VIDEO TRAILER OF FILM MADE OF DISCOVERY http://ingeniofilms.com/elements/atlantica/ DOWNLOAD LINK TO IMAGES: https://we.tl/t-9t8GLOOvz7 By Magnus News Agency A UK team of satellite historians claim to have discovered the true location of the lost city of ATLANTIS. Ground-breaking antiquity specialists Merlin Burrows believe the ruins of the legendary civilization can be found in modern-day southern Spain. The exact location is somewhere north of the city of Cadiz, Andalucía, centred around the Doñana National Park, which the UK historians believe was once a vast inland sea. And they claim from the park south and north there is further evidence of the ancient civilisation, with 15 other settlements dotted along the coastline. Atlantis was recorded in the writings of Greek philosopher Plato who lived around 400BC. He described an advanced island civilization that ruled a vast maritime empire, some 9,000 years before his own era. The city of Atlantis at the centre of this empire was described as having, among other features, an enormous harbour wall, huge entrance pillars, a temple to the god Poseidon and massive circular pieces of land carved out by the Atlanteans to live on. It is thought a cataclysmic natural disaster, such as a tsunami or volcanic event, eventually wiped out the Atlanteans, consigning their legacy to legend. But now using unique satellite investigation techniques, aerial photography and ground observations of the site, British experts believe they have found all the features of Atlantis Plato described and evidence of how they were destroyed. Although some scholars believe Atlantis to be a myth, Merlin Burrows claim their discoveries will once and for all prove the lost civilization existed. Maritime historian Tim Akers, head of research at Merlin Burrows, said not only had they discovered Atlantis
    MEGA308562_024.jpg
  • EXCLUSIVE: A UK TEAM OF SATELLITE HISTORIANS CLAIM TO HAVE MADE HISTORY-CHANGING DISCOVERY OF THE LOST CITY OF ATLANTIS WITH PIX AND VIDEO – LINK TO VIDEO TRAILER OF FILM MADE OF DISCOVERY http://ingeniofilms.com/elements/atlantica/ DOWNLOAD LINK TO IMAGES: https://we.tl/t-9t8GLOOvz7 By Magnus News Agency A UK team of satellite historians claim to have discovered the true location of the lost city of ATLANTIS. Ground-breaking antiquity specialists Merlin Burrows believe the ruins of the legendary civilization can be found in modern-day southern Spain. The exact location is somewhere north of the city of Cadiz, Andalucía, centred around the Doñana National Park, which the UK historians believe was once a vast inland sea. And they claim from the park south and north there is further evidence of the ancient civilisation, with 15 other settlements dotted along the coastline. Atlantis was recorded in the writings of Greek philosopher Plato who lived around 400BC. He described an advanced island civilization that ruled a vast maritime empire, some 9,000 years before his own era. The city of Atlantis at the centre of this empire was described as having, among other features, an enormous harbour wall, huge entrance pillars, a temple to the god Poseidon and massive circular pieces of land carved out by the Atlanteans to live on. It is thought a cataclysmic natural disaster, such as a tsunami or volcanic event, eventually wiped out the Atlanteans, consigning their legacy to legend. But now using unique satellite investigation techniques, aerial photography and ground observations of the site, British experts believe they have found all the features of Atlantis Plato described and evidence of how they were destroyed. Although some scholars believe Atlantis to be a myth, Merlin Burrows claim their discoveries will once and for all prove the lost civilization existed. Maritime historian Tim Akers, head of research at Merlin Burrows, said not only had they discovered Atlantis
    MEGA308562_023.jpg
  • EXCLUSIVE: A UK TEAM OF SATELLITE HISTORIANS CLAIM TO HAVE MADE HISTORY-CHANGING DISCOVERY OF THE LOST CITY OF ATLANTIS WITH PIX AND VIDEO – LINK TO VIDEO TRAILER OF FILM MADE OF DISCOVERY http://ingeniofilms.com/elements/atlantica/ DOWNLOAD LINK TO IMAGES: https://we.tl/t-9t8GLOOvz7 By Magnus News Agency A UK team of satellite historians claim to have discovered the true location of the lost city of ATLANTIS. Ground-breaking antiquity specialists Merlin Burrows believe the ruins of the legendary civilization can be found in modern-day southern Spain. The exact location is somewhere north of the city of Cadiz, Andalucía, centred around the Doñana National Park, which the UK historians believe was once a vast inland sea. And they claim from the park south and north there is further evidence of the ancient civilisation, with 15 other settlements dotted along the coastline. Atlantis was recorded in the writings of Greek philosopher Plato who lived around 400BC. He described an advanced island civilization that ruled a vast maritime empire, some 9,000 years before his own era. The city of Atlantis at the centre of this empire was described as having, among other features, an enormous harbour wall, huge entrance pillars, a temple to the god Poseidon and massive circular pieces of land carved out by the Atlanteans to live on. It is thought a cataclysmic natural disaster, such as a tsunami or volcanic event, eventually wiped out the Atlanteans, consigning their legacy to legend. But now using unique satellite investigation techniques, aerial photography and ground observations of the site, British experts believe they have found all the features of Atlantis Plato described and evidence of how they were destroyed. Although some scholars believe Atlantis to be a myth, Merlin Burrows claim their discoveries will once and for all prove the lost civilization existed. Maritime historian Tim Akers, head of research at Merlin Burrows, said not only had they discovered Atlantis
    MEGA308562_001.jpg
  • EXCLUSIVE: A UK TEAM OF SATELLITE HISTORIANS CLAIM TO HAVE MADE HISTORY-CHANGING DISCOVERY OF THE LOST CITY OF ATLANTIS WITH PIX AND VIDEO – LINK TO VIDEO TRAILER OF FILM MADE OF DISCOVERY http://ingeniofilms.com/elements/atlantica/ DOWNLOAD LINK TO IMAGES: https://we.tl/t-9t8GLOOvz7 By Magnus News Agency A UK team of satellite historians claim to have discovered the true location of the lost city of ATLANTIS. Ground-breaking antiquity specialists Merlin Burrows believe the ruins of the legendary civilization can be found in modern-day southern Spain. The exact location is somewhere north of the city of Cadiz, Andalucía, centred around the Doñana National Park, which the UK historians believe was once a vast inland sea. And they claim from the park south and north there is further evidence of the ancient civilisation, with 15 other settlements dotted along the coastline. Atlantis was recorded in the writings of Greek philosopher Plato who lived around 400BC. He described an advanced island civilization that ruled a vast maritime empire, some 9,000 years before his own era. The city of Atlantis at the centre of this empire was described as having, among other features, an enormous harbour wall, huge entrance pillars, a temple to the god Poseidon and massive circular pieces of land carved out by the Atlanteans to live on. It is thought a cataclysmic natural disaster, such as a tsunami or volcanic event, eventually wiped out the Atlanteans, consigning their legacy to legend. But now using unique satellite investigation techniques, aerial photography and ground observations of the site, British experts believe they have found all the features of Atlantis Plato described and evidence of how they were destroyed. Although some scholars believe Atlantis to be a myth, Merlin Burrows claim their discoveries will once and for all prove the lost civilization existed. Maritime historian Tim Akers, head of research at Merlin Burrows, said not only had they discovered Atlantis
    MEGA308562_028.jpg
  • October 26, 2018 - Mexico-City, Mexico - Motorsports: FIA Formula One World Championship 2018, Grand Prix of Mexico, .Pirelli, tire, tires, tyre, tyres, wheel, wheels, Reifen, Rad, feature  (Credit Image: © Hoch Zwei via ZUMA Wire)
    20181026_zaa_z100_084.jpg
  • October 26, 2018 - Mexico-City, Mexico - Motorsports: FIA Formula One World Championship 2018, Grand Prix of Mexico, .Pirelli, tire, tires, tyre, tyres, wheel, wheels, Reifen, Rad, feature  (Credit Image: © Hoch Zwei via ZUMA Wire)
    20181026_zaa_z100_083.jpg
  • September 29, 2018 - Sochi, Russia - Motorsports: FIA Formula One World Championship 2018, Grand Prix of Russia, .Pirelli, tire, tires, tyre, tyres, wheel, wheels, Reifen, Rad, feature  (Credit Image: © Hoch Zwei via ZUMA Wire)
    20180929_zaa_z100_120.jpg
  • September 29, 2018 - Sochi, Russia - Motorsports: FIA Formula One World Championship 2018, Grand Prix of Russia, .Pirelli, tire, tires, tyre, tyres, wheel, wheels, Reifen, Rad, feature  (Credit Image: © Hoch Zwei via ZUMA Wire)
    20180929_zaa_z100_118.jpg
  • September 28, 2018 - Sochi, Russia - Motorsports: FIA Formula One World Championship 2018, Grand Prix of Russia, .Pirelli, tire, tires, tyre, tyres, wheel, wheels, Reifen, Rad, feature  (Credit Image: © Hoch Zwei via ZUMA Wire)
    20180928_zaa_z100_062.jpg
  • September 16, 2018 - Singapore, Singapore - Motorsports: FIA Formula One World Championship 2018, Grand Prix of Singapore, .Feature  (Credit Image: © Hoch Zwei via ZUMA Wire)
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  • September 15, 2018 - Singapore, Singapore - Motorsports: FIA Formula One World Championship 2018, Grand Prix of Singapore, . Feature  (Credit Image: © Hoch Zwei via ZUMA Wire)
    20180915_zaa_z100_129.jpg
  • June 22, 2018 - Le Castellet, France - Motorsports: FIA Formula One World Championship 2018, Grand Prix of France, .Pirelli, tire, tires, tyre, tyres, wheel, wheels, Reifen, Rad, feature  (Credit Image: © Hoch Zwei via ZUMA Wire)
    20180622_zaa_z100_554.jpg
  • June 22, 2018 - Le Castellet, France - Motorsports: FIA Formula One World Championship 2018, Grand Prix of France, .Pirelli, tire, tires, tyre, tyres, wheel, wheels, Reifen, Rad, feature  (Credit Image: © Hoch Zwei via ZUMA Wire)
    20180622_zaa_z100_551.jpg
  • October 3, 2017 - Banten, Banten, India - Indonesian military, conduct the last preparation for commemorating the 72nd National Military Day at the Indah Kiat harbour, Banten Province, on Tuesday, October 3, 2017. In the commemoration of National Military Day this year, which will take place on October 5, Indonesia will feature a number of the latest weaponry equipment, such as AH-64E Apache helicopters, Changbogo class submarine, and Kaplan medium tank prototype from cooperation of Indonesian defense industry, PT. Pindad with Turkish defense industry FNSS. (Credit Image: © Aditya Irawan/NurPhoto via ZUMA Press)
    RTI20171003_zaa_n230_019.jpg
  • October 3, 2017 - Banten, Indonesia - Indonesian military, conduct the last preparation for commemorating the 72nd National Military Day at the Indah Kiat harbour, Banten Province. In the commemoration of National Military Day this year, which will take place on October 5, Indonesia will feature a number of the latest weaponry equipment, such as AH-64E Apache helicopters, Changbogo class submarine, and Kaplan medium tank prototype from cooperation of Indonesian defense industry, PT. Pindad with Turkish defense industry FNSS. (Credit Image: © Aditya Irawan/NurPhoto via ZUMA Press)
    RTI20171003_zaa_n230_010.jpg
  • September 30, 2017 - Sepang, Malaysia - Motorsports: FIA Formula One World Championship 2017, Grand Prix of Malaysia, ..Pirelli, tire, tires, tyre, tyres, wheel, wheels, Reifen, Rad, feature  (Credit Image: © Hoch Zwei via ZUMA Wire)
    20170930_zaa_z100_182.jpg
  • September 15, 2017 - Singapore, Singapore - Motorsports: FIA Formula One World Championship 2017, Grand Prix of Singapore, ..Pirelli, tire, tires, tyre, tyres, wheel, wheels, Reifen, Rad, feature  (Credit Image: © Hoch Zwei via ZUMA Wire)
    20170915_zaa_z100_165.jpg
  • September 2, 2017 - Monza, Italy - Motorsports: FIA Formula One World Championship 2017, Grand Prix of Italy, .Pirelli, tire, tires, tyre, tyres, wheel, wheels, Reifen, Rad, feature, rain, wet  (Credit Image: © Hoch Zwei via ZUMA Wire)
    20170902_zaa_z100_184.jpg
  • May 14, 2017 - Barcelona, Spain - Motorsports: FIA Formula One World Championship 2017, Grand Prix of Spain, .Pirelli, tire, tires, tyre, tyres, wheel, wheels, Reifen, Rad, feature  (Credit Image: © Hoch Zwei via ZUMA Wire)
    S20170514_zaa_z100_129.jpg
  • May 11, 2017 - Barcelona, Spain - Motorsports: FIA Formula One World Championship 2017, Grand Prix of Spain, .Pirelli, tire, tires, tyre, tyres, wheel, wheels, Reifen, Rad, feature  (Credit Image: © Hoch Zwei via ZUMA Wire)
    RTI20170511_zaa_z100_084.jpg
  • May 11, 2017 - Barcelona, Spain - Motorsports: FIA Formula One World Championship 2017, Grand Prix of Spain, .Pirelli, tire, tires, tyre, tyres, wheel, wheels, Reifen, Rad, feature  (Credit Image: © Hoch Zwei via ZUMA Wire)
    RTI20170511_zaa_z100_080.jpg
  • May 11, 2017 - Barcelona, Spain - Motorsports: FIA Formula One World Championship 2017, Grand Prix of Spain, .Pirelli, tire, tires, tyre, tyres, wheel, wheels, Reifen, Rad, feature  (Credit Image: © Hoch Zwei via ZUMA Wire)
    RTI20170511_zaa_z100_075.jpg
  • May 11, 2017 - Barcelona, Spain - Motorsports: FIA Formula One World Championship 2017, Grand Prix of Spain, .Pirelli, tire, tires, tyre, tyres, wheel, wheels, Reifen, Rad, feature  (Credit Image: © Hoch Zwei via ZUMA Wire)
    RTI20170511_zaa_z100_065.jpg
  • May 11, 2017 - Barcelona, Spain - Motorsports: FIA Formula One World Championship 2017, Grand Prix of Spain, .Pirelli, tire, tires, tyre, tyres, wheel, wheels, Reifen, Rad, feature  (Credit Image: © Hoch Zwei via ZUMA Wire)
    RTI20170511_zaa_z100_059.jpg
  • Celebrities are seen attending the special screening of Focus Features' 'Nocturnal Animals' at the Hammer Museum in Los Angeles. 11 Nov 2016 Pictured: Amy Adams. Photo credit: Bauer Griffin / MEGA TheMegaAgency.com +1 888 505 6342
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  • Celebrities are seen attending the special screening of Focus Features' 'Nocturnal Animals' at the Hammer Museum in Los Angeles. 11 Nov 2016 Pictured: Terri Seymour. Photo credit: Bauer Griffin / MEGA TheMegaAgency.com +1 888 505 6342
    MEGA3454_023.JPG
  • Celebrities are seen attending the special screening of Focus Features' 'Nocturnal Animals' at the Hammer Museum in Los Angeles. 11 Nov 2016 Pictured: Aaron Taylor-Johnson, Sam Taylor-Johnson. Photo credit: Bauer Griffin / MEGA TheMegaAgency.com +1 888 505 6342
    MEGA3454_018.JPG
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