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  • A world record breaking elephant sculpture stopped people in their tracks on a suburban street as passers-by stopped for a closer look. The almost four-metre-tall beast — mounted outside a printing company in Birmingham, UK — is destined to set a new record as the biggest animal sculpture created by a 3D printing machine. The technological marvel is perfectly life like, though larger than most elephants in the wild and as a permanent sculpture, is set to become a new landmark for the UK’s second. largest city. The animal is mounted high on the wall of creative print company, Andesign, and is shown smashing through the building's brickwork out onto the street. Unveiled by Sutton Coldfield MP Andrew Mitchell, a crowd of 100 gathered to see the spectacular pachyderm revealed to the public for the first time. Mr Mitchell said of the sculpture: ‘This is a properly astonishing spectacle and a measure of the great ingenuity that typifies British industry and the very clever creative people who work here. Isn't it incredible what has been achieved with a print machine ? ‘In fact, it's so lifelike that my dog is completely terrified to come out of the car or anywhere near the thing.’ The African elephant was created by the world's biggest and fastest 3D printing machine, which can duplicate absolutely any object imaginable in the tiniest detail by printing line upon line of a special resin. The as yet unnamed elephant was created over five days of continuous printing and is the biggest animal ever created by a printing machine. Delighted bosses at Andesign await confirmation from the Guinness Book of Records but are refusing to rest on their laurels with even bigger and better projects now lined up. ‘The elephant has been a tremendous experience and incredible hard work,’ said Andesign MD Garry Hassell. ‘But the sky is the limit for us now and we'll keep looking to create more and more incredible things. ‘You never know, we even might try to print a blue
    MEGA294428_005.jpg
  • A world record breaking elephant sculpture stopped people in their tracks on a suburban street as passers-by stopped for a closer look. The almost four-metre-tall beast — mounted outside a printing company in Birmingham, UK — is destined to set a new record as the biggest animal sculpture created by a 3D printing machine. The technological marvel is perfectly life like, though larger than most elephants in the wild and as a permanent sculpture, is set to become a new landmark for the UK’s second. largest city. The animal is mounted high on the wall of creative print company, Andesign, and is shown smashing through the building's brickwork out onto the street. Unveiled by Sutton Coldfield MP Andrew Mitchell, a crowd of 100 gathered to see the spectacular pachyderm revealed to the public for the first time. Mr Mitchell said of the sculpture: ‘This is a properly astonishing spectacle and a measure of the great ingenuity that typifies British industry and the very clever creative people who work here. Isn't it incredible what has been achieved with a print machine ? ‘In fact, it's so lifelike that my dog is completely terrified to come out of the car or anywhere near the thing.’ The African elephant was created by the world's biggest and fastest 3D printing machine, which can duplicate absolutely any object imaginable in the tiniest detail by printing line upon line of a special resin. The as yet unnamed elephant was created over five days of continuous printing and is the biggest animal ever created by a printing machine. Delighted bosses at Andesign await confirmation from the Guinness Book of Records but are refusing to rest on their laurels with even bigger and better projects now lined up. ‘The elephant has been a tremendous experience and incredible hard work,’ said Andesign MD Garry Hassell. ‘But the sky is the limit for us now and we'll keep looking to create more and more incredible things. ‘You never know, we even might try to print a blue
    MEGA294428_001.jpg
  • A world record breaking elephant sculpture stopped people in their tracks on a suburban street as passers-by stopped for a closer look. The almost four-metre-tall beast — mounted outside a printing company in Birmingham, UK — is destined to set a new record as the biggest animal sculpture created by a 3D printing machine. The technological marvel is perfectly life like, though larger than most elephants in the wild and as a permanent sculpture, is set to become a new landmark for the UK’s second. largest city. The animal is mounted high on the wall of creative print company, Andesign, and is shown smashing through the building's brickwork out onto the street. Unveiled by Sutton Coldfield MP Andrew Mitchell, a crowd of 100 gathered to see the spectacular pachyderm revealed to the public for the first time. Mr Mitchell said of the sculpture: ‘This is a properly astonishing spectacle and a measure of the great ingenuity that typifies British industry and the very clever creative people who work here. Isn't it incredible what has been achieved with a print machine ? ‘In fact, it's so lifelike that my dog is completely terrified to come out of the car or anywhere near the thing.’ The African elephant was created by the world's biggest and fastest 3D printing machine, which can duplicate absolutely any object imaginable in the tiniest detail by printing line upon line of a special resin. The as yet unnamed elephant was created over five days of continuous printing and is the biggest animal ever created by a printing machine. Delighted bosses at Andesign await confirmation from the Guinness Book of Records but are refusing to rest on their laurels with even bigger and better projects now lined up. ‘The elephant has been a tremendous experience and incredible hard work,’ said Andesign MD Garry Hassell. ‘But the sky is the limit for us now and we'll keep looking to create more and more incredible things. ‘You never know, we even might try to print a blue
    MEGA294428_004.jpg
  • A world record breaking elephant sculpture stopped people in their tracks on a suburban street as passers-by stopped for a closer look. The almost four-metre-tall beast — mounted outside a printing company in Birmingham, UK — is destined to set a new record as the biggest animal sculpture created by a 3D printing machine. The technological marvel is perfectly life like, though larger than most elephants in the wild and as a permanent sculpture, is set to become a new landmark for the UK’s second. largest city. The animal is mounted high on the wall of creative print company, Andesign, and is shown smashing through the building's brickwork out onto the street. Unveiled by Sutton Coldfield MP Andrew Mitchell, a crowd of 100 gathered to see the spectacular pachyderm revealed to the public for the first time. Mr Mitchell said of the sculpture: ‘This is a properly astonishing spectacle and a measure of the great ingenuity that typifies British industry and the very clever creative people who work here. Isn't it incredible what has been achieved with a print machine ? ‘In fact, it's so lifelike that my dog is completely terrified to come out of the car or anywhere near the thing.’ The African elephant was created by the world's biggest and fastest 3D printing machine, which can duplicate absolutely any object imaginable in the tiniest detail by printing line upon line of a special resin. The as yet unnamed elephant was created over five days of continuous printing and is the biggest animal ever created by a printing machine. Delighted bosses at Andesign await confirmation from the Guinness Book of Records but are refusing to rest on their laurels with even bigger and better projects now lined up. ‘The elephant has been a tremendous experience and incredible hard work,’ said Andesign MD Garry Hassell. ‘But the sky is the limit for us now and we'll keep looking to create more and more incredible things. ‘You never know, we even might try to print a blue
    MEGA294428_002.jpg
  • A world record breaking elephant sculpture stopped people in their tracks on a suburban street as passers-by stopped for a closer look. The almost four-metre-tall beast — mounted outside a printing company in Birmingham, UK — is destined to set a new record as the biggest animal sculpture created by a 3D printing machine. The technological marvel is perfectly life like, though larger than most elephants in the wild and as a permanent sculpture, is set to become a new landmark for the UK’s second. largest city. The animal is mounted high on the wall of creative print company, Andesign, and is shown smashing through the building's brickwork out onto the street. Unveiled by Sutton Coldfield MP Andrew Mitchell, a crowd of 100 gathered to see the spectacular pachyderm revealed to the public for the first time. Mr Mitchell said of the sculpture: ‘This is a properly astonishing spectacle and a measure of the great ingenuity that typifies British industry and the very clever creative people who work here. Isn't it incredible what has been achieved with a print machine ? ‘In fact, it's so lifelike that my dog is completely terrified to come out of the car or anywhere near the thing.’ The African elephant was created by the world's biggest and fastest 3D printing machine, which can duplicate absolutely any object imaginable in the tiniest detail by printing line upon line of a special resin. The as yet unnamed elephant was created over five days of continuous printing and is the biggest animal ever created by a printing machine. Delighted bosses at Andesign await confirmation from the Guinness Book of Records but are refusing to rest on their laurels with even bigger and better projects now lined up. ‘The elephant has been a tremendous experience and incredible hard work,’ said Andesign MD Garry Hassell. ‘But the sky is the limit for us now and we'll keep looking to create more and more incredible things. ‘You never know, we even might try to print a blue
    MEGA294428_003.jpg
  • August 8, 2017 - Chjicago, Illinois, USA - On August 8, 2017, the iconic sculpture designed by Pablo Picasso was rededicated 50 years after its unveiling.  Leaders of the Chicago arts and culture community presented and entertained the large gathering at the Chicago Civic Center where this sculpture resides.   This was Picasso's first large scale sculpture created for a city in the U.S. He gave it as a gift to the City which he had never visited.  There is controversy over what is the subject of the sculpture, Some say an Afghan dog.  Others say the profile of a woman.  At first, Chicagoans didn't know what to make of this steel art piece which was made out of steel like the Civic Center highrise office building. Eventually, the City embraced the sculpture as a symbol of Chicago. (Credit Image: © Karen I. Hirsch via ZUMA Wire)
    20170808_zap_h86_001.jpg
  • April 27, 2018 - Handan, Handan, China - Handan, CHINA-27th April 2018: A 20-meter-tall sculpture of Chinese cabbage can be seen in Handan, north China's Hebei Province, April 27th, 2018. (Credit Image: © SIPA Asia via ZUMA Wire)
    20180427_zaa_s145_287.jpg
  • April 27, 2018 - Wakefield, Yorkshire, UK - Wakefield UK. A visitor takes a photograph on her phone of the latticework wall of photos & words by Alec Finlay at the Yorkshire Sculpture Park this morning. The art work features in a new exhibition at the park which showcases the radical & vital work of arts & environment charity Common Ground. (Credit Image: © Andrew Mccaren/London News Pictures via ZUMA Wire)
    20180427_zaf_l94_501.jpg
  • June 11, 2018 - Handan, Handan, China - Handan, CHINA-11th June 2018: The farmer Yan Junhai makes a clay sculpture of FIFA World Cup Trophy in two hours in Handan, north China's Hebei Province. (Credit Image: © SIPA Asia via ZUMA Wire)
    20180611_zaa_s145_294.jpg
  • June 11, 2018 - Handan, Handan, China - Handan, CHINA-11th June 2018: The farmer Yan Junhai makes a clay sculpture of FIFA World Cup Trophy in two hours in Handan, north China's Hebei Province. (Credit Image: © SIPA Asia via ZUMA Wire)
    20180611_zaa_s145_293.jpg
  • June 11, 2018 - Handan, Handan, China - Handan, CHINA-11th June 2018: The farmer Yan Junhai makes a clay sculpture of FIFA World Cup Trophy in two hours in Handan, north China's Hebei Province. (Credit Image: © SIPA Asia via ZUMA Wire)
    20180611_zaa_s145_300.jpg
  • June 11, 2018 - Handan, Handan, China - Handan, CHINA-11th June 2018: The farmer Yan Junhai makes a clay sculpture of FIFA World Cup Trophy in two hours in Handan, north China's Hebei Province. (Credit Image: © SIPA Asia via ZUMA Wire)
    20180611_zaa_s145_298.jpg
  • June 11, 2018 - Handan, Handan, China - Handan, CHINA-11th June 2018: The farmer Yan Junhai makes a clay sculpture of FIFA World Cup Trophy in two hours in Handan, north China's Hebei Province. (Credit Image: © SIPA Asia via ZUMA Wire)
    20180611_zaa_s145_295.jpg
  • June 11, 2018 - Handan, Handan, China - Handan, CHINA-11th June 2018: The farmer Yan Junhai makes a clay sculpture of FIFA World Cup Trophy in two hours in Handan, north China's Hebei Province. (Credit Image: © SIPA Asia via ZUMA Wire)
    20180611_zaa_s145_292.jpg
  • June 11, 2018 - Handan, Handan, China - Handan, CHINA-11th June 2018: The farmer Yan Junhai makes a clay sculpture of FIFA World Cup Trophy in two hours in Handan, north China's Hebei Province. (Credit Image: © SIPA Asia via ZUMA Wire)
    20180611_zaa_s145_290.jpg
  • June 11, 2018 - Handan, Handan, China - Handan, CHINA-11th June 2018: The farmer Yan Junhai makes a clay sculpture of FIFA World Cup Trophy in two hours in Handan, north China's Hebei Province. (Credit Image: © SIPA Asia via ZUMA Wire)
    20180611_zaa_s145_289.jpg
  • June 11, 2018 - Handan, Handan, China - Handan, CHINA-11th June 2018: The farmer Yan Junhai makes a clay sculpture of FIFA World Cup Trophy in two hours in Handan, north China's Hebei Province. (Credit Image: © SIPA Asia via ZUMA Wire)
    20180611_zaa_s145_288.jpg
  • June 11, 2018 - Handan, Handan, China - Handan, CHINA-11th June 2018: The farmer Yan Junhai makes a clay sculpture of FIFA World Cup Trophy in two hours in Handan, north China's Hebei Province. (Credit Image: © SIPA Asia via ZUMA Wire)
    20180611_zaa_s145_287.jpg
  • April 13, 2018 - Yichang, Yichang, China - Yichang, CHINA-13th April 2018: A 5-meter-tall lobster sculpture can be seen on street in Yichang, central China's Hubei Province. (Credit Image: © SIPA Asia via ZUMA Wire)
    20180413_zaa_s145_044.jpg
  • August 14, 2017 - Puri, Bhubaneswar, India - Visitors look near to the Independence Day sand sculpture, creating by sand artist Sudarshan Patnaik at the Bay of Bengal Sea's eastern coast beach at Puri, 65 km away from the eastern Indian state Odisha's capital city Bhubaneswar on 15 August 2017. (Credit Image: © Str/NurPhoto via ZUMA Press)
    20170814_zaa_n230_350.jpg
  • June 11, 2018 - Handan, Handan, China - Handan, CHINA-11th June 2018: The farmer Yan Junhai makes a clay sculpture of FIFA World Cup Trophy in two hours in Handan, north China's Hebei Province. (Credit Image: © SIPA Asia via ZUMA Wire)
    20180611_zaa_s145_299.jpg
  • June 11, 2018 - Handan, Handan, China - Handan, CHINA-11th June 2018: The farmer Yan Junhai makes a clay sculpture of FIFA World Cup Trophy in two hours in Handan, north China's Hebei Province. (Credit Image: © SIPA Asia via ZUMA Wire)
    20180611_zaa_s145_297.jpg
  • June 11, 2018 - Handan, Handan, China - Handan, CHINA-11th June 2018: The farmer Yan Junhai makes a clay sculpture of FIFA World Cup Trophy in two hours in Handan, north China's Hebei Province. (Credit Image: © SIPA Asia via ZUMA Wire)
    20180611_zaa_s145_296.jpg
  • June 11, 2018 - Handan, Handan, China - Handan, CHINA-11th June 2018: The farmer Yan Junhai makes a clay sculpture of FIFA World Cup Trophy in two hours in Handan, north China's Hebei Province. (Credit Image: © SIPA Asia via ZUMA Wire)
    20180611_zaa_s145_291.jpg
  • June 11, 2018 - Handan, Handan, China - Handan, CHINA-11th June 2018: The farmer Yan Junhai makes a clay sculpture of FIFA World Cup Trophy in two hours in Handan, north China's Hebei Province. (Credit Image: © SIPA Asia via ZUMA Wire)
    20180611_zaa_s145_286.jpg
  • May 27, 2017 - Saint-Petersburg, Russia - Of The Russian Federation. Saint-Petersburg. Peter and Paul fortress beach. Sand sculpture festival ''Great Russia''. Discovery. (Credit Image: © Russian Look via ZUMA Wire)
    20170527_zaf_l75_019.jpg
  • May 27, 2017 - Saint-Petersburg, Russia - Of The Russian Federation. Saint-Petersburg. Peter and Paul fortress beach. Sand sculpture festival ''Great Russia''. Discovery. (Credit Image: © Russian Look via ZUMA Wire)
    20170527_zaf_l75_015.jpg
  • IN PHOTO: Artist Luke Jerram with a glass sculpture of the Swine Flu virus<br />
<br />
Internationally-renowned British artist Luke Jerram has created a coronavirus glass sculpture in tribute to the huge global scientific and medical effort to combat the pandemic.<br />
<br />
Made in glass, at 23cm in diameter, it is 1 million times larger than the actual virus. <br />
<br />
It was commissioned 5 weeks ago by a university in America to reflect its current and future research and learning in health, the environment and intelligent systems, and its focus on solving global challenges.  <br />
<br />
Luke says: “Helping to communicate the form of the virus to the public, the artwork has been created as an alternative representation to the artificially coloured imagery received through the media. In fact, viruses have no colour as they are smaller than the wavelength of light.” <br />
<br />
“This artwork is a tribute to the scientists and medical teams who are working collaboratively across the world to try to slow the spread of the virus. It is vital we attempt to slow the spread of coronavirus by working together globally, so our health services can manage this pandemic.” <br />
<br />
Made through a process of scientific glassblowing, the coronavirus model is based on the latest scientific understanding and diagrams of the virus.  <br />
<br />
Profits from this glass model are going to Médecins Sans Frontières (MSF) who will be assisting developing countries deal with the fallout of the coronavirus epidemic. <br />
<br />
This new model is just the latest in Luke’s Glass Microbiology series of virus sculptures. Luke and his glassblowing team have, in the past, made other sculptures of viruses from swine flu and Ebola to smallpox and HIV.<br />
<br />
Respected in the scientific community, the glass sculptures have featured in The Lancet, Scientific American, British Medical Journal (BMJ) and on the front cover of Nature Magazine.  <br />
<br />
The Glass Microbiology sculptures are in museum collections around the world, including the Metropolitan Museum,
    40395916.jpg
  • July 21, 2019 - St. Brendan Sculpture Outside Caherciveen, Co Kerry, Ireland (Credit Image: © Peter Zoeller/Design Pics via ZUMA Wire)
    20190721_zza_rf01_304.jpg
  • IN PHOTO: Avian Flu<br />
<br />
Internationally-renowned British artist Luke Jerram has created a coronavirus glass sculpture in tribute to the huge global scientific and medical effort to combat the pandemic.<br />
<br />
Made in glass, at 23cm in diameter, it is 1 million times larger than the actual virus. <br />
<br />
It was commissioned 5 weeks ago by a university in America to reflect its current and future research and learning in health, the environment and intelligent systems, and its focus on solving global challenges.  <br />
<br />
Luke says: “Helping to communicate the form of the virus to the public, the artwork has been created as an alternative representation to the artificially coloured imagery received through the media. In fact, viruses have no colour as they are smaller than the wavelength of light.” <br />
<br />
“This artwork is a tribute to the scientists and medical teams who are working collaboratively across the world to try to slow the spread of the virus. It is vital we attempt to slow the spread of coronavirus by working together globally, so our health services can manage this pandemic.” <br />
<br />
Made through a process of scientific glassblowing, the coronavirus model is based on the latest scientific understanding and diagrams of the virus.  <br />
<br />
Profits from this glass model are going to Médecins Sans Frontières (MSF) who will be assisting developing countries deal with the fallout of the coronavirus epidemic. <br />
<br />
This new model is just the latest in Luke’s Glass Microbiology series of virus sculptures. Luke and his glassblowing team have, in the past, made other sculptures of viruses from swine flu and Ebola to smallpox and HIV.<br />
<br />
Respected in the scientific community, the glass sculptures have featured in The Lancet, Scientific American, British Medical Journal (BMJ) and on the front cover of Nature Magazine.  <br />
<br />
The Glass Microbiology sculptures are in museum collections around the world, including the Metropolitan Museum, NYC; Wellcome Collection, London and the Museum of Gla
    40395901.jpg
  • IN PHOTO: COVID-19 coronavirus<br />
<br />
Internationally-renowned British artist Luke Jerram has created a coronavirus glass sculpture in tribute to the huge global scientific and medical effort to combat the pandemic.<br />
<br />
Made in glass, at 23cm in diameter, it is 1 million times larger than the actual virus. <br />
<br />
It was commissioned 5 weeks ago by a university in America to reflect its current and future research and learning in health, the environment and intelligent systems, and its focus on solving global challenges.  <br />
<br />
Luke says: “Helping to communicate the form of the virus to the public, the artwork has been created as an alternative representation to the artificially coloured imagery received through the media. In fact, viruses have no colour as they are smaller than the wavelength of light.” <br />
<br />
“This artwork is a tribute to the scientists and medical teams who are working collaboratively across the world to try to slow the spread of the virus. It is vital we attempt to slow the spread of coronavirus by working together globally, so our health services can manage this pandemic.” <br />
<br />
Made through a process of scientific glassblowing, the coronavirus model is based on the latest scientific understanding and diagrams of the virus.  <br />
<br />
Profits from this glass model are going to Médecins Sans Frontières (MSF) who will be assisting developing countries deal with the fallout of the coronavirus epidemic. <br />
<br />
This new model is just the latest in Luke’s Glass Microbiology series of virus sculptures. Luke and his glassblowing team have, in the past, made other sculptures of viruses from swine flu and Ebola to smallpox and HIV.<br />
<br />
Respected in the scientific community, the glass sculptures have featured in The Lancet, Scientific American, British Medical Journal (BMJ) and on the front cover of Nature Magazine.  <br />
<br />
The Glass Microbiology sculptures are in museum collections around the world, including the Metropolitan Museum, NYC; Wellcome Collection, London and the Mu
    40395895.jpg
  • IN PHOTO: Giardia<br />
<br />
Internationally-renowned British artist Luke Jerram has created a coronavirus glass sculpture in tribute to the huge global scientific and medical effort to combat the pandemic.<br />
<br />
Made in glass, at 23cm in diameter, it is 1 million times larger than the actual virus. <br />
<br />
It was commissioned 5 weeks ago by a university in America to reflect its current and future research and learning in health, the environment and intelligent systems, and its focus on solving global challenges.  <br />
<br />
Luke says: “Helping to communicate the form of the virus to the public, the artwork has been created as an alternative representation to the artificially coloured imagery received through the media. In fact, viruses have no colour as they are smaller than the wavelength of light.” <br />
<br />
“This artwork is a tribute to the scientists and medical teams who are working collaboratively across the world to try to slow the spread of the virus. It is vital we attempt to slow the spread of coronavirus by working together globally, so our health services can manage this pandemic.” <br />
<br />
Made through a process of scientific glassblowing, the coronavirus model is based on the latest scientific understanding and diagrams of the virus.  <br />
<br />
Profits from this glass model are going to Médecins Sans Frontières (MSF) who will be assisting developing countries deal with the fallout of the coronavirus epidemic. <br />
<br />
This new model is just the latest in Luke’s Glass Microbiology series of virus sculptures. Luke and his glassblowing team have, in the past, made other sculptures of viruses from swine flu and Ebola to smallpox and HIV.<br />
<br />
Respected in the scientific community, the glass sculptures have featured in The Lancet, Scientific American, British Medical Journal (BMJ) and on the front cover of Nature Magazine.  <br />
<br />
The Glass Microbiology sculptures are in museum collections around the world, including the Metropolitan Museum, NYC; Wellcome Collection, London and the Museum of Glass
    40395925.jpg
  • IN PHOTO: Ebola<br />
<br />
Internationally-renowned British artist Luke Jerram has created a coronavirus glass sculpture in tribute to the huge global scientific and medical effort to combat the pandemic.<br />
<br />
Made in glass, at 23cm in diameter, it is 1 million times larger than the actual virus. <br />
<br />
It was commissioned 5 weeks ago by a university in America to reflect its current and future research and learning in health, the environment and intelligent systems, and its focus on solving global challenges.  <br />
<br />
Luke says: “Helping to communicate the form of the virus to the public, the artwork has been created as an alternative representation to the artificially coloured imagery received through the media. In fact, viruses have no colour as they are smaller than the wavelength of light.” <br />
<br />
“This artwork is a tribute to the scientists and medical teams who are working collaboratively across the world to try to slow the spread of the virus. It is vital we attempt to slow the spread of coronavirus by working together globally, so our health services can manage this pandemic.” <br />
<br />
Made through a process of scientific glassblowing, the coronavirus model is based on the latest scientific understanding and diagrams of the virus.  <br />
<br />
Profits from this glass model are going to Médecins Sans Frontières (MSF) who will be assisting developing countries deal with the fallout of the coronavirus epidemic. <br />
<br />
This new model is just the latest in Luke’s Glass Microbiology series of virus sculptures. Luke and his glassblowing team have, in the past, made other sculptures of viruses from swine flu and Ebola to smallpox and HIV.<br />
<br />
Respected in the scientific community, the glass sculptures have featured in The Lancet, Scientific American, British Medical Journal (BMJ) and on the front cover of Nature Magazine.  <br />
<br />
The Glass Microbiology sculptures are in museum collections around the world, including the Metropolitan Museum, NYC; Wellcome Collection, London and the Museum of Glass,
    40395924.jpg
  • IN PHOTO: Ebola<br />
<br />
Internationally-renowned British artist Luke Jerram has created a coronavirus glass sculpture in tribute to the huge global scientific and medical effort to combat the pandemic.<br />
<br />
Made in glass, at 23cm in diameter, it is 1 million times larger than the actual virus. <br />
<br />
It was commissioned 5 weeks ago by a university in America to reflect its current and future research and learning in health, the environment and intelligent systems, and its focus on solving global challenges.  <br />
<br />
Luke says: “Helping to communicate the form of the virus to the public, the artwork has been created as an alternative representation to the artificially coloured imagery received through the media. In fact, viruses have no colour as they are smaller than the wavelength of light.” <br />
<br />
“This artwork is a tribute to the scientists and medical teams who are working collaboratively across the world to try to slow the spread of the virus. It is vital we attempt to slow the spread of coronavirus by working together globally, so our health services can manage this pandemic.” <br />
<br />
Made through a process of scientific glassblowing, the coronavirus model is based on the latest scientific understanding and diagrams of the virus.  <br />
<br />
Profits from this glass model are going to Médecins Sans Frontières (MSF) who will be assisting developing countries deal with the fallout of the coronavirus epidemic. <br />
<br />
This new model is just the latest in Luke’s Glass Microbiology series of virus sculptures. Luke and his glassblowing team have, in the past, made other sculptures of viruses from swine flu and Ebola to smallpox and HIV.<br />
<br />
Respected in the scientific community, the glass sculptures have featured in The Lancet, Scientific American, British Medical Journal (BMJ) and on the front cover of Nature Magazine.  <br />
<br />
The Glass Microbiology sculptures are in museum collections around the world, including the Metropolitan Museum, NYC; Wellcome Collection, London and the Museum of Glass,
    40395921.jpg
  • IN PHOTO: Malaria<br />
<br />
Internationally-renowned British artist Luke Jerram has created a coronavirus glass sculpture in tribute to the huge global scientific and medical effort to combat the pandemic.<br />
<br />
Made in glass, at 23cm in diameter, it is 1 million times larger than the actual virus. <br />
<br />
It was commissioned 5 weeks ago by a university in America to reflect its current and future research and learning in health, the environment and intelligent systems, and its focus on solving global challenges.  <br />
<br />
Luke says: “Helping to communicate the form of the virus to the public, the artwork has been created as an alternative representation to the artificially coloured imagery received through the media. In fact, viruses have no colour as they are smaller than the wavelength of light.” <br />
<br />
“This artwork is a tribute to the scientists and medical teams who are working collaboratively across the world to try to slow the spread of the virus. It is vital we attempt to slow the spread of coronavirus by working together globally, so our health services can manage this pandemic.” <br />
<br />
Made through a process of scientific glassblowing, the coronavirus model is based on the latest scientific understanding and diagrams of the virus.  <br />
<br />
Profits from this glass model are going to Médecins Sans Frontières (MSF) who will be assisting developing countries deal with the fallout of the coronavirus epidemic. <br />
<br />
This new model is just the latest in Luke’s Glass Microbiology series of virus sculptures. Luke and his glassblowing team have, in the past, made other sculptures of viruses from swine flu and Ebola to smallpox and HIV.<br />
<br />
Respected in the scientific community, the glass sculptures have featured in The Lancet, Scientific American, British Medical Journal (BMJ) and on the front cover of Nature Magazine.  <br />
<br />
The Glass Microbiology sculptures are in museum collections around the world, including the Metropolitan Museum, NYC; Wellcome Collection, London and the Museum of Glass
    40395911.jpg
  • IN PHOTO: Papiloma<br />
<br />
Internationally-renowned British artist Luke Jerram has created a coronavirus glass sculpture in tribute to the huge global scientific and medical effort to combat the pandemic.<br />
<br />
Made in glass, at 23cm in diameter, it is 1 million times larger than the actual virus. <br />
<br />
It was commissioned 5 weeks ago by a university in America to reflect its current and future research and learning in health, the environment and intelligent systems, and its focus on solving global challenges.  <br />
<br />
Luke says: “Helping to communicate the form of the virus to the public, the artwork has been created as an alternative representation to the artificially coloured imagery received through the media. In fact, viruses have no colour as they are smaller than the wavelength of light.” <br />
<br />
“This artwork is a tribute to the scientists and medical teams who are working collaboratively across the world to try to slow the spread of the virus. It is vital we attempt to slow the spread of coronavirus by working together globally, so our health services can manage this pandemic.” <br />
<br />
Made through a process of scientific glassblowing, the coronavirus model is based on the latest scientific understanding and diagrams of the virus.  <br />
<br />
Profits from this glass model are going to Médecins Sans Frontières (MSF) who will be assisting developing countries deal with the fallout of the coronavirus epidemic. <br />
<br />
This new model is just the latest in Luke’s Glass Microbiology series of virus sculptures. Luke and his glassblowing team have, in the past, made other sculptures of viruses from swine flu and Ebola to smallpox and HIV.<br />
<br />
Respected in the scientific community, the glass sculptures have featured in The Lancet, Scientific American, British Medical Journal (BMJ) and on the front cover of Nature Magazine.  <br />
<br />
The Glass Microbiology sculptures are in museum collections around the world, including the Metropolitan Museum, NYC; Wellcome Collection, London and the Museum of Glas
    40395926.jpg
  • IN PHOTO: Hand foot and mouth<br />
<br />
Internationally-renowned British artist Luke Jerram has created a coronavirus glass sculpture in tribute to the huge global scientific and medical effort to combat the pandemic.<br />
<br />
Made in glass, at 23cm in diameter, it is 1 million times larger than the actual virus. <br />
<br />
It was commissioned 5 weeks ago by a university in America to reflect its current and future research and learning in health, the environment and intelligent systems, and its focus on solving global challenges.  <br />
<br />
Luke says: “Helping to communicate the form of the virus to the public, the artwork has been created as an alternative representation to the artificially coloured imagery received through the media. In fact, viruses have no colour as they are smaller than the wavelength of light.” <br />
<br />
“This artwork is a tribute to the scientists and medical teams who are working collaboratively across the world to try to slow the spread of the virus. It is vital we attempt to slow the spread of coronavirus by working together globally, so our health services can manage this pandemic.” <br />
<br />
Made through a process of scientific glassblowing, the coronavirus model is based on the latest scientific understanding and diagrams of the virus.  <br />
<br />
Profits from this glass model are going to Médecins Sans Frontières (MSF) who will be assisting developing countries deal with the fallout of the coronavirus epidemic. <br />
<br />
This new model is just the latest in Luke’s Glass Microbiology series of virus sculptures. Luke and his glassblowing team have, in the past, made other sculptures of viruses from swine flu and Ebola to smallpox and HIV.<br />
<br />
Respected in the scientific community, the glass sculptures have featured in The Lancet, Scientific American, British Medical Journal (BMJ) and on the front cover of Nature Magazine.  <br />
<br />
The Glass Microbiology sculptures are in museum collections around the world, including the Metropolitan Museum, NYC; Wellcome Collection, London and the Mus
    40395907.jpg
  • IN PHOTO: E. coli<br />
<br />
Internationally-renowned British artist Luke Jerram has created a coronavirus glass sculpture in tribute to the huge global scientific and medical effort to combat the pandemic.<br />
<br />
Made in glass, at 23cm in diameter, it is 1 million times larger than the actual virus. <br />
<br />
It was commissioned 5 weeks ago by a university in America to reflect its current and future research and learning in health, the environment and intelligent systems, and its focus on solving global challenges.  <br />
<br />
Luke says: “Helping to communicate the form of the virus to the public, the artwork has been created as an alternative representation to the artificially coloured imagery received through the media. In fact, viruses have no colour as they are smaller than the wavelength of light.” <br />
<br />
“This artwork is a tribute to the scientists and medical teams who are working collaboratively across the world to try to slow the spread of the virus. It is vital we attempt to slow the spread of coronavirus by working together globally, so our health services can manage this pandemic.” <br />
<br />
Made through a process of scientific glassblowing, the coronavirus model is based on the latest scientific understanding and diagrams of the virus.  <br />
<br />
Profits from this glass model are going to Médecins Sans Frontières (MSF) who will be assisting developing countries deal with the fallout of the coronavirus epidemic. <br />
<br />
This new model is just the latest in Luke’s Glass Microbiology series of virus sculptures. Luke and his glassblowing team have, in the past, made other sculptures of viruses from swine flu and Ebola to smallpox and HIV.<br />
<br />
Respected in the scientific community, the glass sculptures have featured in The Lancet, Scientific American, British Medical Journal (BMJ) and on the front cover of Nature Magazine.  <br />
<br />
The Glass Microbiology sculptures are in museum collections around the world, including the Metropolitan Museum, NYC; Wellcome Collection, London and the Museum of Glass
    40395906.jpg
  • IN PHOTO: E. coli<br />
<br />
Internationally-renowned British artist Luke Jerram has created a coronavirus glass sculpture in tribute to the huge global scientific and medical effort to combat the pandemic.<br />
<br />
Made in glass, at 23cm in diameter, it is 1 million times larger than the actual virus. <br />
<br />
It was commissioned 5 weeks ago by a university in America to reflect its current and future research and learning in health, the environment and intelligent systems, and its focus on solving global challenges.  <br />
<br />
Luke says: “Helping to communicate the form of the virus to the public, the artwork has been created as an alternative representation to the artificially coloured imagery received through the media. In fact, viruses have no colour as they are smaller than the wavelength of light.” <br />
<br />
“This artwork is a tribute to the scientists and medical teams who are working collaboratively across the world to try to slow the spread of the virus. It is vital we attempt to slow the spread of coronavirus by working together globally, so our health services can manage this pandemic.” <br />
<br />
Made through a process of scientific glassblowing, the coronavirus model is based on the latest scientific understanding and diagrams of the virus.  <br />
<br />
Profits from this glass model are going to Médecins Sans Frontières (MSF) who will be assisting developing countries deal with the fallout of the coronavirus epidemic. <br />
<br />
This new model is just the latest in Luke’s Glass Microbiology series of virus sculptures. Luke and his glassblowing team have, in the past, made other sculptures of viruses from swine flu and Ebola to smallpox and HIV.<br />
<br />
Respected in the scientific community, the glass sculptures have featured in The Lancet, Scientific American, British Medical Journal (BMJ) and on the front cover of Nature Magazine.  <br />
<br />
The Glass Microbiology sculptures are in museum collections around the world, including the Metropolitan Museum, NYC; Wellcome Collection, London and the Museum of Glass
    40395905.jpg
  • IN PHOTO: A collection of viruses<br />
<br />
Internationally-renowned British artist Luke Jerram has created a coronavirus glass sculpture in tribute to the huge global scientific and medical effort to combat the pandemic.<br />
<br />
Made in glass, at 23cm in diameter, it is 1 million times larger than the actual virus. <br />
<br />
It was commissioned 5 weeks ago by a university in America to reflect its current and future research and learning in health, the environment and intelligent systems, and its focus on solving global challenges.  <br />
<br />
Luke says: “Helping to communicate the form of the virus to the public, the artwork has been created as an alternative representation to the artificially coloured imagery received through the media. In fact, viruses have no colour as they are smaller than the wavelength of light.” <br />
<br />
“This artwork is a tribute to the scientists and medical teams who are working collaboratively across the world to try to slow the spread of the virus. It is vital we attempt to slow the spread of coronavirus by working together globally, so our health services can manage this pandemic.” <br />
<br />
Made through a process of scientific glassblowing, the coronavirus model is based on the latest scientific understanding and diagrams of the virus.  <br />
<br />
Profits from this glass model are going to Médecins Sans Frontières (MSF) who will be assisting developing countries deal with the fallout of the coronavirus epidemic. <br />
<br />
This new model is just the latest in Luke’s Glass Microbiology series of virus sculptures. Luke and his glassblowing team have, in the past, made other sculptures of viruses from swine flu and Ebola to smallpox and HIV.<br />
<br />
Respected in the scientific community, the glass sculptures have featured in The Lancet, Scientific American, British Medical Journal (BMJ) and on the front cover of Nature Magazine.  <br />
<br />
The Glass Microbiology sculptures are in museum collections around the world, including the Metropolitan Museum, NYC; Wellcome Collection, London and the
    40395904.jpg
  • IN PHOTO: Bluetongue<br />
<br />
Internationally-renowned British artist Luke Jerram has created a coronavirus glass sculpture in tribute to the huge global scientific and medical effort to combat the pandemic.<br />
<br />
Made in glass, at 23cm in diameter, it is 1 million times larger than the actual virus. <br />
<br />
It was commissioned 5 weeks ago by a university in America to reflect its current and future research and learning in health, the environment and intelligent systems, and its focus on solving global challenges.  <br />
<br />
Luke says: “Helping to communicate the form of the virus to the public, the artwork has been created as an alternative representation to the artificially coloured imagery received through the media. In fact, viruses have no colour as they are smaller than the wavelength of light.” <br />
<br />
“This artwork is a tribute to the scientists and medical teams who are working collaboratively across the world to try to slow the spread of the virus. It is vital we attempt to slow the spread of coronavirus by working together globally, so our health services can manage this pandemic.” <br />
<br />
Made through a process of scientific glassblowing, the coronavirus model is based on the latest scientific understanding and diagrams of the virus.  <br />
<br />
Profits from this glass model are going to Médecins Sans Frontières (MSF) who will be assisting developing countries deal with the fallout of the coronavirus epidemic. <br />
<br />
This new model is just the latest in Luke’s Glass Microbiology series of virus sculptures. Luke and his glassblowing team have, in the past, made other sculptures of viruses from swine flu and Ebola to smallpox and HIV.<br />
<br />
Respected in the scientific community, the glass sculptures have featured in The Lancet, Scientific American, British Medical Journal (BMJ) and on the front cover of Nature Magazine.  <br />
<br />
The Glass Microbiology sculptures are in museum collections around the world, including the Metropolitan Museum, NYC; Wellcome Collection, London and the Museum of Gl
    40395903.jpg
  • IN PHOTO: COVID-19 coronavirus<br />
<br />
Internationally-renowned British artist Luke Jerram has created a coronavirus glass sculpture in tribute to the huge global scientific and medical effort to combat the pandemic.<br />
<br />
Made in glass, at 23cm in diameter, it is 1 million times larger than the actual virus. <br />
<br />
It was commissioned 5 weeks ago by a university in America to reflect its current and future research and learning in health, the environment and intelligent systems, and its focus on solving global challenges.  <br />
<br />
Luke says: “Helping to communicate the form of the virus to the public, the artwork has been created as an alternative representation to the artificially coloured imagery received through the media. In fact, viruses have no colour as they are smaller than the wavelength of light.” <br />
<br />
“This artwork is a tribute to the scientists and medical teams who are working collaboratively across the world to try to slow the spread of the virus. It is vital we attempt to slow the spread of coronavirus by working together globally, so our health services can manage this pandemic.” <br />
<br />
Made through a process of scientific glassblowing, the coronavirus model is based on the latest scientific understanding and diagrams of the virus.  <br />
<br />
Profits from this glass model are going to Médecins Sans Frontières (MSF) who will be assisting developing countries deal with the fallout of the coronavirus epidemic. <br />
<br />
This new model is just the latest in Luke’s Glass Microbiology series of virus sculptures. Luke and his glassblowing team have, in the past, made other sculptures of viruses from swine flu and Ebola to smallpox and HIV.<br />
<br />
Respected in the scientific community, the glass sculptures have featured in The Lancet, Scientific American, British Medical Journal (BMJ) and on the front cover of Nature Magazine.  <br />
<br />
The Glass Microbiology sculptures are in museum collections around the world, including the Metropolitan Museum, NYC; Wellcome Collection, London and the Mu
    40395896.jpg
  • IN PHOTO: COVID-19 coronavirus<br />
<br />
Internationally-renowned British artist Luke Jerram has created a coronavirus glass sculpture in tribute to the huge global scientific and medical effort to combat the pandemic.<br />
<br />
Made in glass, at 23cm in diameter, it is 1 million times larger than the actual virus. <br />
<br />
It was commissioned 5 weeks ago by a university in America to reflect its current and future research and learning in health, the environment and intelligent systems, and its focus on solving global challenges.  <br />
<br />
Luke says: “Helping to communicate the form of the virus to the public, the artwork has been created as an alternative representation to the artificially coloured imagery received through the media. In fact, viruses have no colour as they are smaller than the wavelength of light.” <br />
<br />
“This artwork is a tribute to the scientists and medical teams who are working collaboratively across the world to try to slow the spread of the virus. It is vital we attempt to slow the spread of coronavirus by working together globally, so our health services can manage this pandemic.” <br />
<br />
Made through a process of scientific glassblowing, the coronavirus model is based on the latest scientific understanding and diagrams of the virus.  <br />
<br />
Profits from this glass model are going to Médecins Sans Frontières (MSF) who will be assisting developing countries deal with the fallout of the coronavirus epidemic. <br />
<br />
This new model is just the latest in Luke’s Glass Microbiology series of virus sculptures. Luke and his glassblowing team have, in the past, made other sculptures of viruses from swine flu and Ebola to smallpox and HIV.<br />
<br />
Respected in the scientific community, the glass sculptures have featured in The Lancet, Scientific American, British Medical Journal (BMJ) and on the front cover of Nature Magazine.  <br />
<br />
The Glass Microbiology sculptures are in museum collections around the world, including the Metropolitan Museum, NYC; Wellcome Collection, London and the Mu
    40395893.jpg
  • IN PHOTO: Ecoli<br />
<br />
Internationally-renowned British artist Luke Jerram has created a coronavirus glass sculpture in tribute to the huge global scientific and medical effort to combat the pandemic.<br />
<br />
Made in glass, at 23cm in diameter, it is 1 million times larger than the actual virus. <br />
<br />
It was commissioned 5 weeks ago by a university in America to reflect its current and future research and learning in health, the environment and intelligent systems, and its focus on solving global challenges.  <br />
<br />
Luke says: “Helping to communicate the form of the virus to the public, the artwork has been created as an alternative representation to the artificially coloured imagery received through the media. In fact, viruses have no colour as they are smaller than the wavelength of light.” <br />
<br />
“This artwork is a tribute to the scientists and medical teams who are working collaboratively across the world to try to slow the spread of the virus. It is vital we attempt to slow the spread of coronavirus by working together globally, so our health services can manage this pandemic.” <br />
<br />
Made through a process of scientific glassblowing, the coronavirus model is based on the latest scientific understanding and diagrams of the virus.  <br />
<br />
Profits from this glass model are going to Médecins Sans Frontières (MSF) who will be assisting developing countries deal with the fallout of the coronavirus epidemic. <br />
<br />
This new model is just the latest in Luke’s Glass Microbiology series of virus sculptures. Luke and his glassblowing team have, in the past, made other sculptures of viruses from swine flu and Ebola to smallpox and HIV.<br />
<br />
Respected in the scientific community, the glass sculptures have featured in The Lancet, Scientific American, British Medical Journal (BMJ) and on the front cover of Nature Magazine.  <br />
<br />
The Glass Microbiology sculptures are in museum collections around the world, including the Metropolitan Museum, NYC; Wellcome Collection, London and the Museum of Glass,
    40395908.jpg
  • IN PHOTO: HIV<br />
<br />
Internationally-renowned British artist Luke Jerram has created a coronavirus glass sculpture in tribute to the huge global scientific and medical effort to combat the pandemic.<br />
<br />
Made in glass, at 23cm in diameter, it is 1 million times larger than the actual virus. <br />
<br />
It was commissioned 5 weeks ago by a university in America to reflect its current and future research and learning in health, the environment and intelligent systems, and its focus on solving global challenges.  <br />
<br />
Luke says: “Helping to communicate the form of the virus to the public, the artwork has been created as an alternative representation to the artificially coloured imagery received through the media. In fact, viruses have no colour as they are smaller than the wavelength of light.” <br />
<br />
“This artwork is a tribute to the scientists and medical teams who are working collaboratively across the world to try to slow the spread of the virus. It is vital we attempt to slow the spread of coronavirus by working together globally, so our health services can manage this pandemic.” <br />
<br />
Made through a process of scientific glassblowing, the coronavirus model is based on the latest scientific understanding and diagrams of the virus.  <br />
<br />
Profits from this glass model are going to Médecins Sans Frontières (MSF) who will be assisting developing countries deal with the fallout of the coronavirus epidemic. <br />
<br />
This new model is just the latest in Luke’s Glass Microbiology series of virus sculptures. Luke and his glassblowing team have, in the past, made other sculptures of viruses from swine flu and Ebola to smallpox and HIV.<br />
<br />
Respected in the scientific community, the glass sculptures have featured in The Lancet, Scientific American, British Medical Journal (BMJ) and on the front cover of Nature Magazine.  <br />
<br />
The Glass Microbiology sculptures are in museum collections around the world, including the Metropolitan Museum, NYC; Wellcome Collection, London and the Museum of Glass, Sh
    40395909.jpg
  • IN PHOTO: A composite of images<br />
<br />
Internationally-renowned British artist Luke Jerram has created a coronavirus glass sculpture in tribute to the huge global scientific and medical effort to combat the pandemic.<br />
<br />
Made in glass, at 23cm in diameter, it is 1 million times larger than the actual virus. <br />
<br />
It was commissioned 5 weeks ago by a university in America to reflect its current and future research and learning in health, the environment and intelligent systems, and its focus on solving global challenges.  <br />
<br />
Luke says: “Helping to communicate the form of the virus to the public, the artwork has been created as an alternative representation to the artificially coloured imagery received through the media. In fact, viruses have no colour as they are smaller than the wavelength of light.” <br />
<br />
“This artwork is a tribute to the scientists and medical teams who are working collaboratively across the world to try to slow the spread of the virus. It is vital we attempt to slow the spread of coronavirus by working together globally, so our health services can manage this pandemic.” <br />
<br />
Made through a process of scientific glassblowing, the coronavirus model is based on the latest scientific understanding and diagrams of the virus.  <br />
<br />
Profits from this glass model are going to Médecins Sans Frontières (MSF) who will be assisting developing countries deal with the fallout of the coronavirus epidemic. <br />
<br />
This new model is just the latest in Luke’s Glass Microbiology series of virus sculptures. Luke and his glassblowing team have, in the past, made other sculptures of viruses from swine flu and Ebola to smallpox and HIV.<br />
<br />
Respected in the scientific community, the glass sculptures have featured in The Lancet, Scientific American, British Medical Journal (BMJ) and on the front cover of Nature Magazine.  <br />
<br />
The Glass Microbiology sculptures are in museum collections around the world, including the Metropolitan Museum, NYC; Wellcome Collection, London and the M
    40395920.jpg
  • IN PHOTO: T Bacteriophage<br />
<br />
Internationally-renowned British artist Luke Jerram has created a coronavirus glass sculpture in tribute to the huge global scientific and medical effort to combat the pandemic.<br />
<br />
Made in glass, at 23cm in diameter, it is 1 million times larger than the actual virus. <br />
<br />
It was commissioned 5 weeks ago by a university in America to reflect its current and future research and learning in health, the environment and intelligent systems, and its focus on solving global challenges.  <br />
<br />
Luke says: “Helping to communicate the form of the virus to the public, the artwork has been created as an alternative representation to the artificially coloured imagery received through the media. In fact, viruses have no colour as they are smaller than the wavelength of light.” <br />
<br />
“This artwork is a tribute to the scientists and medical teams who are working collaboratively across the world to try to slow the spread of the virus. It is vital we attempt to slow the spread of coronavirus by working together globally, so our health services can manage this pandemic.” <br />
<br />
Made through a process of scientific glassblowing, the coronavirus model is based on the latest scientific understanding and diagrams of the virus.  <br />
<br />
Profits from this glass model are going to Médecins Sans Frontières (MSF) who will be assisting developing countries deal with the fallout of the coronavirus epidemic. <br />
<br />
This new model is just the latest in Luke’s Glass Microbiology series of virus sculptures. Luke and his glassblowing team have, in the past, made other sculptures of viruses from swine flu and Ebola to smallpox and HIV.<br />
<br />
Respected in the scientific community, the glass sculptures have featured in The Lancet, Scientific American, British Medical Journal (BMJ) and on the front cover of Nature Magazine.  <br />
<br />
The Glass Microbiology sculptures are in museum collections around the world, including the Metropolitan Museum, NYC; Wellcome Collection, London and the Museum
    40395918.jpg
  • IN PHOTO: Smallpox<br />
<br />
Internationally-renowned British artist Luke Jerram has created a coronavirus glass sculpture in tribute to the huge global scientific and medical effort to combat the pandemic.<br />
<br />
Made in glass, at 23cm in diameter, it is 1 million times larger than the actual virus. <br />
<br />
It was commissioned 5 weeks ago by a university in America to reflect its current and future research and learning in health, the environment and intelligent systems, and its focus on solving global challenges.  <br />
<br />
Luke says: “Helping to communicate the form of the virus to the public, the artwork has been created as an alternative representation to the artificially coloured imagery received through the media. In fact, viruses have no colour as they are smaller than the wavelength of light.” <br />
<br />
“This artwork is a tribute to the scientists and medical teams who are working collaboratively across the world to try to slow the spread of the virus. It is vital we attempt to slow the spread of coronavirus by working together globally, so our health services can manage this pandemic.” <br />
<br />
Made through a process of scientific glassblowing, the coronavirus model is based on the latest scientific understanding and diagrams of the virus.  <br />
<br />
Profits from this glass model are going to Médecins Sans Frontières (MSF) who will be assisting developing countries deal with the fallout of the coronavirus epidemic. <br />
<br />
This new model is just the latest in Luke’s Glass Microbiology series of virus sculptures. Luke and his glassblowing team have, in the past, made other sculptures of viruses from swine flu and Ebola to smallpox and HIV.<br />
<br />
Respected in the scientific community, the glass sculptures have featured in The Lancet, Scientific American, British Medical Journal (BMJ) and on the front cover of Nature Magazine.  <br />
<br />
The Glass Microbiology sculptures are in museum collections around the world, including the Metropolitan Museum, NYC; Wellcome Collection, London and the Museum of Glas
    40395915.jpg
  • IN PHOTO: SARS<br />
<br />
Internationally-renowned British artist Luke Jerram has created a coronavirus glass sculpture in tribute to the huge global scientific and medical effort to combat the pandemic.<br />
<br />
Made in glass, at 23cm in diameter, it is 1 million times larger than the actual virus. <br />
<br />
It was commissioned 5 weeks ago by a university in America to reflect its current and future research and learning in health, the environment and intelligent systems, and its focus on solving global challenges.  <br />
<br />
Luke says: “Helping to communicate the form of the virus to the public, the artwork has been created as an alternative representation to the artificially coloured imagery received through the media. In fact, viruses have no colour as they are smaller than the wavelength of light.” <br />
<br />
“This artwork is a tribute to the scientists and medical teams who are working collaboratively across the world to try to slow the spread of the virus. It is vital we attempt to slow the spread of coronavirus by working together globally, so our health services can manage this pandemic.” <br />
<br />
Made through a process of scientific glassblowing, the coronavirus model is based on the latest scientific understanding and diagrams of the virus.  <br />
<br />
Profits from this glass model are going to Médecins Sans Frontières (MSF) who will be assisting developing countries deal with the fallout of the coronavirus epidemic. <br />
<br />
This new model is just the latest in Luke’s Glass Microbiology series of virus sculptures. Luke and his glassblowing team have, in the past, made other sculptures of viruses from swine flu and Ebola to smallpox and HIV.<br />
<br />
Respected in the scientific community, the glass sculptures have featured in The Lancet, Scientific American, British Medical Journal (BMJ) and on the front cover of Nature Magazine.  <br />
<br />
The Glass Microbiology sculptures are in museum collections around the world, including the Metropolitan Museum, NYC; Wellcome Collection, London and the Museum of Glass, S
    40395913.jpg
  • IN PHOTO: Malaria<br />
<br />
Internationally-renowned British artist Luke Jerram has created a coronavirus glass sculpture in tribute to the huge global scientific and medical effort to combat the pandemic.<br />
<br />
Made in glass, at 23cm in diameter, it is 1 million times larger than the actual virus. <br />
<br />
It was commissioned 5 weeks ago by a university in America to reflect its current and future research and learning in health, the environment and intelligent systems, and its focus on solving global challenges.  <br />
<br />
Luke says: “Helping to communicate the form of the virus to the public, the artwork has been created as an alternative representation to the artificially coloured imagery received through the media. In fact, viruses have no colour as they are smaller than the wavelength of light.” <br />
<br />
“This artwork is a tribute to the scientists and medical teams who are working collaboratively across the world to try to slow the spread of the virus. It is vital we attempt to slow the spread of coronavirus by working together globally, so our health services can manage this pandemic.” <br />
<br />
Made through a process of scientific glassblowing, the coronavirus model is based on the latest scientific understanding and diagrams of the virus.  <br />
<br />
Profits from this glass model are going to Médecins Sans Frontières (MSF) who will be assisting developing countries deal with the fallout of the coronavirus epidemic. <br />
<br />
This new model is just the latest in Luke’s Glass Microbiology series of virus sculptures. Luke and his glassblowing team have, in the past, made other sculptures of viruses from swine flu and Ebola to smallpox and HIV.<br />
<br />
Respected in the scientific community, the glass sculptures have featured in The Lancet, Scientific American, British Medical Journal (BMJ) and on the front cover of Nature Magazine.  <br />
<br />
The Glass Microbiology sculptures are in museum collections around the world, including the Metropolitan Museum, NYC; Wellcome Collection, London and the Museum of Glass
    40395910.jpg
  • IN PHOTO: Ameoba<br />
<br />
Internationally-renowned British artist Luke Jerram has created a coronavirus glass sculpture in tribute to the huge global scientific and medical effort to combat the pandemic.<br />
<br />
Made in glass, at 23cm in diameter, it is 1 million times larger than the actual virus. <br />
<br />
It was commissioned 5 weeks ago by a university in America to reflect its current and future research and learning in health, the environment and intelligent systems, and its focus on solving global challenges.  <br />
<br />
Luke says: “Helping to communicate the form of the virus to the public, the artwork has been created as an alternative representation to the artificially coloured imagery received through the media. In fact, viruses have no colour as they are smaller than the wavelength of light.” <br />
<br />
“This artwork is a tribute to the scientists and medical teams who are working collaboratively across the world to try to slow the spread of the virus. It is vital we attempt to slow the spread of coronavirus by working together globally, so our health services can manage this pandemic.” <br />
<br />
Made through a process of scientific glassblowing, the coronavirus model is based on the latest scientific understanding and diagrams of the virus.  <br />
<br />
Profits from this glass model are going to Médecins Sans Frontières (MSF) who will be assisting developing countries deal with the fallout of the coronavirus epidemic. <br />
<br />
This new model is just the latest in Luke’s Glass Microbiology series of virus sculptures. Luke and his glassblowing team have, in the past, made other sculptures of viruses from swine flu and Ebola to smallpox and HIV.<br />
<br />
Respected in the scientific community, the glass sculptures have featured in The Lancet, Scientific American, British Medical Journal (BMJ) and on the front cover of Nature Magazine.  <br />
<br />
The Glass Microbiology sculptures are in museum collections around the world, including the Metropolitan Museum, NYC; Wellcome Collection, London and the Museum of Glass,
    40395900.jpg
  • IN PHOTO: Adeno<br />
<br />
Internationally-renowned British artist Luke Jerram has created a coronavirus glass sculpture in tribute to the huge global scientific and medical effort to combat the pandemic.<br />
<br />
Made in glass, at 23cm in diameter, it is 1 million times larger than the actual virus. <br />
<br />
It was commissioned 5 weeks ago by a university in America to reflect its current and future research and learning in health, the environment and intelligent systems, and its focus on solving global challenges.  <br />
<br />
Luke says: “Helping to communicate the form of the virus to the public, the artwork has been created as an alternative representation to the artificially coloured imagery received through the media. In fact, viruses have no colour as they are smaller than the wavelength of light.” <br />
<br />
“This artwork is a tribute to the scientists and medical teams who are working collaboratively across the world to try to slow the spread of the virus. It is vital we attempt to slow the spread of coronavirus by working together globally, so our health services can manage this pandemic.” <br />
<br />
Made through a process of scientific glassblowing, the coronavirus model is based on the latest scientific understanding and diagrams of the virus.  <br />
<br />
Profits from this glass model are going to Médecins Sans Frontières (MSF) who will be assisting developing countries deal with the fallout of the coronavirus epidemic. <br />
<br />
This new model is just the latest in Luke’s Glass Microbiology series of virus sculptures. Luke and his glassblowing team have, in the past, made other sculptures of viruses from swine flu and Ebola to smallpox and HIV.<br />
<br />
Respected in the scientific community, the glass sculptures have featured in The Lancet, Scientific American, British Medical Journal (BMJ) and on the front cover of Nature Magazine.  <br />
<br />
The Glass Microbiology sculptures are in museum collections around the world, including the Metropolitan Museum, NYC; Wellcome Collection, London and the Museum of Glass,
    40395898.jpg
  • IN PHOTO: Adeno<br />
<br />
Internationally-renowned British artist Luke Jerram has created a coronavirus glass sculpture in tribute to the huge global scientific and medical effort to combat the pandemic.<br />
<br />
Made in glass, at 23cm in diameter, it is 1 million times larger than the actual virus. <br />
<br />
It was commissioned 5 weeks ago by a university in America to reflect its current and future research and learning in health, the environment and intelligent systems, and its focus on solving global challenges.  <br />
<br />
Luke says: “Helping to communicate the form of the virus to the public, the artwork has been created as an alternative representation to the artificially coloured imagery received through the media. In fact, viruses have no colour as they are smaller than the wavelength of light.” <br />
<br />
“This artwork is a tribute to the scientists and medical teams who are working collaboratively across the world to try to slow the spread of the virus. It is vital we attempt to slow the spread of coronavirus by working together globally, so our health services can manage this pandemic.” <br />
<br />
Made through a process of scientific glassblowing, the coronavirus model is based on the latest scientific understanding and diagrams of the virus.  <br />
<br />
Profits from this glass model are going to Médecins Sans Frontières (MSF) who will be assisting developing countries deal with the fallout of the coronavirus epidemic. <br />
<br />
This new model is just the latest in Luke’s Glass Microbiology series of virus sculptures. Luke and his glassblowing team have, in the past, made other sculptures of viruses from swine flu and Ebola to smallpox and HIV.<br />
<br />
Respected in the scientific community, the glass sculptures have featured in The Lancet, Scientific American, British Medical Journal (BMJ) and on the front cover of Nature Magazine.  <br />
<br />
The Glass Microbiology sculptures are in museum collections around the world, including the Metropolitan Museum, NYC; Wellcome Collection, London and the Museum of Glass,
    40395897.jpg
  • IN PHOTO: Zika<br />
<br />
Internationally-renowned British artist Luke Jerram has created a coronavirus glass sculpture in tribute to the huge global scientific and medical effort to combat the pandemic.<br />
<br />
Made in glass, at 23cm in diameter, it is 1 million times larger than the actual virus. <br />
<br />
It was commissioned 5 weeks ago by a university in America to reflect its current and future research and learning in health, the environment and intelligent systems, and its focus on solving global challenges.  <br />
<br />
Luke says: “Helping to communicate the form of the virus to the public, the artwork has been created as an alternative representation to the artificially coloured imagery received through the media. In fact, viruses have no colour as they are smaller than the wavelength of light.” <br />
<br />
“This artwork is a tribute to the scientists and medical teams who are working collaboratively across the world to try to slow the spread of the virus. It is vital we attempt to slow the spread of coronavirus by working together globally, so our health services can manage this pandemic.” <br />
<br />
Made through a process of scientific glassblowing, the coronavirus model is based on the latest scientific understanding and diagrams of the virus.  <br />
<br />
Profits from this glass model are going to Médecins Sans Frontières (MSF) who will be assisting developing countries deal with the fallout of the coronavirus epidemic. <br />
<br />
This new model is just the latest in Luke’s Glass Microbiology series of virus sculptures. Luke and his glassblowing team have, in the past, made other sculptures of viruses from swine flu and Ebola to smallpox and HIV.<br />
<br />
Respected in the scientific community, the glass sculptures have featured in The Lancet, Scientific American, British Medical Journal (BMJ) and on the front cover of Nature Magazine.  <br />
<br />
The Glass Microbiology sculptures are in museum collections around the world, including the Metropolitan Museum, NYC; Wellcome Collection, London and the Museum of Glass, S
    40395919.jpg
  • IN PHOTO: Malaria<br />
<br />
Internationally-renowned British artist Luke Jerram has created a coronavirus glass sculpture in tribute to the huge global scientific and medical effort to combat the pandemic.<br />
<br />
Made in glass, at 23cm in diameter, it is 1 million times larger than the actual virus. <br />
<br />
It was commissioned 5 weeks ago by a university in America to reflect its current and future research and learning in health, the environment and intelligent systems, and its focus on solving global challenges.  <br />
<br />
Luke says: “Helping to communicate the form of the virus to the public, the artwork has been created as an alternative representation to the artificially coloured imagery received through the media. In fact, viruses have no colour as they are smaller than the wavelength of light.” <br />
<br />
“This artwork is a tribute to the scientists and medical teams who are working collaboratively across the world to try to slow the spread of the virus. It is vital we attempt to slow the spread of coronavirus by working together globally, so our health services can manage this pandemic.” <br />
<br />
Made through a process of scientific glassblowing, the coronavirus model is based on the latest scientific understanding and diagrams of the virus.  <br />
<br />
Profits from this glass model are going to Médecins Sans Frontières (MSF) who will be assisting developing countries deal with the fallout of the coronavirus epidemic. <br />
<br />
This new model is just the latest in Luke’s Glass Microbiology series of virus sculptures. Luke and his glassblowing team have, in the past, made other sculptures of viruses from swine flu and Ebola to smallpox and HIV.<br />
<br />
Respected in the scientific community, the glass sculptures have featured in The Lancet, Scientific American, British Medical Journal (BMJ) and on the front cover of Nature Magazine.  <br />
<br />
The Glass Microbiology sculptures are in museum collections around the world, including the Metropolitan Museum, NYC; Wellcome Collection, London and the Museum of Glass
    40395912.jpg
  • IN PHOTO: COVID-19 Coronavirus<br />
<br />
Internationally-renowned British artist Luke Jerram has created a coronavirus glass sculpture in tribute to the huge global scientific and medical effort to combat the pandemic.<br />
<br />
Made in glass, at 23cm in diameter, it is 1 million times larger than the actual virus. <br />
<br />
It was commissioned 5 weeks ago by a university in America to reflect its current and future research and learning in health, the environment and intelligent systems, and its focus on solving global challenges.  <br />
<br />
Luke says: “Helping to communicate the form of the virus to the public, the artwork has been created as an alternative representation to the artificially coloured imagery received through the media. In fact, viruses have no colour as they are smaller than the wavelength of light.” <br />
<br />
“This artwork is a tribute to the scientists and medical teams who are working collaboratively across the world to try to slow the spread of the virus. It is vital we attempt to slow the spread of coronavirus by working together globally, so our health services can manage this pandemic.” <br />
<br />
Made through a process of scientific glassblowing, the coronavirus model is based on the latest scientific understanding and diagrams of the virus.  <br />
<br />
Profits from this glass model are going to Médecins Sans Frontières (MSF) who will be assisting developing countries deal with the fallout of the coronavirus epidemic. <br />
<br />
This new model is just the latest in Luke’s Glass Microbiology series of virus sculptures. Luke and his glassblowing team have, in the past, made other sculptures of viruses from swine flu and Ebola to smallpox and HIV.<br />
<br />
Respected in the scientific community, the glass sculptures have featured in The Lancet, Scientific American, British Medical Journal (BMJ) and on the front cover of Nature Magazine.  <br />
<br />
The Glass Microbiology sculptures are in museum collections around the world, including the Metropolitan Museum, NYC; Wellcome Collection, London and the Mu
    40395891.jpg
  • October 5, 2018 - Athens, Greece - A man seen on top of a metal sculpture threatening to jump down..A man climbed up to a metal sculpture and threatened to commit suicide in Omonia Square, central Athens. The man was lifted with a crane by firefighters. (Credit Image: © Giorgos Zachos/SOPA Images via ZUMA Wire)
    20181005_zaa_s197_124.jpg
  • Yorkshire Sculpture Park (YSP) employee Kerry Chase is distorted as she is reflected in the glass of a picture frame at the YSP unveiling of their new Common Ground exhibition at the YSP in West Bretton, West Yorkshire.
    36213061.jpg
  • Yorkshire Sculpture Park (YSP) employee Kerry Chase at the unveiling of their new Common Ground exhibition at the YSP in West Bretton, West Yorkshire.
    36213058.jpg
  • Yorkshire Sculpture Park (YSP) employee Kerry Chase is silhouetted against a latticework wall of photos and words at the YSP unveiling of their new Common Ground exhibition at the YSP in West Bretton, West Yorkshire.
    36213074.jpg
  • Yorkshire Sculpture Park (YSP) employee Kerry Chase is silhouetted against a latticework wall of photos and words at the YSP unveiling of their new Common Ground exhibition at the YSP in West Bretton, West Yorkshire.
    36213071.jpg
  • Yorkshire Sculpture Park (YSP) employee Kerry Chase is reflected in a display cabinet in front of a latticework wall of photos and words at the YSP unveiling of their new Common Ground exhibition at the YSP in West Bretton, West Yorkshire.
    36213059.jpg
  • Yorkshire Sculpture Park (YSP) employee Kerry Chase is reflected in a display cabinet as she interacts with a latticework wall of photos and words at the YSP unveiling of their new Common Ground exhibition at the YSP in West Bretton, West Yorkshire.
    36213055.jpg
  • Yorkshire Sculpture Park (YSP) employee Kerry Chase is silhouetted against a latticework wall of photos and words at the YSP unveiling of their new Common Ground exhibition at the YSP in West Bretton, West Yorkshire.
    36213063.jpg
  • May 11, 2002, Bhubaneswar, India: An awareness sand sculpture is seen at the Bay of Bengal Sea's eastern coast beach as it is creating by sand artist Manas Sahoo for visitors awareness about the World AIDs Day, 65 km away from the eastern Indian state Odisha's capital city Bhubaneswar. (Credit Image: © Str/NurPhoto via ZUMA Press)
    20020511_zaa_n230_002.jpg
  • November 10, 2018 - Dhaka, Bangladesh - Students and government job seekers called a protest to demand increasing the age limit 35 for entry to public services in front of the Raju Memorial Sculpture near Dhaka University Campus. (Credit Image: © MD Mehedi Hasan/ZUMA Wire)
    20181110_zap_h143_010.jpg
  • April 17, 2018 - Allahabad, Uttar Pradesh, India - Allahabad central university students make a sand sculpture against hike rate of rape cases at Sangam. (Credit Image: © Prabhat Kumar Verma/Pacific Press via ZUMA Wire)
    20180417_zaa_p133_124.jpg
  • June 28, 2017 - Hong Kong, Hong Kong - Protesters climb to a golden bauhinia sculpture on June 28, 2017 in Wan Chai district of Hong Kong ahead of the upcoming visit of Chinese President Xi Jinping for the 20th anniversary of Hong Kong return to China. (Credit Image: © Chan Long Hei/Pacific Press via ZUMA Wire)
    20170628_zaa_p133_137.jpg
  • April 13, 2015 - Giant sculpture of a pair of spectacles on a lawn, promenade along ocean in the background. (Credit Image: © Mint Images via ZUMA Wire)
    20150413_zaa_m137_166.jpg
  • November 10, 2018 - Athens, Greece - Presentation of sculpture gift of China during the opening ceremony of Athens Authentic Marathon..The Athens Authentic Marathon is an annual running event hosted in the capital of Greece in November It attracts the best runners around the world to compete in the event. (Credit Image: © Giorgos Zachos/SOPA Images via ZUMA Wire)
    20181110_zaa_s197_312.jpg
  • April 17, 2018 - Allahabad, Uttar Pradesh, India - Allahabad: Allahabad central university students make a sand sculpture against hike rate of rape cases at Sangam  in Allahaba on 17-04-2018. (Credit Image: © Prabhat Kumar Verma via ZUMA Wire)
    20180417_zap_v115_001.jpg
  • September 4, 2017 - Bangkok, Thailand - BThai official artists work on a deity sculpture which will adorn  details the Garuda and banister Naga around about The cremation of Thailand's late monarch Bhumibol Adulyadej at Thonburi Art School in Bangkok, Thailand, 04 September 2017 The cremation of Thailand's late monarch Bhumibol Adulyadej will take place on October 26, the junta announced on April 25, just over a year since his death plunged the kingdom into deep mourning, (Credit Image: © Vichan Poti/Pacific Press via ZUMA Wire)
    20170904_zaa_p133_040.jpg
  • June 28, 2017 - Hong Kong, Hong Kong - Protesters climb to a golden bauhinia sculpture on June 28, 2017 in Wan Chai district of Hong Kong ahead of the upcoming visit of Chinese President Xi Jinping for the 20th anniversary of Hong Kong return to China. (Credit Image: © Chan Long Hei/Pacific Press via ZUMA Wire)
    20170628_zaa_p133_150.jpg
  • November 18, 2018 - Bhubaneswar, India - A sand sculpture is seen at the Bay of Bengal Sea's eastern coast beach at Puri, as it is creating by International sand artist Sudarshan Pattnaik on the eve of World Man's Day, 65 km away from the eastern Indian state Odisha's capital city Bhubaneswar, on 18 November 2018. (Credit Image: © Str/NurPhoto via ZUMA Press)
    20181118_zaa_n230_172.jpg
  • November 18, 2018 - Bhubaneswar, Odisha, India - A sand sculpture is seen at the Bay of Bengal Sea's eastern coast beach at Puri, as it is creating by International sand artist Sudarshan Pattnaik on the occasion of World Toilet Day, 65 km away from the eastern Indian state Odisha's capital city Bhubaneswar, on 18 November 2018. (Credit Image: © Str/NurPhoto via ZUMA Press)
    20181118_zaa_n230_168.jpg
  • July 13, 2018 - Bhubaneswar, Odisha, India - On 13 July 2018, the Indian sand artist Manas Sahoo creates FIFA WOrld Cup 2018 final sand sculpture for visitors attraction at the Bay of Bengal Sea's eastern coast beach Puri, 65 km away from the eastern Indian state Odisha's capital city Bhubaneswar ahead of the final match between France and Croatia. (Credit Image: © Str/NurPhoto via ZUMA Press)
    20180713_zaa_n230_237.jpg
  • July 13, 2018 - Bhubaneswar, Odisha, India - On 13 July 2018, the Indian sand artist Manas Sahoo creates FIFA WOrld Cup 2018 final sand sculpture for visitors attraction at the Bay of Bengal Sea's eastern coast beach Puri, 65 km away from the eastern Indian state Odisha's capital city Bhubaneswar ahead of the final match between France and Croatia. (Credit Image: © Str/NurPhoto via ZUMA Press)
    20180713_zaa_n230_238.jpg
  • July 13, 2018 - Bhubaneswar, Odisha, India - On 13 July 2018, the Indian sand artist Manas Sahoo creates FIFA WOrld Cup 2018 final sand sculpture for visitors attraction at the Bay of Bengal Sea's eastern coast beach Puri, 65 km away from the eastern Indian state Odisha's capital city Bhubaneswar ahead of the final match between France and Croatia. (Credit Image: © Str/NurPhoto via ZUMA Press)
    20180713_zaa_n230_233.jpg
  • July 13, 2018 - Bhubaneswar, Odisha, India - On 13 July 2018, the Indian sand artist Manas Sahoo creates FIFA WOrld Cup 2018 final sand sculpture for visitors attraction at the Bay of Bengal Sea's eastern coast beach Puri, 65 km away from the eastern Indian state Odisha's capital city Bhubaneswar ahead of the final match between France and Croatia. (Credit Image: © Str/NurPhoto via ZUMA Press)
    20180713_zaa_n230_232.jpg
  • July 13, 2018 - Bhubaneswar, Odisha, India - On 13 July 2018, the Indian sand artist Manas Sahoo creates FIFA WOrld Cup 2018 final sand sculpture for visitors attraction at the Bay of Bengal Sea's eastern coast beach Puri, 65 km away from the eastern Indian state Odisha's capital city Bhubaneswar ahead of the final match between France and Croatia. (Credit Image: © Str/NurPhoto via ZUMA Press)
    20180713_zaa_n230_231.jpg
  • September 11, 2017 - Bhubaneswar, India - Indian sand artist Sudarshan Patnaik is creating a sand sculpture about the Blue Whale game for public awareness at the Bay of Bengal Sea’s eastern coast beach at Puri, 65 km away from the eastern Indian state Odisha’s capital city Bhubaneswar. (Credit Image: © Str/NurPhoto via ZUMA Press)
    RTI20170911_zaa_n230_058.jpg
  • August 5, 2017 - Puri, Orissa, India - Visitors look near to a sand sculpture creating by sand artist Sudarshan Pattnaik to spread message about China-India friendship on the International Friendship Day at the Bay of Bengal Sea’s eastern coast beach at Puri, 65 km away from the eastern Indian state Odisha’s capital city Bhubaneswar. (Credit Image: © Str/NurPhoto via ZUMA Press)
    20170805_zaa_n230_722.jpg
  • July 13, 2018 - Bhubaneswar, Odisha, India - On 13 July 2018, the Indian sand artist Manas Sahoo creates FIFA WOrld Cup 2018 final sand sculpture for visitors attraction at the Bay of Bengal Sea's eastern coast beach Puri, 65 km away from the eastern Indian state Odisha's capital city Bhubaneswar ahead of the final match between France and Croatia. (Credit Image: © Str/NurPhoto via ZUMA Press)
    20180713_zaa_n230_234.jpg
  • July 13, 2018 - Bhubaneswar, Odisha, India - On 13 July 2018, the Indian sand artist Manas Sahoo creates FIFA WOrld Cup 2018 final sand sculpture for visitors attraction at the Bay of Bengal Sea's eastern coast beach Puri, 65 km away from the eastern Indian state Odisha's capital city Bhubaneswar ahead of the final match between France and Croatia. (Credit Image: © Str/NurPhoto via ZUMA Press)
    20180713_zaa_n230_236.jpg
  • July 13, 2018 - Bhubaneswar, Odisha, India - On 13 July 2018, the Indian sand artist Manas Sahoo creates FIFA WOrld Cup 2018 final sand sculpture for visitors attraction at the Bay of Bengal Sea's eastern coast beach Puri, 65 km away from the eastern Indian state Odisha's capital city Bhubaneswar ahead of the final match between France and Croatia. (Credit Image: © Str/NurPhoto via ZUMA Press)
    20180713_zaa_n230_235.jpg
  • June 4, 2017 - Bhubaneswar, Orissa, India - Visitors look near to sand sculpture creating by local sand artists on the eve of World Environment Day at the Bay of Bengal Sea's eastern coast beach at Puri outskirts of the eastern Indian state Odisha's capital city Bhubaneswar. (Credit Image: © Str/NurPhoto via ZUMA Press)
    20170604_zaa_n230_143.jpg
  • A sculpture in the Walled Off Hotel (owned by Bansky) near the wall of separation in Bethlehem. From a series of travel photos taken in Jerusalem and nearby areas. Photo date: Wednesday, August 1, 2018. Photo credit should read: Richard Gray/EMPICS
    38016775.jpg
  • A general view of the Ferencvaros eagle sculpture outside the Groupama Arena home of the The Green Eagles before the international friendly match at the Groupama Arena, Budapest.
    35727198.jpg
  • A general view of the Ferencvaros eagle sculpture outside the Groupama Arena home of the The Green Eagles before the international friendly match at the Groupama Arena, Budapest.
    35727197.jpg
  • October 22, 2016 - London, England, United Kingdom - The sculpture 'Really Good', by David Shrigley, stands on the fourth plinth of Trafalgar Square on October 22, 2016 in London, England. (Credit Image: © Jonathan Nicholson/NurPhoto via ZUMA Press)
    20161022_zaa_n230_036.JPG
  • October 22, 2016 - London, England, United Kingdom - The sculpture 'Really Good', by David Shrigley, stands on the fourth plinth of Trafalgar Square on October 22, 2016 in London, England. (Credit Image: © Jonathan Nicholson/NurPhoto via ZUMA Press)
    20161022_zaa_n230_039.JPG
  • October 22, 2016 - London, England, United Kingdom - The sculpture 'Really Good', by David Shrigley, stands on the fourth plinth of Trafalgar Square on October 22, 2016 in London, England. (Credit Image: © Jonathan Nicholson/NurPhoto via ZUMA Press)
    20161022_zaa_n230_037.JPG
  • October 22, 2016 - London, England, United Kingdom - The sculpture 'Really Good', by David Shrigley, stands on the fourth plinth of Trafalgar Square on October 22, 2016 in London, England. (Credit Image: © Jonathan Nicholson/NurPhoto via ZUMA Press)
    20161022_zaa_n230_036.JPG
  • March 27, 2019 - London, London, United Kingdom - Cara Delevingne sculpture 'Olympe' unveiled at JD Malat Gallery, artist Aspencrow's latest masterpiece.The hyper realistic 50kg work took six months to make and is valued at £30,000.... Cara Delevingne 'Olympe' sculpture. (Credit Image: © Nils Jorgensen/i-Images via ZUMA Press)
    20190327_zaa_ap2_075.jpg
  • July 30, 2017 - Falsterbo, Sweden - Falsterbo, Sweden. 30th July, 2017. Since 1983 a sand sculpture competition has been held annually the last Sunday in July at the South West tip of the Swedish coast. Winners of the first prize for children, Flygande bananerna,  receiving their award. (Credit Image: © Tommy Lindholm/Pacific Press via ZUMA Wire)
    20170730_zaa_p133_093.jpg
  • May 24, 2017 - Saint Petersburg, Russia - May 24, 2017. - Russia, Saint Petersburg. - Preparations for the 'Great Russia' Festival of Sand Sculptures 2017 on a beach of the Peter and Paul Fortress. (Credit Image: © Russian Look via ZUMA Wire)
    20170524_zaf_l75_052.jpg
  • May 24, 2017 - Saint Petersburg, Russia - May 24, 2017. - Russia, Saint Petersburg. - Preparations for the 'Great Russia' Festival of Sand Sculptures 2017 on a beach of the Peter and Paul Fortress. (Credit Image: © Russian Look via ZUMA Wire)
    20170524_zaf_l75_051.jpg
  • October 5, 2018 - New York City, New York, US - ''Candy Nations” is a public art instillation by French artist Laurence Jenkell of nine-foot tall polyester resin sculptures of candy, each weighing 1,450 pounds (ca. 658 kg) and represents a piece of candy wrapped in the national colors of one of 20 countries as part of ‘Art On The Plazas’ program in the Fashion District as seen on October 4th. 2018. (Credit Image: © G. Ronald Lopez/ZUMA Wire)
    20181005_zap_l135_001.jpg
  • March 28, 2019 - Odesa, Ukraine - A bust of United States President Donald Trump is showcased on Oleksandrivskyi Avenue in Odesa, southern Ukraine, March 28, 2019. Artist by Vadym Bondarenko put the busts of United States President Donald Trump and North Korean leader Kim Jong Un on display for half an hour. The sculptures that are part of the Myru - myr (Peace to the World) project were moved to the Odesa Museum of Modern Art. According to Vadym Bondarenko, he chose to depict those politicians because of their negotiations that could change the world. Ukrinform. (Credit Image: © Nina Liashonok/Ukrinform via ZUMA Wire)
    20190328_zaa_u101_017.jpg
  • July 21, 2019 - Statue On Top Of Grand Palace, Paris, France (Credit Image: © Bilderbuch/Design Pics via ZUMA Wire)
    20190721_zza_rf01_220.jpg
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