• Facebook
  • Twitter
x

RealTime Images

  • Portfolio
  • About
  • Contact
  • Video
  • Blog
  • Archive
Show Navigation
Cart Lightbox Client Area

Search Results

Refine Search
Match all words
Match any word
Prints
Personal Use
Royalty-Free
Rights-Managed
(leave unchecked to
search all images)
Next
{ 253 images found }
twitterlinkedinfacebook

Loading ()...

  • April 29, 2019 - London, United Kingdom - New Banksy 'masterpiece' on a wall in Marble Arch...A new piece of 'Banksy' artwork left after the Extinction Rebellion protesters left Marble Arch last week could be worth £1 million. If genuine - and art experts claim it is definitely him - it could sell for around £1million, but only if it can be removed. Westminster Council have now placed a protective perspex plate over the piece of street art as it had already been the subject of some defacement with red and blue writing and a yellow 'smiley' leaflet stuck to the wall. (Credit Image: © Keith Mayhew/SOPA Images via ZUMA Wire)
    20190429_zaa_s197_133.jpg
  • October 8, 2018 - London, United Kingdom - British artist, Idris Khan OBE, with his large-scale artwork '21 Stones', made up of 21 paintings on paper at the British Museum. The work has been commissioned by the British Museum for the new Albukhary Foundation Gallery of the Islamic World, which opens to the public on 18 October. (Credit Image: © Dinendra Haria/i-Images via ZUMA Press)
    20181008_zaa_ap2_042.jpg
  • June 1, 2017 - London, UK - London, UK.  ''Here After'', a multi-coloured artwork adapting the colours of a television test card, by designers Craig & Karl, has been unveiled at a petrol station opposite the former BBC Television Centre in Wood Lane. (Credit Image: © Stephen Chung/London News Pictures via ZUMA Wire)
    20170601_zaf_l94_060.jpg
  • October 8, 2018 - London, London, United Kingdom - Idris Khan Installs A Large-Scale Artwork '21 Stones'. ..British artist, Idris Khan OBE, installs a large-scale artwork '21 Stones', made up of 21 paintings on paper at the British Museum. The work has been commissioned by the British Museum for the new Albukhary Foundation Gallery of the Islamic World, which opens to the public on 18 October. Each piece is made with a unique piece of poetry, stamped with blue oil paint on paper mounted on aluminium using a new archival process. (Credit Image: © Dinendra Haria/i-Images via ZUMA Press)
    20181008_zaa_ap2_021.jpg
  • IN PHOTO: Bluetongue<br />
<br />
Internationally-renowned British artist Luke Jerram has created a coronavirus glass sculpture in tribute to the huge global scientific and medical effort to combat the pandemic.<br />
<br />
Made in glass, at 23cm in diameter, it is 1 million times larger than the actual virus. <br />
<br />
It was commissioned 5 weeks ago by a university in America to reflect its current and future research and learning in health, the environment and intelligent systems, and its focus on solving global challenges.  <br />
<br />
Luke says: “Helping to communicate the form of the virus to the public, the artwork has been created as an alternative representation to the artificially coloured imagery received through the media. In fact, viruses have no colour as they are smaller than the wavelength of light.” <br />
<br />
“This artwork is a tribute to the scientists and medical teams who are working collaboratively across the world to try to slow the spread of the virus. It is vital we attempt to slow the spread of coronavirus by working together globally, so our health services can manage this pandemic.” <br />
<br />
Made through a process of scientific glassblowing, the coronavirus model is based on the latest scientific understanding and diagrams of the virus.  <br />
<br />
Profits from this glass model are going to Médecins Sans Frontières (MSF) who will be assisting developing countries deal with the fallout of the coronavirus epidemic. <br />
<br />
This new model is just the latest in Luke’s Glass Microbiology series of virus sculptures. Luke and his glassblowing team have, in the past, made other sculptures of viruses from swine flu and Ebola to smallpox and HIV.<br />
<br />
Respected in the scientific community, the glass sculptures have featured in The Lancet, Scientific American, British Medical Journal (BMJ) and on the front cover of Nature Magazine.  <br />
<br />
The Glass Microbiology sculptures are in museum collections around the world, including the Metropolitan Museum, NYC; Wellcome Collection, London and the Museum of Gl
    40395903.jpg
  • IN PHOTO: Zika<br />
<br />
Internationally-renowned British artist Luke Jerram has created a coronavirus glass sculpture in tribute to the huge global scientific and medical effort to combat the pandemic.<br />
<br />
Made in glass, at 23cm in diameter, it is 1 million times larger than the actual virus. <br />
<br />
It was commissioned 5 weeks ago by a university in America to reflect its current and future research and learning in health, the environment and intelligent systems, and its focus on solving global challenges.  <br />
<br />
Luke says: “Helping to communicate the form of the virus to the public, the artwork has been created as an alternative representation to the artificially coloured imagery received through the media. In fact, viruses have no colour as they are smaller than the wavelength of light.” <br />
<br />
“This artwork is a tribute to the scientists and medical teams who are working collaboratively across the world to try to slow the spread of the virus. It is vital we attempt to slow the spread of coronavirus by working together globally, so our health services can manage this pandemic.” <br />
<br />
Made through a process of scientific glassblowing, the coronavirus model is based on the latest scientific understanding and diagrams of the virus.  <br />
<br />
Profits from this glass model are going to Médecins Sans Frontières (MSF) who will be assisting developing countries deal with the fallout of the coronavirus epidemic. <br />
<br />
This new model is just the latest in Luke’s Glass Microbiology series of virus sculptures. Luke and his glassblowing team have, in the past, made other sculptures of viruses from swine flu and Ebola to smallpox and HIV.<br />
<br />
Respected in the scientific community, the glass sculptures have featured in The Lancet, Scientific American, British Medical Journal (BMJ) and on the front cover of Nature Magazine.  <br />
<br />
The Glass Microbiology sculptures are in museum collections around the world, including the Metropolitan Museum, NYC; Wellcome Collection, London and the Museum of Glass, S
    40395919.jpg
  • IN PHOTO: Malaria<br />
<br />
Internationally-renowned British artist Luke Jerram has created a coronavirus glass sculpture in tribute to the huge global scientific and medical effort to combat the pandemic.<br />
<br />
Made in glass, at 23cm in diameter, it is 1 million times larger than the actual virus. <br />
<br />
It was commissioned 5 weeks ago by a university in America to reflect its current and future research and learning in health, the environment and intelligent systems, and its focus on solving global challenges.  <br />
<br />
Luke says: “Helping to communicate the form of the virus to the public, the artwork has been created as an alternative representation to the artificially coloured imagery received through the media. In fact, viruses have no colour as they are smaller than the wavelength of light.” <br />
<br />
“This artwork is a tribute to the scientists and medical teams who are working collaboratively across the world to try to slow the spread of the virus. It is vital we attempt to slow the spread of coronavirus by working together globally, so our health services can manage this pandemic.” <br />
<br />
Made through a process of scientific glassblowing, the coronavirus model is based on the latest scientific understanding and diagrams of the virus.  <br />
<br />
Profits from this glass model are going to Médecins Sans Frontières (MSF) who will be assisting developing countries deal with the fallout of the coronavirus epidemic. <br />
<br />
This new model is just the latest in Luke’s Glass Microbiology series of virus sculptures. Luke and his glassblowing team have, in the past, made other sculptures of viruses from swine flu and Ebola to smallpox and HIV.<br />
<br />
Respected in the scientific community, the glass sculptures have featured in The Lancet, Scientific American, British Medical Journal (BMJ) and on the front cover of Nature Magazine.  <br />
<br />
The Glass Microbiology sculptures are in museum collections around the world, including the Metropolitan Museum, NYC; Wellcome Collection, London and the Museum of Glass
    40395912.jpg
  • IN PHOTO: Papiloma<br />
<br />
Internationally-renowned British artist Luke Jerram has created a coronavirus glass sculpture in tribute to the huge global scientific and medical effort to combat the pandemic.<br />
<br />
Made in glass, at 23cm in diameter, it is 1 million times larger than the actual virus. <br />
<br />
It was commissioned 5 weeks ago by a university in America to reflect its current and future research and learning in health, the environment and intelligent systems, and its focus on solving global challenges.  <br />
<br />
Luke says: “Helping to communicate the form of the virus to the public, the artwork has been created as an alternative representation to the artificially coloured imagery received through the media. In fact, viruses have no colour as they are smaller than the wavelength of light.” <br />
<br />
“This artwork is a tribute to the scientists and medical teams who are working collaboratively across the world to try to slow the spread of the virus. It is vital we attempt to slow the spread of coronavirus by working together globally, so our health services can manage this pandemic.” <br />
<br />
Made through a process of scientific glassblowing, the coronavirus model is based on the latest scientific understanding and diagrams of the virus.  <br />
<br />
Profits from this glass model are going to Médecins Sans Frontières (MSF) who will be assisting developing countries deal with the fallout of the coronavirus epidemic. <br />
<br />
This new model is just the latest in Luke’s Glass Microbiology series of virus sculptures. Luke and his glassblowing team have, in the past, made other sculptures of viruses from swine flu and Ebola to smallpox and HIV.<br />
<br />
Respected in the scientific community, the glass sculptures have featured in The Lancet, Scientific American, British Medical Journal (BMJ) and on the front cover of Nature Magazine.  <br />
<br />
The Glass Microbiology sculptures are in museum collections around the world, including the Metropolitan Museum, NYC; Wellcome Collection, London and the Museum of Glas
    40395926.jpg
  • IN PHOTO: Hand foot and mouth<br />
<br />
Internationally-renowned British artist Luke Jerram has created a coronavirus glass sculpture in tribute to the huge global scientific and medical effort to combat the pandemic.<br />
<br />
Made in glass, at 23cm in diameter, it is 1 million times larger than the actual virus. <br />
<br />
It was commissioned 5 weeks ago by a university in America to reflect its current and future research and learning in health, the environment and intelligent systems, and its focus on solving global challenges.  <br />
<br />
Luke says: “Helping to communicate the form of the virus to the public, the artwork has been created as an alternative representation to the artificially coloured imagery received through the media. In fact, viruses have no colour as they are smaller than the wavelength of light.” <br />
<br />
“This artwork is a tribute to the scientists and medical teams who are working collaboratively across the world to try to slow the spread of the virus. It is vital we attempt to slow the spread of coronavirus by working together globally, so our health services can manage this pandemic.” <br />
<br />
Made through a process of scientific glassblowing, the coronavirus model is based on the latest scientific understanding and diagrams of the virus.  <br />
<br />
Profits from this glass model are going to Médecins Sans Frontières (MSF) who will be assisting developing countries deal with the fallout of the coronavirus epidemic. <br />
<br />
This new model is just the latest in Luke’s Glass Microbiology series of virus sculptures. Luke and his glassblowing team have, in the past, made other sculptures of viruses from swine flu and Ebola to smallpox and HIV.<br />
<br />
Respected in the scientific community, the glass sculptures have featured in The Lancet, Scientific American, British Medical Journal (BMJ) and on the front cover of Nature Magazine.  <br />
<br />
The Glass Microbiology sculptures are in museum collections around the world, including the Metropolitan Museum, NYC; Wellcome Collection, London and the Mus
    40395907.jpg
  • IN PHOTO: E. coli<br />
<br />
Internationally-renowned British artist Luke Jerram has created a coronavirus glass sculpture in tribute to the huge global scientific and medical effort to combat the pandemic.<br />
<br />
Made in glass, at 23cm in diameter, it is 1 million times larger than the actual virus. <br />
<br />
It was commissioned 5 weeks ago by a university in America to reflect its current and future research and learning in health, the environment and intelligent systems, and its focus on solving global challenges.  <br />
<br />
Luke says: “Helping to communicate the form of the virus to the public, the artwork has been created as an alternative representation to the artificially coloured imagery received through the media. In fact, viruses have no colour as they are smaller than the wavelength of light.” <br />
<br />
“This artwork is a tribute to the scientists and medical teams who are working collaboratively across the world to try to slow the spread of the virus. It is vital we attempt to slow the spread of coronavirus by working together globally, so our health services can manage this pandemic.” <br />
<br />
Made through a process of scientific glassblowing, the coronavirus model is based on the latest scientific understanding and diagrams of the virus.  <br />
<br />
Profits from this glass model are going to Médecins Sans Frontières (MSF) who will be assisting developing countries deal with the fallout of the coronavirus epidemic. <br />
<br />
This new model is just the latest in Luke’s Glass Microbiology series of virus sculptures. Luke and his glassblowing team have, in the past, made other sculptures of viruses from swine flu and Ebola to smallpox and HIV.<br />
<br />
Respected in the scientific community, the glass sculptures have featured in The Lancet, Scientific American, British Medical Journal (BMJ) and on the front cover of Nature Magazine.  <br />
<br />
The Glass Microbiology sculptures are in museum collections around the world, including the Metropolitan Museum, NYC; Wellcome Collection, London and the Museum of Glass
    40395906.jpg
  • IN PHOTO: E. coli<br />
<br />
Internationally-renowned British artist Luke Jerram has created a coronavirus glass sculpture in tribute to the huge global scientific and medical effort to combat the pandemic.<br />
<br />
Made in glass, at 23cm in diameter, it is 1 million times larger than the actual virus. <br />
<br />
It was commissioned 5 weeks ago by a university in America to reflect its current and future research and learning in health, the environment and intelligent systems, and its focus on solving global challenges.  <br />
<br />
Luke says: “Helping to communicate the form of the virus to the public, the artwork has been created as an alternative representation to the artificially coloured imagery received through the media. In fact, viruses have no colour as they are smaller than the wavelength of light.” <br />
<br />
“This artwork is a tribute to the scientists and medical teams who are working collaboratively across the world to try to slow the spread of the virus. It is vital we attempt to slow the spread of coronavirus by working together globally, so our health services can manage this pandemic.” <br />
<br />
Made through a process of scientific glassblowing, the coronavirus model is based on the latest scientific understanding and diagrams of the virus.  <br />
<br />
Profits from this glass model are going to Médecins Sans Frontières (MSF) who will be assisting developing countries deal with the fallout of the coronavirus epidemic. <br />
<br />
This new model is just the latest in Luke’s Glass Microbiology series of virus sculptures. Luke and his glassblowing team have, in the past, made other sculptures of viruses from swine flu and Ebola to smallpox and HIV.<br />
<br />
Respected in the scientific community, the glass sculptures have featured in The Lancet, Scientific American, British Medical Journal (BMJ) and on the front cover of Nature Magazine.  <br />
<br />
The Glass Microbiology sculptures are in museum collections around the world, including the Metropolitan Museum, NYC; Wellcome Collection, London and the Museum of Glass
    40395905.jpg
  • IN PHOTO: A collection of viruses<br />
<br />
Internationally-renowned British artist Luke Jerram has created a coronavirus glass sculpture in tribute to the huge global scientific and medical effort to combat the pandemic.<br />
<br />
Made in glass, at 23cm in diameter, it is 1 million times larger than the actual virus. <br />
<br />
It was commissioned 5 weeks ago by a university in America to reflect its current and future research and learning in health, the environment and intelligent systems, and its focus on solving global challenges.  <br />
<br />
Luke says: “Helping to communicate the form of the virus to the public, the artwork has been created as an alternative representation to the artificially coloured imagery received through the media. In fact, viruses have no colour as they are smaller than the wavelength of light.” <br />
<br />
“This artwork is a tribute to the scientists and medical teams who are working collaboratively across the world to try to slow the spread of the virus. It is vital we attempt to slow the spread of coronavirus by working together globally, so our health services can manage this pandemic.” <br />
<br />
Made through a process of scientific glassblowing, the coronavirus model is based on the latest scientific understanding and diagrams of the virus.  <br />
<br />
Profits from this glass model are going to Médecins Sans Frontières (MSF) who will be assisting developing countries deal with the fallout of the coronavirus epidemic. <br />
<br />
This new model is just the latest in Luke’s Glass Microbiology series of virus sculptures. Luke and his glassblowing team have, in the past, made other sculptures of viruses from swine flu and Ebola to smallpox and HIV.<br />
<br />
Respected in the scientific community, the glass sculptures have featured in The Lancet, Scientific American, British Medical Journal (BMJ) and on the front cover of Nature Magazine.  <br />
<br />
The Glass Microbiology sculptures are in museum collections around the world, including the Metropolitan Museum, NYC; Wellcome Collection, London and the
    40395904.jpg
  • IN PHOTO: Avian Flu<br />
<br />
Internationally-renowned British artist Luke Jerram has created a coronavirus glass sculpture in tribute to the huge global scientific and medical effort to combat the pandemic.<br />
<br />
Made in glass, at 23cm in diameter, it is 1 million times larger than the actual virus. <br />
<br />
It was commissioned 5 weeks ago by a university in America to reflect its current and future research and learning in health, the environment and intelligent systems, and its focus on solving global challenges.  <br />
<br />
Luke says: “Helping to communicate the form of the virus to the public, the artwork has been created as an alternative representation to the artificially coloured imagery received through the media. In fact, viruses have no colour as they are smaller than the wavelength of light.” <br />
<br />
“This artwork is a tribute to the scientists and medical teams who are working collaboratively across the world to try to slow the spread of the virus. It is vital we attempt to slow the spread of coronavirus by working together globally, so our health services can manage this pandemic.” <br />
<br />
Made through a process of scientific glassblowing, the coronavirus model is based on the latest scientific understanding and diagrams of the virus.  <br />
<br />
Profits from this glass model are going to Médecins Sans Frontières (MSF) who will be assisting developing countries deal with the fallout of the coronavirus epidemic. <br />
<br />
This new model is just the latest in Luke’s Glass Microbiology series of virus sculptures. Luke and his glassblowing team have, in the past, made other sculptures of viruses from swine flu and Ebola to smallpox and HIV.<br />
<br />
Respected in the scientific community, the glass sculptures have featured in The Lancet, Scientific American, British Medical Journal (BMJ) and on the front cover of Nature Magazine.  <br />
<br />
The Glass Microbiology sculptures are in museum collections around the world, including the Metropolitan Museum, NYC; Wellcome Collection, London and the Museum of Gla
    40395901.jpg
  • IN PHOTO: Ameoba<br />
<br />
Internationally-renowned British artist Luke Jerram has created a coronavirus glass sculpture in tribute to the huge global scientific and medical effort to combat the pandemic.<br />
<br />
Made in glass, at 23cm in diameter, it is 1 million times larger than the actual virus. <br />
<br />
It was commissioned 5 weeks ago by a university in America to reflect its current and future research and learning in health, the environment and intelligent systems, and its focus on solving global challenges.  <br />
<br />
Luke says: “Helping to communicate the form of the virus to the public, the artwork has been created as an alternative representation to the artificially coloured imagery received through the media. In fact, viruses have no colour as they are smaller than the wavelength of light.” <br />
<br />
“This artwork is a tribute to the scientists and medical teams who are working collaboratively across the world to try to slow the spread of the virus. It is vital we attempt to slow the spread of coronavirus by working together globally, so our health services can manage this pandemic.” <br />
<br />
Made through a process of scientific glassblowing, the coronavirus model is based on the latest scientific understanding and diagrams of the virus.  <br />
<br />
Profits from this glass model are going to Médecins Sans Frontières (MSF) who will be assisting developing countries deal with the fallout of the coronavirus epidemic. <br />
<br />
This new model is just the latest in Luke’s Glass Microbiology series of virus sculptures. Luke and his glassblowing team have, in the past, made other sculptures of viruses from swine flu and Ebola to smallpox and HIV.<br />
<br />
Respected in the scientific community, the glass sculptures have featured in The Lancet, Scientific American, British Medical Journal (BMJ) and on the front cover of Nature Magazine.  <br />
<br />
The Glass Microbiology sculptures are in museum collections around the world, including the Metropolitan Museum, NYC; Wellcome Collection, London and the Museum of Glass,
    40395900.jpg
  • IN PHOTO: Adeno<br />
<br />
Internationally-renowned British artist Luke Jerram has created a coronavirus glass sculpture in tribute to the huge global scientific and medical effort to combat the pandemic.<br />
<br />
Made in glass, at 23cm in diameter, it is 1 million times larger than the actual virus. <br />
<br />
It was commissioned 5 weeks ago by a university in America to reflect its current and future research and learning in health, the environment and intelligent systems, and its focus on solving global challenges.  <br />
<br />
Luke says: “Helping to communicate the form of the virus to the public, the artwork has been created as an alternative representation to the artificially coloured imagery received through the media. In fact, viruses have no colour as they are smaller than the wavelength of light.” <br />
<br />
“This artwork is a tribute to the scientists and medical teams who are working collaboratively across the world to try to slow the spread of the virus. It is vital we attempt to slow the spread of coronavirus by working together globally, so our health services can manage this pandemic.” <br />
<br />
Made through a process of scientific glassblowing, the coronavirus model is based on the latest scientific understanding and diagrams of the virus.  <br />
<br />
Profits from this glass model are going to Médecins Sans Frontières (MSF) who will be assisting developing countries deal with the fallout of the coronavirus epidemic. <br />
<br />
This new model is just the latest in Luke’s Glass Microbiology series of virus sculptures. Luke and his glassblowing team have, in the past, made other sculptures of viruses from swine flu and Ebola to smallpox and HIV.<br />
<br />
Respected in the scientific community, the glass sculptures have featured in The Lancet, Scientific American, British Medical Journal (BMJ) and on the front cover of Nature Magazine.  <br />
<br />
The Glass Microbiology sculptures are in museum collections around the world, including the Metropolitan Museum, NYC; Wellcome Collection, London and the Museum of Glass,
    40395898.jpg
  • IN PHOTO: Adeno<br />
<br />
Internationally-renowned British artist Luke Jerram has created a coronavirus glass sculpture in tribute to the huge global scientific and medical effort to combat the pandemic.<br />
<br />
Made in glass, at 23cm in diameter, it is 1 million times larger than the actual virus. <br />
<br />
It was commissioned 5 weeks ago by a university in America to reflect its current and future research and learning in health, the environment and intelligent systems, and its focus on solving global challenges.  <br />
<br />
Luke says: “Helping to communicate the form of the virus to the public, the artwork has been created as an alternative representation to the artificially coloured imagery received through the media. In fact, viruses have no colour as they are smaller than the wavelength of light.” <br />
<br />
“This artwork is a tribute to the scientists and medical teams who are working collaboratively across the world to try to slow the spread of the virus. It is vital we attempt to slow the spread of coronavirus by working together globally, so our health services can manage this pandemic.” <br />
<br />
Made through a process of scientific glassblowing, the coronavirus model is based on the latest scientific understanding and diagrams of the virus.  <br />
<br />
Profits from this glass model are going to Médecins Sans Frontières (MSF) who will be assisting developing countries deal with the fallout of the coronavirus epidemic. <br />
<br />
This new model is just the latest in Luke’s Glass Microbiology series of virus sculptures. Luke and his glassblowing team have, in the past, made other sculptures of viruses from swine flu and Ebola to smallpox and HIV.<br />
<br />
Respected in the scientific community, the glass sculptures have featured in The Lancet, Scientific American, British Medical Journal (BMJ) and on the front cover of Nature Magazine.  <br />
<br />
The Glass Microbiology sculptures are in museum collections around the world, including the Metropolitan Museum, NYC; Wellcome Collection, London and the Museum of Glass,
    40395897.jpg
  • IN PHOTO: COVID-19 coronavirus<br />
<br />
Internationally-renowned British artist Luke Jerram has created a coronavirus glass sculpture in tribute to the huge global scientific and medical effort to combat the pandemic.<br />
<br />
Made in glass, at 23cm in diameter, it is 1 million times larger than the actual virus. <br />
<br />
It was commissioned 5 weeks ago by a university in America to reflect its current and future research and learning in health, the environment and intelligent systems, and its focus on solving global challenges.  <br />
<br />
Luke says: “Helping to communicate the form of the virus to the public, the artwork has been created as an alternative representation to the artificially coloured imagery received through the media. In fact, viruses have no colour as they are smaller than the wavelength of light.” <br />
<br />
“This artwork is a tribute to the scientists and medical teams who are working collaboratively across the world to try to slow the spread of the virus. It is vital we attempt to slow the spread of coronavirus by working together globally, so our health services can manage this pandemic.” <br />
<br />
Made through a process of scientific glassblowing, the coronavirus model is based on the latest scientific understanding and diagrams of the virus.  <br />
<br />
Profits from this glass model are going to Médecins Sans Frontières (MSF) who will be assisting developing countries deal with the fallout of the coronavirus epidemic. <br />
<br />
This new model is just the latest in Luke’s Glass Microbiology series of virus sculptures. Luke and his glassblowing team have, in the past, made other sculptures of viruses from swine flu and Ebola to smallpox and HIV.<br />
<br />
Respected in the scientific community, the glass sculptures have featured in The Lancet, Scientific American, British Medical Journal (BMJ) and on the front cover of Nature Magazine.  <br />
<br />
The Glass Microbiology sculptures are in museum collections around the world, including the Metropolitan Museum, NYC; Wellcome Collection, London and the Mu
    40395896.jpg
  • IN PHOTO: COVID-19 coronavirus<br />
<br />
Internationally-renowned British artist Luke Jerram has created a coronavirus glass sculpture in tribute to the huge global scientific and medical effort to combat the pandemic.<br />
<br />
Made in glass, at 23cm in diameter, it is 1 million times larger than the actual virus. <br />
<br />
It was commissioned 5 weeks ago by a university in America to reflect its current and future research and learning in health, the environment and intelligent systems, and its focus on solving global challenges.  <br />
<br />
Luke says: “Helping to communicate the form of the virus to the public, the artwork has been created as an alternative representation to the artificially coloured imagery received through the media. In fact, viruses have no colour as they are smaller than the wavelength of light.” <br />
<br />
“This artwork is a tribute to the scientists and medical teams who are working collaboratively across the world to try to slow the spread of the virus. It is vital we attempt to slow the spread of coronavirus by working together globally, so our health services can manage this pandemic.” <br />
<br />
Made through a process of scientific glassblowing, the coronavirus model is based on the latest scientific understanding and diagrams of the virus.  <br />
<br />
Profits from this glass model are going to Médecins Sans Frontières (MSF) who will be assisting developing countries deal with the fallout of the coronavirus epidemic. <br />
<br />
This new model is just the latest in Luke’s Glass Microbiology series of virus sculptures. Luke and his glassblowing team have, in the past, made other sculptures of viruses from swine flu and Ebola to smallpox and HIV.<br />
<br />
Respected in the scientific community, the glass sculptures have featured in The Lancet, Scientific American, British Medical Journal (BMJ) and on the front cover of Nature Magazine.  <br />
<br />
The Glass Microbiology sculptures are in museum collections around the world, including the Metropolitan Museum, NYC; Wellcome Collection, London and the Mu
    40395895.jpg
  • IN PHOTO: COVID-19 coronavirus<br />
<br />
Internationally-renowned British artist Luke Jerram has created a coronavirus glass sculpture in tribute to the huge global scientific and medical effort to combat the pandemic.<br />
<br />
Made in glass, at 23cm in diameter, it is 1 million times larger than the actual virus. <br />
<br />
It was commissioned 5 weeks ago by a university in America to reflect its current and future research and learning in health, the environment and intelligent systems, and its focus on solving global challenges.  <br />
<br />
Luke says: “Helping to communicate the form of the virus to the public, the artwork has been created as an alternative representation to the artificially coloured imagery received through the media. In fact, viruses have no colour as they are smaller than the wavelength of light.” <br />
<br />
“This artwork is a tribute to the scientists and medical teams who are working collaboratively across the world to try to slow the spread of the virus. It is vital we attempt to slow the spread of coronavirus by working together globally, so our health services can manage this pandemic.” <br />
<br />
Made through a process of scientific glassblowing, the coronavirus model is based on the latest scientific understanding and diagrams of the virus.  <br />
<br />
Profits from this glass model are going to Médecins Sans Frontières (MSF) who will be assisting developing countries deal with the fallout of the coronavirus epidemic. <br />
<br />
This new model is just the latest in Luke’s Glass Microbiology series of virus sculptures. Luke and his glassblowing team have, in the past, made other sculptures of viruses from swine flu and Ebola to smallpox and HIV.<br />
<br />
Respected in the scientific community, the glass sculptures have featured in The Lancet, Scientific American, British Medical Journal (BMJ) and on the front cover of Nature Magazine.  <br />
<br />
The Glass Microbiology sculptures are in museum collections around the world, including the Metropolitan Museum, NYC; Wellcome Collection, London and the Mu
    40395893.jpg
  • IN PHOTO: Ecoli<br />
<br />
Internationally-renowned British artist Luke Jerram has created a coronavirus glass sculpture in tribute to the huge global scientific and medical effort to combat the pandemic.<br />
<br />
Made in glass, at 23cm in diameter, it is 1 million times larger than the actual virus. <br />
<br />
It was commissioned 5 weeks ago by a university in America to reflect its current and future research and learning in health, the environment and intelligent systems, and its focus on solving global challenges.  <br />
<br />
Luke says: “Helping to communicate the form of the virus to the public, the artwork has been created as an alternative representation to the artificially coloured imagery received through the media. In fact, viruses have no colour as they are smaller than the wavelength of light.” <br />
<br />
“This artwork is a tribute to the scientists and medical teams who are working collaboratively across the world to try to slow the spread of the virus. It is vital we attempt to slow the spread of coronavirus by working together globally, so our health services can manage this pandemic.” <br />
<br />
Made through a process of scientific glassblowing, the coronavirus model is based on the latest scientific understanding and diagrams of the virus.  <br />
<br />
Profits from this glass model are going to Médecins Sans Frontières (MSF) who will be assisting developing countries deal with the fallout of the coronavirus epidemic. <br />
<br />
This new model is just the latest in Luke’s Glass Microbiology series of virus sculptures. Luke and his glassblowing team have, in the past, made other sculptures of viruses from swine flu and Ebola to smallpox and HIV.<br />
<br />
Respected in the scientific community, the glass sculptures have featured in The Lancet, Scientific American, British Medical Journal (BMJ) and on the front cover of Nature Magazine.  <br />
<br />
The Glass Microbiology sculptures are in museum collections around the world, including the Metropolitan Museum, NYC; Wellcome Collection, London and the Museum of Glass,
    40395908.jpg
  • IN PHOTO: HIV<br />
<br />
Internationally-renowned British artist Luke Jerram has created a coronavirus glass sculpture in tribute to the huge global scientific and medical effort to combat the pandemic.<br />
<br />
Made in glass, at 23cm in diameter, it is 1 million times larger than the actual virus. <br />
<br />
It was commissioned 5 weeks ago by a university in America to reflect its current and future research and learning in health, the environment and intelligent systems, and its focus on solving global challenges.  <br />
<br />
Luke says: “Helping to communicate the form of the virus to the public, the artwork has been created as an alternative representation to the artificially coloured imagery received through the media. In fact, viruses have no colour as they are smaller than the wavelength of light.” <br />
<br />
“This artwork is a tribute to the scientists and medical teams who are working collaboratively across the world to try to slow the spread of the virus. It is vital we attempt to slow the spread of coronavirus by working together globally, so our health services can manage this pandemic.” <br />
<br />
Made through a process of scientific glassblowing, the coronavirus model is based on the latest scientific understanding and diagrams of the virus.  <br />
<br />
Profits from this glass model are going to Médecins Sans Frontières (MSF) who will be assisting developing countries deal with the fallout of the coronavirus epidemic. <br />
<br />
This new model is just the latest in Luke’s Glass Microbiology series of virus sculptures. Luke and his glassblowing team have, in the past, made other sculptures of viruses from swine flu and Ebola to smallpox and HIV.<br />
<br />
Respected in the scientific community, the glass sculptures have featured in The Lancet, Scientific American, British Medical Journal (BMJ) and on the front cover of Nature Magazine.  <br />
<br />
The Glass Microbiology sculptures are in museum collections around the world, including the Metropolitan Museum, NYC; Wellcome Collection, London and the Museum of Glass, Sh
    40395909.jpg
  • IN PHOTO: Giardia<br />
<br />
Internationally-renowned British artist Luke Jerram has created a coronavirus glass sculpture in tribute to the huge global scientific and medical effort to combat the pandemic.<br />
<br />
Made in glass, at 23cm in diameter, it is 1 million times larger than the actual virus. <br />
<br />
It was commissioned 5 weeks ago by a university in America to reflect its current and future research and learning in health, the environment and intelligent systems, and its focus on solving global challenges.  <br />
<br />
Luke says: “Helping to communicate the form of the virus to the public, the artwork has been created as an alternative representation to the artificially coloured imagery received through the media. In fact, viruses have no colour as they are smaller than the wavelength of light.” <br />
<br />
“This artwork is a tribute to the scientists and medical teams who are working collaboratively across the world to try to slow the spread of the virus. It is vital we attempt to slow the spread of coronavirus by working together globally, so our health services can manage this pandemic.” <br />
<br />
Made through a process of scientific glassblowing, the coronavirus model is based on the latest scientific understanding and diagrams of the virus.  <br />
<br />
Profits from this glass model are going to Médecins Sans Frontières (MSF) who will be assisting developing countries deal with the fallout of the coronavirus epidemic. <br />
<br />
This new model is just the latest in Luke’s Glass Microbiology series of virus sculptures. Luke and his glassblowing team have, in the past, made other sculptures of viruses from swine flu and Ebola to smallpox and HIV.<br />
<br />
Respected in the scientific community, the glass sculptures have featured in The Lancet, Scientific American, British Medical Journal (BMJ) and on the front cover of Nature Magazine.  <br />
<br />
The Glass Microbiology sculptures are in museum collections around the world, including the Metropolitan Museum, NYC; Wellcome Collection, London and the Museum of Glass
    40395925.jpg
  • IN PHOTO: Ebola<br />
<br />
Internationally-renowned British artist Luke Jerram has created a coronavirus glass sculpture in tribute to the huge global scientific and medical effort to combat the pandemic.<br />
<br />
Made in glass, at 23cm in diameter, it is 1 million times larger than the actual virus. <br />
<br />
It was commissioned 5 weeks ago by a university in America to reflect its current and future research and learning in health, the environment and intelligent systems, and its focus on solving global challenges.  <br />
<br />
Luke says: “Helping to communicate the form of the virus to the public, the artwork has been created as an alternative representation to the artificially coloured imagery received through the media. In fact, viruses have no colour as they are smaller than the wavelength of light.” <br />
<br />
“This artwork is a tribute to the scientists and medical teams who are working collaboratively across the world to try to slow the spread of the virus. It is vital we attempt to slow the spread of coronavirus by working together globally, so our health services can manage this pandemic.” <br />
<br />
Made through a process of scientific glassblowing, the coronavirus model is based on the latest scientific understanding and diagrams of the virus.  <br />
<br />
Profits from this glass model are going to Médecins Sans Frontières (MSF) who will be assisting developing countries deal with the fallout of the coronavirus epidemic. <br />
<br />
This new model is just the latest in Luke’s Glass Microbiology series of virus sculptures. Luke and his glassblowing team have, in the past, made other sculptures of viruses from swine flu and Ebola to smallpox and HIV.<br />
<br />
Respected in the scientific community, the glass sculptures have featured in The Lancet, Scientific American, British Medical Journal (BMJ) and on the front cover of Nature Magazine.  <br />
<br />
The Glass Microbiology sculptures are in museum collections around the world, including the Metropolitan Museum, NYC; Wellcome Collection, London and the Museum of Glass,
    40395924.jpg
  • IN PHOTO: Ebola<br />
<br />
Internationally-renowned British artist Luke Jerram has created a coronavirus glass sculpture in tribute to the huge global scientific and medical effort to combat the pandemic.<br />
<br />
Made in glass, at 23cm in diameter, it is 1 million times larger than the actual virus. <br />
<br />
It was commissioned 5 weeks ago by a university in America to reflect its current and future research and learning in health, the environment and intelligent systems, and its focus on solving global challenges.  <br />
<br />
Luke says: “Helping to communicate the form of the virus to the public, the artwork has been created as an alternative representation to the artificially coloured imagery received through the media. In fact, viruses have no colour as they are smaller than the wavelength of light.” <br />
<br />
“This artwork is a tribute to the scientists and medical teams who are working collaboratively across the world to try to slow the spread of the virus. It is vital we attempt to slow the spread of coronavirus by working together globally, so our health services can manage this pandemic.” <br />
<br />
Made through a process of scientific glassblowing, the coronavirus model is based on the latest scientific understanding and diagrams of the virus.  <br />
<br />
Profits from this glass model are going to Médecins Sans Frontières (MSF) who will be assisting developing countries deal with the fallout of the coronavirus epidemic. <br />
<br />
This new model is just the latest in Luke’s Glass Microbiology series of virus sculptures. Luke and his glassblowing team have, in the past, made other sculptures of viruses from swine flu and Ebola to smallpox and HIV.<br />
<br />
Respected in the scientific community, the glass sculptures have featured in The Lancet, Scientific American, British Medical Journal (BMJ) and on the front cover of Nature Magazine.  <br />
<br />
The Glass Microbiology sculptures are in museum collections around the world, including the Metropolitan Museum, NYC; Wellcome Collection, London and the Museum of Glass,
    40395921.jpg
  • IN PHOTO: A composite of images<br />
<br />
Internationally-renowned British artist Luke Jerram has created a coronavirus glass sculpture in tribute to the huge global scientific and medical effort to combat the pandemic.<br />
<br />
Made in glass, at 23cm in diameter, it is 1 million times larger than the actual virus. <br />
<br />
It was commissioned 5 weeks ago by a university in America to reflect its current and future research and learning in health, the environment and intelligent systems, and its focus on solving global challenges.  <br />
<br />
Luke says: “Helping to communicate the form of the virus to the public, the artwork has been created as an alternative representation to the artificially coloured imagery received through the media. In fact, viruses have no colour as they are smaller than the wavelength of light.” <br />
<br />
“This artwork is a tribute to the scientists and medical teams who are working collaboratively across the world to try to slow the spread of the virus. It is vital we attempt to slow the spread of coronavirus by working together globally, so our health services can manage this pandemic.” <br />
<br />
Made through a process of scientific glassblowing, the coronavirus model is based on the latest scientific understanding and diagrams of the virus.  <br />
<br />
Profits from this glass model are going to Médecins Sans Frontières (MSF) who will be assisting developing countries deal with the fallout of the coronavirus epidemic. <br />
<br />
This new model is just the latest in Luke’s Glass Microbiology series of virus sculptures. Luke and his glassblowing team have, in the past, made other sculptures of viruses from swine flu and Ebola to smallpox and HIV.<br />
<br />
Respected in the scientific community, the glass sculptures have featured in The Lancet, Scientific American, British Medical Journal (BMJ) and on the front cover of Nature Magazine.  <br />
<br />
The Glass Microbiology sculptures are in museum collections around the world, including the Metropolitan Museum, NYC; Wellcome Collection, London and the M
    40395920.jpg
  • IN PHOTO: T Bacteriophage<br />
<br />
Internationally-renowned British artist Luke Jerram has created a coronavirus glass sculpture in tribute to the huge global scientific and medical effort to combat the pandemic.<br />
<br />
Made in glass, at 23cm in diameter, it is 1 million times larger than the actual virus. <br />
<br />
It was commissioned 5 weeks ago by a university in America to reflect its current and future research and learning in health, the environment and intelligent systems, and its focus on solving global challenges.  <br />
<br />
Luke says: “Helping to communicate the form of the virus to the public, the artwork has been created as an alternative representation to the artificially coloured imagery received through the media. In fact, viruses have no colour as they are smaller than the wavelength of light.” <br />
<br />
“This artwork is a tribute to the scientists and medical teams who are working collaboratively across the world to try to slow the spread of the virus. It is vital we attempt to slow the spread of coronavirus by working together globally, so our health services can manage this pandemic.” <br />
<br />
Made through a process of scientific glassblowing, the coronavirus model is based on the latest scientific understanding and diagrams of the virus.  <br />
<br />
Profits from this glass model are going to Médecins Sans Frontières (MSF) who will be assisting developing countries deal with the fallout of the coronavirus epidemic. <br />
<br />
This new model is just the latest in Luke’s Glass Microbiology series of virus sculptures. Luke and his glassblowing team have, in the past, made other sculptures of viruses from swine flu and Ebola to smallpox and HIV.<br />
<br />
Respected in the scientific community, the glass sculptures have featured in The Lancet, Scientific American, British Medical Journal (BMJ) and on the front cover of Nature Magazine.  <br />
<br />
The Glass Microbiology sculptures are in museum collections around the world, including the Metropolitan Museum, NYC; Wellcome Collection, London and the Museum
    40395918.jpg
  • IN PHOTO: Artist Luke Jerram with a glass sculpture of the Swine Flu virus<br />
<br />
Internationally-renowned British artist Luke Jerram has created a coronavirus glass sculpture in tribute to the huge global scientific and medical effort to combat the pandemic.<br />
<br />
Made in glass, at 23cm in diameter, it is 1 million times larger than the actual virus. <br />
<br />
It was commissioned 5 weeks ago by a university in America to reflect its current and future research and learning in health, the environment and intelligent systems, and its focus on solving global challenges.  <br />
<br />
Luke says: “Helping to communicate the form of the virus to the public, the artwork has been created as an alternative representation to the artificially coloured imagery received through the media. In fact, viruses have no colour as they are smaller than the wavelength of light.” <br />
<br />
“This artwork is a tribute to the scientists and medical teams who are working collaboratively across the world to try to slow the spread of the virus. It is vital we attempt to slow the spread of coronavirus by working together globally, so our health services can manage this pandemic.” <br />
<br />
Made through a process of scientific glassblowing, the coronavirus model is based on the latest scientific understanding and diagrams of the virus.  <br />
<br />
Profits from this glass model are going to Médecins Sans Frontières (MSF) who will be assisting developing countries deal with the fallout of the coronavirus epidemic. <br />
<br />
This new model is just the latest in Luke’s Glass Microbiology series of virus sculptures. Luke and his glassblowing team have, in the past, made other sculptures of viruses from swine flu and Ebola to smallpox and HIV.<br />
<br />
Respected in the scientific community, the glass sculptures have featured in The Lancet, Scientific American, British Medical Journal (BMJ) and on the front cover of Nature Magazine.  <br />
<br />
The Glass Microbiology sculptures are in museum collections around the world, including the Metropolitan Museum,
    40395916.jpg
  • IN PHOTO: Smallpox<br />
<br />
Internationally-renowned British artist Luke Jerram has created a coronavirus glass sculpture in tribute to the huge global scientific and medical effort to combat the pandemic.<br />
<br />
Made in glass, at 23cm in diameter, it is 1 million times larger than the actual virus. <br />
<br />
It was commissioned 5 weeks ago by a university in America to reflect its current and future research and learning in health, the environment and intelligent systems, and its focus on solving global challenges.  <br />
<br />
Luke says: “Helping to communicate the form of the virus to the public, the artwork has been created as an alternative representation to the artificially coloured imagery received through the media. In fact, viruses have no colour as they are smaller than the wavelength of light.” <br />
<br />
“This artwork is a tribute to the scientists and medical teams who are working collaboratively across the world to try to slow the spread of the virus. It is vital we attempt to slow the spread of coronavirus by working together globally, so our health services can manage this pandemic.” <br />
<br />
Made through a process of scientific glassblowing, the coronavirus model is based on the latest scientific understanding and diagrams of the virus.  <br />
<br />
Profits from this glass model are going to Médecins Sans Frontières (MSF) who will be assisting developing countries deal with the fallout of the coronavirus epidemic. <br />
<br />
This new model is just the latest in Luke’s Glass Microbiology series of virus sculptures. Luke and his glassblowing team have, in the past, made other sculptures of viruses from swine flu and Ebola to smallpox and HIV.<br />
<br />
Respected in the scientific community, the glass sculptures have featured in The Lancet, Scientific American, British Medical Journal (BMJ) and on the front cover of Nature Magazine.  <br />
<br />
The Glass Microbiology sculptures are in museum collections around the world, including the Metropolitan Museum, NYC; Wellcome Collection, London and the Museum of Glas
    40395915.jpg
  • IN PHOTO: SARS<br />
<br />
Internationally-renowned British artist Luke Jerram has created a coronavirus glass sculpture in tribute to the huge global scientific and medical effort to combat the pandemic.<br />
<br />
Made in glass, at 23cm in diameter, it is 1 million times larger than the actual virus. <br />
<br />
It was commissioned 5 weeks ago by a university in America to reflect its current and future research and learning in health, the environment and intelligent systems, and its focus on solving global challenges.  <br />
<br />
Luke says: “Helping to communicate the form of the virus to the public, the artwork has been created as an alternative representation to the artificially coloured imagery received through the media. In fact, viruses have no colour as they are smaller than the wavelength of light.” <br />
<br />
“This artwork is a tribute to the scientists and medical teams who are working collaboratively across the world to try to slow the spread of the virus. It is vital we attempt to slow the spread of coronavirus by working together globally, so our health services can manage this pandemic.” <br />
<br />
Made through a process of scientific glassblowing, the coronavirus model is based on the latest scientific understanding and diagrams of the virus.  <br />
<br />
Profits from this glass model are going to Médecins Sans Frontières (MSF) who will be assisting developing countries deal with the fallout of the coronavirus epidemic. <br />
<br />
This new model is just the latest in Luke’s Glass Microbiology series of virus sculptures. Luke and his glassblowing team have, in the past, made other sculptures of viruses from swine flu and Ebola to smallpox and HIV.<br />
<br />
Respected in the scientific community, the glass sculptures have featured in The Lancet, Scientific American, British Medical Journal (BMJ) and on the front cover of Nature Magazine.  <br />
<br />
The Glass Microbiology sculptures are in museum collections around the world, including the Metropolitan Museum, NYC; Wellcome Collection, London and the Museum of Glass, S
    40395913.jpg
  • IN PHOTO: Malaria<br />
<br />
Internationally-renowned British artist Luke Jerram has created a coronavirus glass sculpture in tribute to the huge global scientific and medical effort to combat the pandemic.<br />
<br />
Made in glass, at 23cm in diameter, it is 1 million times larger than the actual virus. <br />
<br />
It was commissioned 5 weeks ago by a university in America to reflect its current and future research and learning in health, the environment and intelligent systems, and its focus on solving global challenges.  <br />
<br />
Luke says: “Helping to communicate the form of the virus to the public, the artwork has been created as an alternative representation to the artificially coloured imagery received through the media. In fact, viruses have no colour as they are smaller than the wavelength of light.” <br />
<br />
“This artwork is a tribute to the scientists and medical teams who are working collaboratively across the world to try to slow the spread of the virus. It is vital we attempt to slow the spread of coronavirus by working together globally, so our health services can manage this pandemic.” <br />
<br />
Made through a process of scientific glassblowing, the coronavirus model is based on the latest scientific understanding and diagrams of the virus.  <br />
<br />
Profits from this glass model are going to Médecins Sans Frontières (MSF) who will be assisting developing countries deal with the fallout of the coronavirus epidemic. <br />
<br />
This new model is just the latest in Luke’s Glass Microbiology series of virus sculptures. Luke and his glassblowing team have, in the past, made other sculptures of viruses from swine flu and Ebola to smallpox and HIV.<br />
<br />
Respected in the scientific community, the glass sculptures have featured in The Lancet, Scientific American, British Medical Journal (BMJ) and on the front cover of Nature Magazine.  <br />
<br />
The Glass Microbiology sculptures are in museum collections around the world, including the Metropolitan Museum, NYC; Wellcome Collection, London and the Museum of Glass
    40395911.jpg
  • IN PHOTO: Malaria<br />
<br />
Internationally-renowned British artist Luke Jerram has created a coronavirus glass sculpture in tribute to the huge global scientific and medical effort to combat the pandemic.<br />
<br />
Made in glass, at 23cm in diameter, it is 1 million times larger than the actual virus. <br />
<br />
It was commissioned 5 weeks ago by a university in America to reflect its current and future research and learning in health, the environment and intelligent systems, and its focus on solving global challenges.  <br />
<br />
Luke says: “Helping to communicate the form of the virus to the public, the artwork has been created as an alternative representation to the artificially coloured imagery received through the media. In fact, viruses have no colour as they are smaller than the wavelength of light.” <br />
<br />
“This artwork is a tribute to the scientists and medical teams who are working collaboratively across the world to try to slow the spread of the virus. It is vital we attempt to slow the spread of coronavirus by working together globally, so our health services can manage this pandemic.” <br />
<br />
Made through a process of scientific glassblowing, the coronavirus model is based on the latest scientific understanding and diagrams of the virus.  <br />
<br />
Profits from this glass model are going to Médecins Sans Frontières (MSF) who will be assisting developing countries deal with the fallout of the coronavirus epidemic. <br />
<br />
This new model is just the latest in Luke’s Glass Microbiology series of virus sculptures. Luke and his glassblowing team have, in the past, made other sculptures of viruses from swine flu and Ebola to smallpox and HIV.<br />
<br />
Respected in the scientific community, the glass sculptures have featured in The Lancet, Scientific American, British Medical Journal (BMJ) and on the front cover of Nature Magazine.  <br />
<br />
The Glass Microbiology sculptures are in museum collections around the world, including the Metropolitan Museum, NYC; Wellcome Collection, London and the Museum of Glass
    40395910.jpg
  • IN PHOTO: COVID-19 Coronavirus<br />
<br />
Internationally-renowned British artist Luke Jerram has created a coronavirus glass sculpture in tribute to the huge global scientific and medical effort to combat the pandemic.<br />
<br />
Made in glass, at 23cm in diameter, it is 1 million times larger than the actual virus. <br />
<br />
It was commissioned 5 weeks ago by a university in America to reflect its current and future research and learning in health, the environment and intelligent systems, and its focus on solving global challenges.  <br />
<br />
Luke says: “Helping to communicate the form of the virus to the public, the artwork has been created as an alternative representation to the artificially coloured imagery received through the media. In fact, viruses have no colour as they are smaller than the wavelength of light.” <br />
<br />
“This artwork is a tribute to the scientists and medical teams who are working collaboratively across the world to try to slow the spread of the virus. It is vital we attempt to slow the spread of coronavirus by working together globally, so our health services can manage this pandemic.” <br />
<br />
Made through a process of scientific glassblowing, the coronavirus model is based on the latest scientific understanding and diagrams of the virus.  <br />
<br />
Profits from this glass model are going to Médecins Sans Frontières (MSF) who will be assisting developing countries deal with the fallout of the coronavirus epidemic. <br />
<br />
This new model is just the latest in Luke’s Glass Microbiology series of virus sculptures. Luke and his glassblowing team have, in the past, made other sculptures of viruses from swine flu and Ebola to smallpox and HIV.<br />
<br />
Respected in the scientific community, the glass sculptures have featured in The Lancet, Scientific American, British Medical Journal (BMJ) and on the front cover of Nature Magazine.  <br />
<br />
The Glass Microbiology sculptures are in museum collections around the world, including the Metropolitan Museum, NYC; Wellcome Collection, London and the Mu
    40395891.jpg
  • May 3, 2017 - New York, United States - Former Metallica bass guitarist Jason Newsted debuts his first art exhibition ''RAWK'' during VIP preview at the contemporary Art Fairs: Art New York, Context New York 2017, Pier 94, Manhattan (Credit Image: © Sam Aronov/Pacific Press via ZUMA Wire)
    RTI20170503_zaa_p133_376.jpg
  • A general view of Leicester City artwork on a wall inside the ground prior to the Premier League match at the King Power Stadium, Leicester.
    34244200.jpg
  • A general view of Leicester City artwork on a wall inside the ground prior to the Premier League match at the King Power Stadium, Leicester.
    34244199.jpg
  • A general view of Leicester City artwork on a wall inside the ground prior to the Premier League match at the King Power Stadium, Leicester. PRESS ASSOCIATION Photo. Picture date: Saturday December 23, 2017. See PA story SOCCER Leicester. Photo credit should read: Mike Egerton/PA Wire. RESTRICTIONS: EDITORIAL USE ONLY No use with unauthorised audio, video, data, fixture lists, club/league logos or "live" services. Online in-match use limited to 75 images, no video emulation. No use in betting, games or single club/league/player publications.
    34244190.jpg
  • A general view of Leicester City artwork on a wall inside the ground prior to the Premier League match at the King Power Stadium, Leicester.
    34244148.jpg
  • A general view of Leicester City artwork on a wall inside the ground prior to the Premier League match at the King Power Stadium, Leicester.
    34244147.jpg
  • A general view of Leicester City artwork on a wall inside the ground prior to the Premier League match at the King Power Stadium, Leicester.
    34244163.jpg
  • March 21, 2019 - Dnirpo, Ukraine - The canvas shows the remains of the Çembalo Fortress situated in Balaklava, a suburb of Sevastopol, at the exhibition of artworks from the #Qirim project by Dnipro-based artist Serhii Burbelo at the Museum of Ukrainian Painting, Dnirpo, central Ukraine, March 21, 2019. Key landmarks of the Crimean Peninsula became the subjects of the paintings. The display commemorates the 5th anniversary of Crimea's occupation and 75 years since the deportation of the Crimean Tatars. Ukrinform. (Credit Image: © Mykola Miakshykov/Ukrinform via ZUMA Wire)
    20190321_zaa_u101_044.jpg
  • July 21, 2019 - Stained Glass Window In Killarney Cathedral, Co Kerry, Ireland (Credit Image: © Peter Zoeller/Design Pics via ZUMA Wire)
    20190721_zza_rf01_307.jpg
  • July 21, 2019 - St. Brendan Sculpture Outside Caherciveen, Co Kerry, Ireland (Credit Image: © Peter Zoeller/Design Pics via ZUMA Wire)
    20190721_zza_rf01_304.jpg
  • July 21, 2019 - Prehistoric White Horse Carved Into Hillside, Oxfordshire, England (Credit Image: © Bilderbuch/Design Pics via ZUMA Wire)
    20190721_zza_rf01_222.jpg
  • July 21, 2019 - Statue On Top Of Grand Palace, Paris, France (Credit Image: © Bilderbuch/Design Pics via ZUMA Wire)
    20190721_zza_rf01_220.jpg
  • July 21, 2019 - Statue Of Buddha, Thailand, Asia (Credit Image: © Richard Wear/Design Pics via ZUMA Wire)
    20190721_zza_rf01_050.jpg
  • April 10, 2018 - Cape Town, Western Cape, South Africa - Cape Town - 180410 - Murals of Desmond Mpilo Tutu, Winnie Madikizela-Mandela and Nelson Rolihlahla Mandela adorn the walls along Longmarket St in the Cape Town CBD. Picture: David Ritchie/African News Agency/ANA (Credit Image: © David Ritchie/RealTime via ZUMA Wire)
    20180410_zaa_t136_001.jpg
  • Cape Town - 180410 - Murals of Desmond Mpilo Tutu, Winnie Madikizela-Mandela and Nelson Rolihlahla Mandela adorn the walls along Longmarket St in the Cape Town CBD. Picture: David Ritchie/African News Agency/ANA
    54603649Murals0418.jpg
  • October 9, 2018 - Doha, Qatar - An image of Emir Sheikh Tamim bin Hamad al Thani on the outside of a tower in the West Bay area of Doha. (Credit Image: © Dominic Dudley/Pacific Press via ZUMA Wire)
    20181009_zaa_p133_335.jpg
  • A "Justice For Breonna Taylor" demonstration protesting police brutality and racial inequality on September 23, 2020 in midtown Manhattan, New York City. Demonstrators are demanding further action against the Louisville, Kentucky Metro Police Department officers involved in the killing of Breonna Taylor following a Kentucky grand jury indictment of former Louisville police officer Brett Hankison who was charged today with three counts of "wanton endangerment".  This protest was also in support of the Black Lives Matter movement during the worldwide coronavirus pandemic amid an atmosphere of protests, demonstrations, riots, vandalism and destruction of property in response to the death of George Floyd who died while being arrested by police officers in Minneapolis, Minnesota on May 25th.  Cyclists blocked automobile traffic at intersections to allow protesters to march on city streets.  It appeared that a majority of the protesters wore face masks or protective face coverings.<br />
(NYC)
    PA-55739961.jpg
  • A general view of fans making their way to the stadium ahead of the UEFA Europa League Semi final, first leg match at The Frankfurt Stadion, Frankfurt.
    42638434.jpg
  • A general view of fans making their way to the stadium ahead of the UEFA Europa League Semi final, first leg match at The Frankfurt Stadion, Frankfurt.
    42638404.jpg
  • March 29, 2019 - Paris, Ile-de-France (region, France - Paris / France On the occasion of the 30th anniversary of the Louvre Pyramid, the JR Artist produces a collaborative work, which will be visible all the weekend of March 30-31 (Credit Image: © Julien Mattia/Le Pictorium Agency via ZUMA Press)
    20190329_zaa_p164_001.jpg
  • Queen Victoria engraving, from Mrs Harris. *North America Only
    PA-38271274.jpg
  • An abseiler goes down off the ArcelorMittal Orbit in the Queen Elizabeth Olympic Park
    39223368.jpg
  • A racegoer carrying a rose during day four of Royal Ascot at Ascot Racecourse.
    37140817.jpg
  • June 12, 2018 - Handan, Handan, China - Handan, CHINA-12th June 2018: The folk artist Feng Shiping makes paper-cutting works of football stars including Lionel Messi, Neymar da Silva Santos Júnior, Thomas Müller, Luis Suárez and Cristiano Ronaldo in Handan, north China's Hebei Province, marking the upcoming World Cup 2018. (Credit Image: © SIPA Asia via ZUMA Wire)
    20180612_zaa_s145_320.jpg
  • June 12, 2018 - Handan, Handan, China - Handan, CHINA-12th June 2018: The folk artist Feng Shiping makes paper-cutting works of football stars including Lionel Messi, Neymar da Silva Santos Júnior, Thomas Müller, Luis Suárez and Cristiano Ronaldo in Handan, north China's Hebei Province, marking the upcoming World Cup 2018. (Credit Image: © SIPA Asia via ZUMA Wire)
    20180612_zaa_s145_319.jpg
  • June 12, 2018 - Handan, Handan, China - Handan, CHINA-12th June 2018: The folk artist Feng Shiping makes paper-cutting works of football stars including Lionel Messi, Neymar da Silva Santos Júnior, Thomas Müller, Luis Suárez and Cristiano Ronaldo in Handan, north China's Hebei Province, marking the upcoming World Cup 2018. (Credit Image: © SIPA Asia via ZUMA Wire)
    20180612_zaa_s145_316.jpg
  • June 12, 2018 - Handan, Handan, China - Handan, CHINA-12th June 2018: The folk artist Feng Shiping makes paper-cutting works of football stars including Lionel Messi, Neymar da Silva Santos Júnior, Thomas Müller, Luis Suárez and Cristiano Ronaldo in Handan, north China's Hebei Province, marking the upcoming World Cup 2018. (Credit Image: © SIPA Asia via ZUMA Wire)
    20180612_zaa_s145_312.jpg
  • June 12, 2018 - Handan, Handan, China - Handan, CHINA-12th June 2018: The folk artist Feng Shiping makes paper-cutting works of football stars including Lionel Messi, Neymar da Silva Santos Júnior, Thomas Müller, Luis Suárez and Cristiano Ronaldo in Handan, north China's Hebei Province, marking the upcoming World Cup 2018. (Credit Image: © SIPA Asia via ZUMA Wire)
    20180612_zaa_s145_313.jpg
  • June 12, 2018 - Handan, Handan, China - Handan, CHINA-12th June 2018: The folk artist Feng Shiping makes paper-cutting works of football stars including Lionel Messi, Neymar da Silva Santos Júnior, Thomas Müller, Luis Suárez and Cristiano Ronaldo in Handan, north China's Hebei Province, marking the upcoming World Cup 2018. (Credit Image: © SIPA Asia via ZUMA Wire)
    20180612_zaa_s145_310.jpg
  • June 12, 2018 - Handan, Handan, China - Handan, CHINA-12th June 2018: The folk artist Feng Shiping makes paper-cutting works of football stars including Lionel Messi, Neymar da Silva Santos Júnior, Thomas Müller, Luis Suárez and Cristiano Ronaldo in Handan, north China's Hebei Province, marking the upcoming World Cup 2018. (Credit Image: © SIPA Asia via ZUMA Wire)
    20180612_zaa_s145_309.jpg
  • June 12, 2018 - Handan, Handan, China - Handan, CHINA-12th June 2018: The folk artist Feng Shiping makes paper-cutting works of football stars including Lionel Messi, Neymar da Silva Santos Júnior, Thomas Müller, Luis Suárez and Cristiano Ronaldo in Handan, north China's Hebei Province, marking the upcoming World Cup 2018. (Credit Image: © SIPA Asia via ZUMA Wire)
    20180612_zaa_s145_306.jpg
  • June 12, 2018 - Handan, Handan, China - Handan, CHINA-12th June 2018: The folk artist Feng Shiping makes paper-cutting works of football stars including Lionel Messi, Neymar da Silva Santos Júnior, Thomas Müller, Luis Suárez and Cristiano Ronaldo in Handan, north China's Hebei Province, marking the upcoming World Cup 2018. (Credit Image: © SIPA Asia via ZUMA Wire)
    20180612_zaa_s145_308.jpg
  • June 12, 2018 - Handan, Handan, China - Handan, CHINA-12th June 2018: The folk artist Feng Shiping makes paper-cutting works of football stars including Lionel Messi, Neymar da Silva Santos Júnior, Thomas Müller, Luis Suárez and Cristiano Ronaldo in Handan, north China's Hebei Province, marking the upcoming World Cup 2018. (Credit Image: © SIPA Asia via ZUMA Wire)
    20180612_zaa_s145_307.jpg
  • June 12, 2018 - Handan, Handan, China - Handan, CHINA-12th June 2018: The folk artist Feng Shiping makes paper-cutting works of football stars including Lionel Messi, Neymar da Silva Santos Júnior, Thomas Müller, Luis Suárez and Cristiano Ronaldo in Handan, north China's Hebei Province, marking the upcoming World Cup 2018. (Credit Image: © SIPA Asia via ZUMA Wire)
    20180612_zaa_s145_304.jpg
  • June 12, 2018 - Handan, Handan, China - Handan, CHINA-12th June 2018: The folk artist Feng Shiping makes paper-cutting works of football stars including Lionel Messi, Neymar da Silva Santos Júnior, Thomas Müller, Luis Suárez and Cristiano Ronaldo in Handan, north China's Hebei Province, marking the upcoming World Cup 2018. (Credit Image: © SIPA Asia via ZUMA Wire)
    20180612_zaa_s145_303.jpg
  • August 27, 2017 - Black Rock City, Nevada, United States of America - A mutant vehicle shaped like a Hasselblad camera rolls through the playa as the annual desert festival Burning Man begins August 27, 2017 in Black Rock City, Nevada. The annual festival attracts 70,000 attendees in one of the most remote and inhospitable deserts in America. (Credit Image: © Blm/Planet Pix via ZUMA Wire)
    RTI20170827_zaa_p138_044.jpg
  • June 22, 2017 - Hamburg, Hamburg, Deutschland - Galeristin Greta Verhuelsdonk präsentiert den Musiker und Künstler Noah Becker mit seiner ersten Solo-Show ''Bake all Day'' in Hamburg. Die Vernissage mit ca.20 Werken des 23-jährigen Sohnes von Barbara und Boris Becker fand am 22. Juni in Der Hamburger Galerie am Mittelweg 161 in Hamburg statt. Die großformatigen Arbeiten in Acryl/Öl sind noch bis zum 25. Juni in Der Hamburger Galerie zu sehen.....Foto: Barbara Becker (r.) mit Noahs Freundin Taina Moreno. (Credit Image: © Stefan Hoyer/Intertopics via ZUMA Press)
    RTI20170622_zaa_t131_151.jpg
  • April 26, 2017 - Tokyo, Japan - Pilar Fernadez-Vega Feijoo of El Ocho Licencias y Promociones at the Licensing Expo 2017 at Tokyo Big Sight Japan Wednesday April 26, 2017. Photo by: Ramiro Agustin Vargas Tabares (Credit Image: © Ramiro Agustin Vargas Tabares via ZUMA Wire)
    RTI20170426_zap_t55_001.jpg
  • Queen Elizabeth II views a portrait commissioned by Cunard, of herself  in The Queen's Room, aboard Cunard's newest cruise ship , prior to Her Majesty naming the cruise ship, the Queen Elizabeth in Southampton.
    PA-9604864.jpg
  • September 20, 2017 - Florence, Tuscany, Italy - Bronze suitcase, Partir by Jean Michel Foron in the Giardino delle Rose, with the Palazzo Vecchio in the background, below the Piazzale Michelangelo; Florence, Tuscany, Italy (Credit Image: © Michael Thornton/Design Pics via ZUMA Wire)
    20170920_zza_rf01_007.jpg
  • A general view of a Frankfurt football club mural outside the stadium ahead of the UEFA Europa League Semi final, first leg match at The Frankfurt Stadion, Frankfurt.
    42638437.jpg
  • A general view of fans making their way to the stadium ahead of the UEFA Europa League Semi final, first leg match at The Frankfurt Stadion, Frankfurt.
    42638411.jpg
  • March 30, 2019 - Hong Kong, China - Earth Globe 'Gaia' by artist Luke Jerram set up to raise awaring about global warming seen in the Wan Chai district of Hong Kong Island. (Credit Image: © Guillaume Payen/SOPA Images via ZUMA Wire)
    20190330_zaa_s197_209.jpg
  • An abseiler goes down off the ArcelorMittal Orbit in the Queen Elizabeth Olympic Park
    39223371.jpg
  • October 9, 2018 - Kiev, Ukraine - A heart-like mural is seen as an element of the full height painted wall of the block downtown Kyiv, Ukraine, October 9, 2018. (Credit Image: © Sergii Kharchenko/NurPhoto via ZUMA Press)
    20181009_zaa_n230_377.jpg
  • Two racegoers take a seat near a portrait of Estimate, a mare owned by Her Majesty Queen Elizabeth II and produced by artist Ripley during day two of Royal Ascot at Ascot Racecourse.
    37105223.jpg
  • June 12, 2018 - Handan, Handan, China - Handan, CHINA-12th June 2018: The folk artist Feng Shiping makes paper-cutting works of football stars including Lionel Messi, Neymar da Silva Santos Júnior, Thomas Müller, Luis Suárez and Cristiano Ronaldo in Handan, north China's Hebei Province, marking the upcoming World Cup 2018. (Credit Image: © SIPA Asia via ZUMA Wire)
    20180612_zaa_s145_321.jpg
  • June 12, 2018 - Handan, Handan, China - Handan, CHINA-12th June 2018: The folk artist Feng Shiping makes paper-cutting works of football stars including Lionel Messi, Neymar da Silva Santos Júnior, Thomas Müller, Luis Suárez and Cristiano Ronaldo in Handan, north China's Hebei Province, marking the upcoming World Cup 2018. (Credit Image: © SIPA Asia via ZUMA Wire)
    20180612_zaa_s145_318.jpg
  • June 12, 2018 - Handan, Handan, China - Handan, CHINA-12th June 2018: The folk artist Feng Shiping makes paper-cutting works of football stars including Lionel Messi, Neymar da Silva Santos Júnior, Thomas Müller, Luis Suárez and Cristiano Ronaldo in Handan, north China's Hebei Province, marking the upcoming World Cup 2018. (Credit Image: © SIPA Asia via ZUMA Wire)
    20180612_zaa_s145_317.jpg
  • June 12, 2018 - Handan, Handan, China - Handan, CHINA-12th June 2018: The folk artist Feng Shiping makes paper-cutting works of football stars including Lionel Messi, Neymar da Silva Santos Júnior, Thomas Müller, Luis Suárez and Cristiano Ronaldo in Handan, north China's Hebei Province, marking the upcoming World Cup 2018. (Credit Image: © SIPA Asia via ZUMA Wire)
    20180612_zaa_s145_315.jpg
  • June 12, 2018 - Handan, Handan, China - Handan, CHINA-12th June 2018: The folk artist Feng Shiping makes paper-cutting works of football stars including Lionel Messi, Neymar da Silva Santos Júnior, Thomas Müller, Luis Suárez and Cristiano Ronaldo in Handan, north China's Hebei Province, marking the upcoming World Cup 2018. (Credit Image: © SIPA Asia via ZUMA Wire)
    20180612_zaa_s145_314.jpg
  • June 12, 2018 - Handan, Handan, China - Handan, CHINA-12th June 2018: The folk artist Feng Shiping makes paper-cutting works of football stars including Lionel Messi, Neymar da Silva Santos Júnior, Thomas Müller, Luis Suárez and Cristiano Ronaldo in Handan, north China's Hebei Province, marking the upcoming World Cup 2018. (Credit Image: © SIPA Asia via ZUMA Wire)
    20180612_zaa_s145_311.jpg
  • June 12, 2018 - Handan, Handan, China - Handan, CHINA-12th June 2018: The folk artist Feng Shiping makes paper-cutting works of football stars including Lionel Messi, Neymar da Silva Santos Júnior, Thomas Müller, Luis Suárez and Cristiano Ronaldo in Handan, north China's Hebei Province, marking the upcoming World Cup 2018. (Credit Image: © SIPA Asia via ZUMA Wire)
    20180612_zaa_s145_305.jpg
  • June 22, 2017 - Hamburg, Hamburg, Deutschland - Galeristin Greta Verhuelsdonk präsentiert den Musiker und Künstler Noah Becker mit seiner ersten Solo-Show ''Bake all Day'' in Hamburg. Die Vernissage mit ca.20 Werken des 23-jährigen Sohnes von Barbara und Boris Becker fand am 22. Juni in Der Hamburger Galerie am Mittelweg 161 in Hamburg statt. Die großformatigen Arbeiten in Acryl/Öl sind noch bis zum 25. Juni in Der Hamburger Galerie zu sehen.....Foto: Elias Balthasar Becker. (Credit Image: © Pa/Intertopics via ZUMA Press)
    RTI20170622_zaa_t131_146.jpg
  • June 22, 2017 - Hamburg, Deutschland - Galeristin Greta Verhuelsdonk präsentiert den Musiker und Künstler Noah Becker mit seiner ersten Solo-Show ''Bake all Day'' in Hamburg. Die Vernissage mit ca.20 Werken des 23-jährigen Sohnes von Barbara und Boris Becker findet am 22. Juni in Der Hamburger Galerie am Mittelweg 161 in Hamburg statt. Die großformatigen Arbeiten in Acryl/Öl sind noch bis zum 25. Juni in Der Hamburger Galerie zu sehen. Foto: Noah Becker (Credit Image: © Mirko Hannemann/Intertopics via ZUMA Press)
    RTI20170622_zaa_t131_015.jpg
  • April 27, 2019 - London, UK - LONDON, UK.  People view an artwork which has appeared on a wall at Marble Arch following ten days of protests in London by Extinction Rebellion, a group demanding that governments take action to tackle climate change.  Now covered in a protective plastic cover, the artwork has been attributed to the celebrated street artist Banksy and depicts an image of a plant and a girl holding a gardening tool with the Extinction Rebellion logo on it next to the text ''From this moment despair ends and tactics begin' (Credit Image: © Stephen Chung/London News Pictures via ZUMA Wire)
    20190427_zaf_l94_045.jpg
  • EXCLUSIVE: Supermodel Gigi Hadid and her brother Anwar attend an art gallery opening in Miami. The opening was for Gigi's good friend, artist Austin Weiner, of whom the model already owns several artworks. Gigi and her brother, as well as many other Miami socialites and fellow artists, enjoyed wine while checking out the artists' latest body of work entitled "Mid-Explosion". The event took place at the Bill Brady Gallery in Miami. 24 Nov 2018 Pictured: Austin Weiner; Gigi Hadid. Photo credit: MEGA TheMegaAgency.com +1 888 505 6342
    MEGA312872_001.jpg
  • May 5, 2018 - Gaza, Palestinian Territories, Palestine - Palestinian artists paint artworks during tents protest where Palestinians demanding the right to return to their homeland, at the Israel-Gaza border, in Jabalia in the northern of Gaza Strip on May 5, 2018. (Credit Image: © Majdi Fathi/NurPhoto via ZUMA Press)
    20180505_zaa_n230_514.jpg
  • EXCLUSIVE: Supermodel Gigi Hadid and her brother Anwar attend an art gallery opening in Miami. The opening was for Gigi's good friend, artist Austin Weiner, of whom the model already owns several artworks. Gigi and her brother, as well as many other Miami socialites and fellow artists, enjoyed wine while checking out the artists' latest body of work entitled "Mid-Explosion". The event took place at the Bill Brady Gallery in Miami. 24 Nov 2018 Pictured: Austin Weiner; Gigi Hadid. Photo credit: MEGA TheMegaAgency.com +1 888 505 6342
    MEGA312872_020.jpg
  • EXCLUSIVE: Supermodel Gigi Hadid and her brother Anwar attend an art gallery opening in Miami. The opening was for Gigi's good friend, artist Austin Weiner, of whom the model already owns several artworks. Gigi and her brother, as well as many other Miami socialites and fellow artists, enjoyed wine while checking out the artists' latest body of work entitled "Mid-Explosion". The event took place at the Bill Brady Gallery in Miami. 24 Nov 2018 Pictured: Artist Austin Weiner (center). Photo credit: MEGA TheMegaAgency.com +1 888 505 6342
    MEGA312872_031.jpg
  • Welcome to the world’s most expensive hotel suite — a stunning two-storey palace in the sky overlooking the Las Vegas strip, costing $100,000-a-night. The Palms has just unveiled the jewel in the crown of its ongoing $690million refurbishment of the casino resort — the Empathy Suite, a Sky Villa designed by and featuring the works of world-renowned English artist Damien Hirst, aged 53. The Empathy Suite sprawls over 9,000 square-feet and two floor and features a butterfly-motif mosaic tiled pool overlooking the strip, a vast collection of art including any original works by Hirst, a 13-seat curved glass bar top encrusting medical waste art, along with two lounge and theater areas that accommodate up to 52 guests. There’s also Hirst-desined furniture, drapery, carpeting and serpentine-shaped Italian leather sofas with the butterfly motif. Above the centre bar is Hirst’s Here for a Good Time, Not a Long Time (2018) art piece – a marlin skeleton in a vitrine and taxidermy marlin in another. The opulent dining area seats eight people, while both master bedrooms come complete with California-King beds, massive closets and bathrooms with double sinks and theatrical lighting. The villa also boasts a powder room, a salt healing room, a fitness center and two massage rooms, while the outdoor area features a pool and panoramic views of Sin City. A stay at the suite — which is reserved for millionaire high-roller gamblers, also involves a highly personalised and exclusive guest experience while at the property, including 24-hour butler service, over-the-top welcome amenities and a private behind-the-scenes art tour of the suite and entire property. There’s also a chauffeured car service throughout the stay and A-list access to Palms’ premier amenities such as KAOS Dayclub & Nightclub, the Pearl Concert Theater and the Palms’ world-class recording studio and a $10,000 credit to use at the resort. The Sky Villa contains six original works from Hirst including
    MEGA372983_016.jpg
  • Welcome to the world’s most expensive hotel suite — a stunning two-storey palace in the sky overlooking the Las Vegas strip, costing $100,000-a-night. The Palms has just unveiled the jewel in the crown of its ongoing $690million refurbishment of the casino resort — the Empathy Suite, a Sky Villa designed by and featuring the works of world-renowned English artist Damien Hirst, aged 53. The Empathy Suite sprawls over 9,000 square-feet and two floor and features a butterfly-motif mosaic tiled pool overlooking the strip, a vast collection of art including any original works by Hirst, a 13-seat curved glass bar top encrusting medical waste art, along with two lounge and theater areas that accommodate up to 52 guests. There’s also Hirst-desined furniture, drapery, carpeting and serpentine-shaped Italian leather sofas with the butterfly motif. Above the centre bar is Hirst’s Here for a Good Time, Not a Long Time (2018) art piece – a marlin skeleton in a vitrine and taxidermy marlin in another. The opulent dining area seats eight people, while both master bedrooms come complete with California-King beds, massive closets and bathrooms with double sinks and theatrical lighting. The villa also boasts a powder room, a salt healing room, a fitness center and two massage rooms, while the outdoor area features a pool and panoramic views of Sin City. A stay at the suite — which is reserved for millionaire high-roller gamblers, also involves a highly personalised and exclusive guest experience while at the property, including 24-hour butler service, over-the-top welcome amenities and a private behind-the-scenes art tour of the suite and entire property. There’s also a chauffeured car service throughout the stay and A-list access to Palms’ premier amenities such as KAOS Dayclub & Nightclub, the Pearl Concert Theater and the Palms’ world-class recording studio and a $10,000 credit to use at the resort. The Sky Villa contains six original works from Hirst including
    MEGA372983_017.jpg
  • January 11, 2017 - Qingdao, Qingdao, China - Qingdao, CHINA-January 11 2017: (EDITORIAL USE ONLY. CHINA OUT) ..The leaf carving artwork 'Little Mermaid' made by the primary school teacher Wang Ping in Qingdao, east China's Shandong Province, January 11th, 2017. Wang Ping collected various leaves in spare time and made many beautiful artworks of leaf carving in the way of paper-cutting. Natural leaf carving is actual manual cutting and removal of a leaf's surface to produce an art work on a leaf. (Credit Image: © SIPA Asia via ZUMA Wire)
    20170111_zaa_s145_013.JPG
  • Aug 13, 2006; Toronto, ON, Canada; The Keiskamma Altarpiece was unveiled tonight at St. James Cathedral. Measuring 6.5 meters wide by 4 meters high, the formidable piece was created by over 120 women and men from the Eastern Cape of South Africa - one of the areas of Africa hardest hit by HIV/AIDS - and is athree part, beaded, quilted, and photographic homage to the loved ones they have lost to the disease. ''The Keiskamma Altarpiece acknowledges the profoundly painful impact of the AIDS epidemic on the community while celebrating the response of its members, especially the women, in caring for those inneed,'' says Dr. Carol Hofmeyr, director of the Keiskamma Trust. Dr. Hofmeyr was there along with one of the grandmothers featured in the piece, Eunice Mangwane - who is looking after a grandson with AIDS. Pictured: Dr. Carol Hofmeyr tells the stories behind the artwork to the crowd as the panels are turned over and the next layer revealed. Mandatory Credit: Photo by Tory Zimmerman/Toronto Star/ZUMA Press. (©) Copyright 2006 by Toronto Star
    20060813_mdm_t14_669.jpg
  • November 1, 2018 - Bhaktapur, NP, Nepal - 43yrs old SAHADEV PRAJAPATI, making clay pot lamps for upcoming Tihar or Deepawali Festival on his workshop at Pottery Square, Bhaktapur, Nepal on Thursday, November 01, 2018. Nepalese Potter works on their small scale traditional pottery making industry in Bhaktapur, Nepal. Bhaktapur is an ancient town in the Kathmandu Valley and is listed as a World Heritage Site by UNESCO for its rich culture, temples, and wood, metal and stone artwork. (Credit Image: © Narayan Maharjan/NurPhoto via ZUMA Press)
    20181101_zaa_n230_327.jpg
  • October 13, 2017 - New York, New York, U.S - Renowned artist STEPHEN WILTSHIRE continues drawing the Empire State Building and New York City from memory at the Empire State Building on October 13, 2017 in New York. Following a 45-minute helicopter ride around Manhattan, Wiltshire will draw a cityscape beginning today through Sunday, October 15, 2017, culminating with a signing ceremony on Monday, October 16, 2017.  Wiltshire famously creates his artwork from memory and will do this piece in residence on the 80th floor of the Empire State Building. The London-based artist’s progress will be visible to Observatory visitors as he draws from 10 a.m. to 5 p.m. daily. (Credit Image: © Bryan Smith via ZUMA Wire)
    RTI20171013_zap_b148_009.jpg
  • October 13, 2017 - New York, New York, U.S - Renowned artist STEPHEN WILTSHIRE continues drawing the Empire State Building and New York City from memory at the Empire State Building on October 13, 2017 in New York. Following a 45-minute helicopter ride around Manhattan, Wiltshire will draw a cityscape beginning today through Sunday, October 15, 2017, culminating with a signing ceremony on Monday, October 16, 2017.  Wiltshire famously creates his artwork from memory and will do this piece in residence on the 80th floor of the Empire State Building. The London-based artist’s progress will be visible to Observatory visitors as he draws from 10 a.m. to 5 p.m. daily. (Credit Image: © Bryan Smith via ZUMA Wire)
    RTI20171013_zap_b148_006.jpg
  • EDITORIAL USE ONLY Jade Jagger, who presented artist Lauren Sagar (not pictured) with the National Lottery Award for Best Arts project, at Towneley Hall in Burnley, for her Lottery funded artwork ‘The Chandelier of Lost Earrings’, which she created with fellow artist Sharon Campbell.
    RTIPA-20694794.jpg
Next